Sexist

John Bayley, 10 December 1987

John Keats 
by John Barnard.
Cambridge, 172 pp., £22.50, March 1987, 0 521 26691 2
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Keats as a Reader of Shakespeare 
by R.S. White.
Athlone, 250 pp., £25, March 1987, 0 485 11298 1
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... poetry, in spite of superb lines and phrases, goes two-dimensional and dead. But it would tax a Roland Barthes to do justice to the inner life of ‘St Agnes Eve’, as of the Odes, and all their supremely felicitous incongruity. And it is essentially Shakespearean. Here again Keats misunderstood himself. He imagined he could only be Shakespearean by ...

Pork Chops and Pineapples

Terry Eagleton: The Realism of Erich Auerbach, 23 October 2003

Mimesis: The Representation of Reality in Western Literature 
by Erich Auerbach.
Princeton, 579 pp., £13.95, May 2003, 9780691113364
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... literary arena long before they make their collective appearance on the political stage. Rather as Roland Barthes once speculated that one could write a history of textuality, showing how the self-conscious play of the signifier threads its way through the history of writing, so Auerbach charts the surfacing and submerging of popular realism from Homer to ...

Global Style

Hal Foster: Renzo Piano, 20 September 2007

Piano: Renzo Piano Building Workshop 1966-2005 
by Philip Jodidio.
Taschen, 528 pp., £79.99, February 2005, 3 8228 5768 8
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Renzo Piano Building Workshop Vol. IV 
by Peter Buchanan.
Phaidon, 240 pp., £22.95, January 2005, 0 7148 4287 7
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... trace souvenir of the old culture, a token at a remove, a ‘mythical sign’ (in the parlance of Roland Barthes): hence the allusion to the floating world in the Hermès store in Tokyo, the village huts in the cultural centre in New Caledonia and so on. Beck calls this phenomenon ‘banal cosmopolitanism’, and, like Rogers and Foster, Piano is adept ...

Investigate the Sock

David Trotter: Garbo’s Equivocation, 24 February 2022

Garbo 
by Robert Gottlieb.
Farrar, Straus, 438 pp., £32, December 2021, 978 0 374 29835 7
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... Garbo studies has acquired all the trappings of a negative theology. Garbo’s face is an idea, Roland Barthes declared in 1957, not an event: it projects an essential rather than an existential beauty. The ‘divine’ Garbo descended, Barthes wrote, ‘from a heaven where all things are formed and perfected in the ...

Is there hope for U?

Christopher Tayler: Tom McCarthy, 21 May 2015

Satin Island 
by Tom McCarthy.
Cape, 192 pp., £16.99, March 2015, 978 0 224 09019 3
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... writing was ‘a tissue of quotations’, and that the writer’s ‘only power is to mix’, as Roland Barthes taught, when DJ Shadow was riding high. Techno’s imagery fitted well with the traces and fields that post-structuralism traded in, and the rave scene’s communal, anti-starry ethos could with a bit of imaginative effort be seen as another ...

Troglodytes

Patrick Parrinder, 25 October 1990

Notes on the Underground: An Essay on Technology, Society and the Imagination 
by Rosalind Williams.
MIT, 265 pp., £22.50, March 1990, 9780262231459
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The Mask of the Prophet: The Extraordinary Fictions of Jules Verne 
by Andrew Martin.
Oxford, 222 pp., £27.50, May 1990, 0 19 815798 3
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... innovation in the English criticism of Verne, he is much indebted to such Parisian predecessors as Roland Barthes, Michel Butor and Michel Serres. Moreover, The Mask of the Prophet is a sequel to Martin’s earlier book, The Knowledge of Ignorance: From Genesis to Jules Verne (1985), so there is a certain amount of self-repetition. Martin sets out both to ...

Stage Emperor

James Davidson, 28 April 1994

Reflections of Nero: Culture, History and Representation 
edited by Jás Elsner and Jamie Masters.
Duckworth, 239 pp., £35, January 1994, 0 7156 2479 2
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... of precipitous foreshortening is manifest above all in the extinctions which spatter his reign. As Roland Barthes pointed out, deaths don’t just accumulate in Tacitus’ narrative of Nero’s reign, they seem to multiply and proliferate, as if racing to some kind of baroque finale. The typical murder attempted by this thespian prince is the staged ...

