“... Robert Hamer​ ’s Kind Hearts and Coronets was first released in 1949, and the current celebratory showings in various London cinemas are more than welcome. There is something a little odd, though, in associating this film in any close way with ordinary, consecutive time. It was elegantly old before it was born, and it hasn’t got any older ...”

“... as Siegfried Sassoon and Ivor Gurney, and more than twice as long as Wilfred Owen, Charles Sorley, Robert Graves and Wyndham Lewis.’ It isn’t a competition, but his long acquaintance with the front is probably why the matter-of-fact tone of In Parenthesis – one tone among several – is so free of affectation. In the 1960s, Jones visited Sassoon, another ...”

“... perfectly obvious. Somebody is – perfectly legally – trying to rip us off. George Akerlof and Robert Shiller’s new book, Phishing for Phools (Princeton, £16.95), is about this subject. It concerns, as its subtitle says, ‘the economics of manipulation and deception’. Akerlof and Shiller aren’t using the word ‘phishing’ in the sense in which ...”

“... and weather wasn’t naturalised here. Between the wars Pissarro was close to Charles Ginner, Robert Bevan, Sickert, Spencer Gore, painters well represented in the Ashmolean. There is a pleasing primness about them, a neatness, a care about getting the drawing right, that was just what Camille hoped Lucien would escape from. In 1947 Pissarro’s widow and ...”

“... some living artists. The title of the current exhibition, The Shock of the Old (an allusion to Robert Hughes’s The Shock of the New, about the rise of modern art since Impressionism), is playfully intended to convey the provocation of exhibiting such paintings among the contemporary work on view nearby, at edgier dealers like Pace and Marlborough ...”

“... invasion of the act of another. Alfred Borden, played by Christian Bale, wrecks a performance by Robert Angier, played by Hugh Jackman, with dire consequences: in the novel an abortion for Angier’s wife, in the movie the wife’s death. But this plausible bit of plotting very soon comes to look like an excuse. The two men are slugging it out in what they ...”

“... tabloid glare of celebrity visibility in a lurid image of Mick Jagger handcuffed to the art dealer Robert Fraser after a drugs bust; Warhol eliciting shock cut with indifference with a newswire photo of a car crash silk-screened 11 times across a rust-orange canvas; Richter producing an empathic response in his blurred representation of a pretty woman ...”

“... painted in Rome in 1622. The daughter of a Christian Circassian chieftain, she had married Robert Shirley in Persia and is shown draped in a kind of tent of gold fabric – the effect of her clothes is splendidly exotic. Her thin-lipped, quizzical half-smile is less contrived than those of many of the court beauties. Clothes like hers offer a break ...”

“... plans for a new Bedlam, since by the early 1800s the baroque palace of an asylum, designed by Robert Hooke, had fallen into serious disrepair. Matthews’s designs – elegant and neoclassical – were passed over, and the great grey superstructure of the new Bedlam arose at St George’s Fields in Southwark instead, topped off by the weirdly elongated ...”

“... shop-shelves, montages of violent action from Cuban history and the Spanish Civil War (including Robert Capa’s famous photo of a dying soldier). The base at Guantánamo Bay opens, or rather encloses itself. Sergio is confused. ‘Everything is the same,’ he says, looking around him. And then: ‘I have changed, and the city has changed.’ He quotes a ...”

“... and legs emerge. The impression of solidity was partly a matter of form. Like Diane Arbus and Robert Mapplethorpe, Hujar created square, black and white images, typically using a Rolleiflex or the more sophisticated Hasselblad, plus tripod. The geometry of the square encourages a photographer to centre the subject and face it head on, turning unruly ...”

“... a scale model of which still stands in the grounds.A thousand years earlier, Paul of Caen and Robert the Mason began the transformation of the Roman shrine to St Alban, the first British Christian martyr, into a Norman church of handsome proportions, eventually dedicated in 1115. A succession of ambitious and not always scrupulous abbots and master masons ...”

“... Exposition Universelle, he expressed enthusiasm for British painting – for David Wilkie, Charles Robert Leslie and Francis Grant – and noted that the archaisms of the Pre-Raphaelites (the ‘école sèche’) had not inhibited their response to life and sentiment: he cited the Order of Release by Millais as something beyond the power of ‘nos ...”

“... of Northumbria in a child’s grave, Viking crosses with their round faces like a cowl. The dying Robert the Bruce came here on his last pilgrimage, hoping to find some time-crossing connection with the saint. Pilgrimages and festivals intertwine. There is a well-accepted anthropological framework for the festival process: the initial rites of separation from ...”

“... course from the Cleveland School of Cartooning – but he didn’t much care for the comparison. Robert Crumb, in his comic book Weirdo No. 7, which makes play with some of Guston’s motifs (the big eye, the soles of nailed boots) and has a narrative, ‘Uncle Bob’s Midlife Crisis’, in which he muses about taking up ‘a fine art career, oil painting ...”