Crusoe was a gentleman

John Sutherland, 1 July 1982

The Gentleman in Trollope: Individuality and Moral Conduct 
by Shirley Letwin.
Macmillan, 303 pp., £15, May 1982, 0 333 31209 0
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The Idea of the Gentleman in the Victorian Novel 
by Robin Gilmour.
Allen and Unwin, 208 pp., £10, October 1981, 0 04 800005 1
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... is specialised (and not my specialism), but by this she means that the gentleman is not ‘self-divided’ – not, that is, torn between reason and emotion, the ideal and the actual. For the Trollopian gentleman-hero, there is no oscillation between the here and now and the remote and what should be: the world is of a piece. The benightedly ...

A Serious Table

Christopher Driver, 2 September 1982

Simple French Food 
by Richard Olney.
Jill Norman and Hobhouse, 339 pp., £7.95, October 1981, 0 906908 22 1
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Living off nature 
by Judy Urquhart.
Penguin, 396 pp., £5.95, May 1982, 0 14 005107 4
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The Food and Cooking of Russia 
by Lesley Chamberlain.
Allen Lane, 330 pp., £9.95, June 1982, 0 7139 1468 8
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Food, Wine and Friends 
by Robert Carrier.
Sphere, 197 pp., £6.95, October 1981, 0 7221 2295 0
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The Colour Book of Fast Food 
edited by Alison Kerr.
Octopus, 77 pp., £1.99, June 1981, 0 7064 1510 8
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... and another Frenchman who proved it for the English. As Punch wrote after Alexis Soyer’s self-imposed slavery in the Crimea on behalf of his adopted country: The Cordon Bleu to the War is gone,     In the ranks of death you’ll find him. His snow-white apron is girded on     And his magic stove behind him. ‘Army beef,’ says the Cordon ...

Prynne’s Principia

Elizabeth Cook, 16 September 1982

Poems 
by J.H. Prynne.
Agneau 2, 320 pp., £12, May 1982, 0 907954 00 6
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... that makes these poems so very demanding and difficult. While the language is charged with the self-awareness that distinguishes poetic language, these poems are not primarily self-reflective. When poetry is in some sense the subject, the process is more one of self-interrogation. The ...
Mozart 
by Wolfgang Hildesheimer, translated by Marion Faber.
Dent, 408 pp., £10.95, January 1983, 0 460 04347 1
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... vulgarian, punning and burping his way through high society. But Hildesheimer’s way with this self-imposed assignment has none of these depressing features. He admires Mozart above all other humans: in fact, he concludes his book calling him ‘an unearned gift to humanity, nature’s unique, unmatched, and probably unmatchable work of art’. He wants to ...

Jew d’Esprit

Dan Jacobson, 6 May 1982

Disraeli’s Grand Tour: Benjamin Disraeli and the Holy Land 1830-31 
by Robert Blake.
Weidenfeld, 141 pp., £8.95, January 1982, 0 297 77910 9
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... of Beaconsfield, and confidant of the Queen. In poem after poem Byron had revealed the histrionic self-doubt and sense of evil which had goaded him from one extravagant action to another; he had then moved on to the wonderfully truth-revealing irresponsibility and mischief of Don Juan. The result? A European-wide reputation, and one great poem, certainly: but ...

Bloom’s Gnovel

Marilyn Butler, 3 July 1980

The Flight to Lucifer: A Gnostic Fantasy 
by Harold Bloom.
Faber, 240 pp., £4.95, May 1980, 0 374 15644 1
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... have no doubt tended to think that Kabbalism encourages superstition, emotionalism and self-indulgence. Much the same could be said of the flower people of the 1960s, who were also hankering after forms of religion with a dash of oriental extravagance about them. It was a suspect strain in Bloom, that his Kabbalism met the emotionalism of the ...

Late Capote

Julian Barnes, 19 February 1981

Music for Chameleons 
by Truman Capote.
Hamish Hamilton, 262 pp., £7.95, February 1981, 0 241 10541 2
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... arm of a heavily beringed dress designer: a man, it appears, of active sensuality verging on self-indulgence. Now compare the Irving Penn photograph for the back jacket of Music for Chameleons. Emaciated fingers delicately support a frail skull: without their help, you feel, the head might simply snap off. One hand, indeed, supplies the vertical ...

