At the Jeu de Paume
Brian Dillon: Peter Hujar, 19 December 2019
“... and legs emerge. The impression of solidity was partly a matter of form. Like Diane Arbus and Robert Mapplethorpe, Hujar created square, black and white images, typically using a Rolleiflex or the more sophisticated Hasselblad, plus tripod. The geometry of the square encourages a photographer to centre the subject and face it head on, turning unruly ... ”