“... act and to be responsible for their actions is an essential aspect of who they are), and Iron Man (Robert Downey Jr) leading the yeses (he’s just had a difficult encounter with the mother of a young man they accidentally killed in a preceding film). Both are reasonable positions, and we may, according to our own politics, think either is confirmed or denied ...”

“... musing on the lights below, soft-focus studio filter work, the glow and heartening realism of Robert Doisneau (industrial suburbs, the great aerial one of the Renault plant beside the Bois de Boulogne, pensioners, tramps, young lovers in a park, a kiss at rush-hour or a dance in the dark); and on the history shelves the wartime books, old coats and ...”

“... theatrical staging, a tableau vivant, which cannot but call to mind the ‘theatre of cruelty’, Robert Mapplethorpe’s photographs, scenes from David Lynch movies. This brings us to the crux of the matter. Anyone acquainted with the US way of life will have recognised in the photographs the obscene underside of US popular culture. You can find similar ...”

“... in the years up to 1917, before the arrival of British troops, by German archaeologists led by Robert Koldewey. The perspective drawings suggest something closer to a modern town planner’s ideas than to the crowded souks and tenements that one imagines, on the evidence of old Istanbul or Fez. But all ages, whatever their evidence, manage to give ...”

“... a jagged strip of canvas left bare at the top. It’s reminiscent of Clyfford Still, or one of Robert Motherwell’s blue paintings: the old Abstract Expressionist elite, New York’s first artistic avant-garde, are seldom far from Basquiat’s large-scale works. His favourite painter, apart from Cy Twombly, was Franz Kline. But, as in Twombly’s ...”

“... found a suitable home, when the National Gallery’s Sainsbury Wing opened. The space, designed by Robert Venturi and Denise Scott Brown, isn’t quite the ecclesiastical setting for which the artwork was made, but it comes surprisingly close: high ceilings with simplified apses, top-lighting and pale grey walls with dados made of grey pietra serena. Almost ...”

“... Or is the truth to be found in the nuanced available light of René Burri, Cartier-Bresson and Robert Capa? ‘Truth’ not just in the sense of true to appearances. Are human beings like Weegee’s excited grinning bystanders? Or are they like Cartier-Bresson’s self-contained passers-by? They could of course be all these things, but maybe they are none ...”

“... with him usually agree that he was the most engaged and patient looker at art they ever knew. Robert Rosenblum rightly says, in David Sylvester: The Private Collection, that there was something comical about his high seriousness, but it is also true that, ‘unlike the rest of us ironists’, he could make one feel (or at least feel one ought to ...”

“... well-known fact that all a working man would ever do with a large award of damages was buy a pub. Robert Stevens in a footnote cites a nice antidote from a law lord in 1833: ‘Here is a contract made by a fishmonger and a carrier of fish who know their business, and whether it is just and reasonable is to be settled by me who am neither fishmonger nor ...”

“... newspaper pundits have created persistent legends; and it is to combat one of these legends that Robert Ferrell has edited Eisenhower’s diaries. Professor Ferrell is not the first historian who has sought to show that the General-President, far from being a confused nonentity, was, on the contrary, a hard-working, shrewd and purposive leader who ...”

“... poetry today’ – should have told John Haffenden in an interview for Viewpoints that he found Robert Frost’s fable of imagined unlived lives, ‘The Road Not Taken’, exemplary. If Fenton’s distinction between the narrative kinds is just, so is the note of regret and rebellion that he strikes in the phrase ‘deliberately excluded from ...”

“... sunset was never exactly a paragon of family values. A boy in the 1950s, the heyday of the genre, Robert Pippin grew up steeped in the Western. He watched them both on television (his favourite show was Have Gun, Will Travel) and ‘all day Saturdays at the movies (ten in the morning until six at night) … one Western after another’. Growing up in Havana ...”

“... by William Archer, J.M. Barrie, Arnold Bennett, A.C. Benson, Hugh Benson, Laurence Binyon, Robert Bridges, Hall Caine, G.K. Chesterton, Arthur Conan Doyle, John Galsworthy, Thomas Hardy, Maurice Hewlett, Anthony Hope, W.J. Locke, E.V. Lucas, J.W. Mackail, John Masefield, A.E.W. Mason, Gilbert Murray, Henry Newbolt, Owen ...”

“... It was reading Robert Lowell that brought me to poetry at the age of 19, in 1976. I had borrowed a friend’s omnibus edition of Life Studies and For the Union Dead, and something in me said: ‘This is it!’ I don’t remember the poem I first had that response to, but most likely it was in Part IV of Life Studies, ‘Dunbarton’ or ‘For Sale’, or perhaps ‘Waking in the Blue ...”

“... expected to find one. But there were ten: one succinct W.H.D. Rouse prose translation and one Robert Graves, in prose and song, both in paperback; two blank verse Robert Fagles in solid covers; one rhythmic Richmond Lattimore with a lengthy new introduction;* and three hardback copies of the new Stephen Mitchell ...”