“... Keats walked this coast he felt it followed him,’ I said. But our plans involved Robert Burns. Karl, since he first began publishing Seamus in the New Statesman in the 1960s, always felt there was a clear affinity between Burns and Heaney. They were both the sons of farmers and they both allowed nature to oxygenate the mind and inflect the ...”

“... his great eyes without thoughtUnder the shadow of stupid straw-pale locks,That insolent fiend Robert ArtissonTo whom the love-lorn Lady Kyteler broughtBronzed peacock feathers, red combs of her cocks.There is a regular iambic metre hiding in the first line, like a ghost or a well-behaved child, but almost anyone is going to read the initial phrase with ...”

“... Michel Foucault has of late become something of a cult figure in the Anglo-Saxon world. His critics can point out that he has the necessary qualifications for guru status, in that his writings have tended to be cross-disciplinary, obscure and fairly opaque. Yet his work has recently taken on a new clarity and, moreover, he has acknowledged that in his previous studies he had missed an important explanatory variable – namely, ‘power ...”

“... would have been welcome in these pages. To George IV is attributed a stinging judgment on Sir Robert Peel: ‘He is no gentleman. He divides his coat tails when he sits down.’ A letter by Scott Fitzgerald is printed as a charming example of how to coax a 19-year-old daughter into saying thank-you for favours received. Outshining it is Henry James’s ...”

“... deplored in an annulment case as ‘the position and actions of the male’. Poor Lew Ayres. Poor Robert Montgomery. Even John Barrymore looked a bit unready beside her. Androgynous? Castrating? Lesbian? Who cares. The fascination with the home lives of the stars always misses the basic point: they are actors, wearers of costumes, speakers of other people’s ...”

“... style of such modern studies of royalty as Anthony Holden’s life of the Prince of Wales and Robert Lacey’s study of the present Queen, Majesty. The point about these books is that they are rather jolly. They may not tell you anything earth-shaking that you did not know before, since their main message is that the Prince of Wales/Queen is alive and ...”

“... years’. In Newsweek, Walter Shapiro found it ‘the best aide’s-eye view of politics since Robert Penn Warren’s All the King’s Men’. In the New Republic, Matthew Cooper, after revealing (‘full disclosure’) that he himself is now dating Mandy Grunwald, who held the position in the Clinton campaign of the novel’s sexy heroine Daisy ...”

“... in English. One who made the comparison with Burns was Gerard Manley Hopkins, writing in 1879 to Robert Bridges. Of Barnes’s dialect poems Hopkins says: ‘A proof of their excellence is that you may translate them and they are nearly as good – I say nearly, because if the dialect plays any lawful part in the effect they ought to lose something in losing ...”

“... on headphones as you walk around) has echoes of Untrue Island, a libretto from 2012 written by Robert Macfarlane at the request of the National Trust. Here is Macfarlane:Listen. Listen now. Listen again to the sounds of this slow-flowing shingle river. Listen to the voices of this untrue island. Listen to the Ness: it speaks gull, it speaks wave, it speaks ...”

“... Robert Hamer​ ’s Kind Hearts and Coronets was first released in 1949, and the current celebratory showings in various London cinemas are more than welcome. There is something a little odd, though, in associating this film in any close way with ordinary, consecutive time. It was elegantly old before it was born, and it hasn’t got any older ...”

“... as Siegfried Sassoon and Ivor Gurney, and more than twice as long as Wilfred Owen, Charles Sorley, Robert Graves and Wyndham Lewis.’ It isn’t a competition, but his long acquaintance with the front is probably why the matter-of-fact tone of In Parenthesis – one tone among several – is so free of affectation. In the 1960s, Jones visited Sassoon, another ...”

“... perfectly obvious. Somebody is – perfectly legally – trying to rip us off. George Akerlof and Robert Shiller’s new book, Phishing for Phools (Princeton, £16.95), is about this subject. It concerns, as its subtitle says, ‘the economics of manipulation and deception’. Akerlof and Shiller aren’t using the word ‘phishing’ in the sense in which ...”

“... and weather wasn’t naturalised here. Between the wars Pissarro was close to Charles Ginner, Robert Bevan, Sickert, Spencer Gore, painters well represented in the Ashmolean. There is a pleasing primness about them, a neatness, a care about getting the drawing right, that was just what Camille hoped Lucien would escape from. In 1947 Pissarro’s widow and ...”

“... some living artists. The title of the current exhibition, The Shock of the Old (an allusion to Robert Hughes’s The Shock of the New, about the rise of modern art since Impressionism), is playfully intended to convey the provocation of exhibiting such paintings among the contemporary work on view nearby, at edgier dealers like Pace and Marlborough ...”

“... invasion of the act of another. Alfred Borden, played by Christian Bale, wrecks a performance by Robert Angier, played by Hugh Jackman, with dire consequences: in the novel an abortion for Angier’s wife, in the movie the wife’s death. But this plausible bit of plotting very soon comes to look like an excuse. The two men are slugging it out in what they ...”