A History

Allan Massie, 19 February 1981

The Kennaway Papers 
by James Kennaway and Susan Kennaway.
Cape, 141 pp., £5.50, January 1981, 0 224 01865 5
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... type of novelist (and had something of the same order of talent) as the Old Firm, writers whose self-conscious dandy persona pervades their work, who cannot detach their own personality from the world they have created, who, indeed, are always in danger in real life of being swallowed by their creations. With Kennaway, though the rhythms tend to be ...

How shall we sing the Lord’s song?

Bernard Williams, 2 April 1981

Religion and Public Doctrine in England 
by Maurice Cowling.
Cambridge, 475 pp., £20, December 1980, 0 521 23289 9
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... even a public deceitfulness, but rather that the high-minded propounders of liberal ideals, the self-satisfied advocates of ‘procrustean virtue’, as he occasionally puts it, are self-deceived. But, once more, if that implies, as it surely must, that they are blinded to the reality of the world, then we need a rather ...

Arabia Revisita

Reyner Banham, 4 December 1980

Travels in Arabia Deserts 
by Charles Doughty.
Dover, 674 pp., £11.35, June 1980, 0 486 23825 3
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... and that notoriety tends to deter readers who might have tried, so that the legend is self-perpetuating. On all sides, it is acknowledged as some sort of masterpeice, but it is clear that not all who praise have actually read it, because they are often uncertain about its format, having probably read only Edward Garnett’s dim-witted ...

Retrospective

Donald Davie, 2 February 1984

A World of Difference 
by Norman MacCaig.
Chatto, 64 pp., £3.95, June 1983, 0 7011 2693 0
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... any rate. Yet his conclusion is caustic: In the poetic tradition now dominant the authoritative self, discoursing in a world of banal, empirically derived objects and relations, depends on its employment of metaphor and simile for poetic vitality ... Poets are now praised above all else as inventors of figures – as rhetoricians, in fact – with a ...

Boys wearing wings

Nicholas Penny, 15 March 1984

Caravaggio 
by Howard Hibbard.
Thames and Hudson, 404 pp., £22.50, May 1983, 0 500 09161 7
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Circa 1600: A Revolution of Style in Italian Painting 
by S.J. Freedberg.
Harvard, 125 pp., £21.25, January 1983, 0 674 13156 8
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Domenichino 
by Richard Spear.
Yale, 382 pp., £75, November 1982, 0 300 02359 6
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... obsessed with violence and with his own homosexuality, but also a sophisticated, ironic and self-consciously art-historical artist. Can we accept this? According to Van Mander’s account, ‘after a fortnight’s work’ Caravaggio would ‘sally forth for a couple of months at a time with his rapier at his side and his page behind him going from one ...

Holy Grails, Promised Lands

D.J. Enright, 9 April 1992

Proofs and Three Parables 
by George Steiner.
Faber, 114 pp., £5.99, March 1992, 0 571 16621 0
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... of “Man” with that of the “subject”, which is gendered, “decentred”, and no longer self-determining.’ Yet it seems we go on believing in the feasibility of a decent life, although its rationale must be hard to formulate, let alone justify: certainly nothing worthy (thank God, some will say) of being called an ideology. We believe (which may ...

Amerloques

Eugen Weber, 10 March 1994

Seducing the French: The Dilemma of Americanisation 
by Richard Kuisel.
California, 309 pp., £20, April 1993, 0 520 07962 0
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... however, until the First World War turned a broadly benevolent indifference into interest and self-interest, then into irritation, and finally into apprehension that The American Cancer (a title of 1931) threatened the French way of life. The war had bled France white, economic crisis had destabilised it further. The French began to question ...

You can’t put it down

Fintan O’Toole, 18 July 1996

The Fourth Estate 
by Jeffrey Archer.
HarperCollins, 550 pp., £16.99, May 1996, 0 00 225318 6
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Tickle the Public: One Hundred Years of the Popular Press 
by Matthew Engel.
Gollancz, 352 pp., £20, April 1996, 9780575061439
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Newspaper Power: The New National Press in Britain 
by Jeremy Tunstall.
Oxford, 441 pp., £35, March 1996, 0 19 871133 6
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... Lay aside for a moment your self-esteem and imagine that you are Jeffrey Archer. You are now a model citizen of the Post-Modern state of hyper-reality, a figure in whom actuality and invention, public fact and private fantasy, the business of government and the spinning of yarns have become utterly indistinguishable ...