At the Barbican
Saul Nelson: Jean-Michel Basquiat, 4 January 2018
“... a jagged strip of canvas left bare at the top. It’s reminiscent of Clyfford Still, or one of Robert Motherwell’s blue paintings: the old Abstract Expressionist elite, New York’s first artistic avant-garde, are seldom far from Basquiat’s large-scale works. His favourite painter, apart from Cy Twombly, was Franz Kline. But, as in Twombly’s ... ”