Maids

Philip Horne, 1 April 1983

The Slow Train to Milan 
by Lisa St Aubin de Teran.
Cape, 254 pp., £7.95, March 1983, 0 224 02077 3
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Holy Pictures 
by Clare Boylan.
Hamish Hamilton, 201 pp., £7.95, February 1983, 0 241 10926 4
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Pilgermann 
by Russell Hoban.
Cape, 240 pp., £7.95, March 1983, 0 224 02072 2
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September Castle: A Tale of Love 
by Simon Raven.
Blond and Briggs, 261 pp., £7.95, February 1983, 0 85634 123 1
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The Watcher 
by Charles Maclean.
Allen Lane, 343 pp., £7.95, March 1983, 0 7139 1559 5
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The Little Drummer Girl 
by John le Carré.
Hodder, 433 pp., £8.95, March 1983, 0 340 32847 9
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... excites our desire to know more. His handling of this desire, what’s more, might have pleased Roland Barthes, for the novel’s construction candidly runs the reader’s curious pleasure in a story up against the extended pleasure of controlled foreplay. Ptoly recounts the story of Xanthippe to his 16-year-old niece-mistress Jo-Jo over gourmet meals ...

In a Garden in Milan

Adam Phillips: Augustine’s Confessions, 25 October 2018

Confessions: A New Translation 
by Augustine, translated by Peter Constantine.
Liveright, 329 pp., £22.99, February 2018, 978 0 87140 714 6
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... this strange and eloquent book, as Augustine himself hoped. But it can’t be, by definition, what Roland Barthes called a readerly text, a conventionally familiar one, even in Constantine’s compelling and fluent new translation: it is a book that wants to be more accessible and hospitable than it could possibly be because the writing of the book is ...
Cary Grant: A Class Apart 
by Graham McCann.
Fourth Estate, 346 pp., £16.99, September 1996, 1 85702 366 8
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... but also tells the life – is interested in what a life might be; it quotes Mel Brooks and Roland Barthes (in that order). McCann’s interest in the layering of identity is not new for him. In his book on Marilyn Monroe (1988) he writes: ‘Monroe was a professional role-player, she assumed a multiplicity of selves, of “Marilyns”, making it ...

Expendabilia

Hal Foster: Reyner Banham, 9 May 2002

Reyner Banham: Historian of the Immediate Future 
by Nigel Whiteley.
MIT, 494 pp., £27.50, January 2002, 0 262 23216 2
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... Marxist, and so was distant from such diverse critics of everyday culture as Raymond Williams and Roland Barthes. Banham once described his prose as ‘flip, throw-away, smarty-pants, look-at-me’, which might seem to ally it with the New Journalism of a Tom Wolfe. But Wolfe is a reactionary, and his nasty swipe at modern architecture, From Bauhaus to ...

Human Spanner

Stuart Jeffries: Kant Come Alive, 17 June 2021

Correspondence 1923-66: Theodor W. Adorno and Siegfried Kracauer 
edited by Wolfgang Schopf, translated by Susan Reynolds and Michael Winkler.
Polity, 537 pp., £35, November 2020, 978 0 7456 4923 8
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Kracauer: A Biography 
by Jörg Später, translated by Daniel Steuer.
Polity, 584 pp., £35, September 2020, 978 1 5095 3301 5
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... to tread, and specialised in finding the profound in the superficial. Thirty years later, Barthes compared Citroëns to cathedrals and identified the mythical appeal of washing powder. But Kracauer dived into the shallows first.Benjamin praised him as a fellow ragpicker, sorting through cultural trash for meaning. In writing about our bewitchment by ...

The Love Object

Adam Mars-Jones: Anne Garréta, 30 July 2015

Sphinx 
by Anne Garréta, translated by Emma Ramadan.
Deep Vellum, 120 pp., £9.87, April 2015, 978 1 941920 09 1
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... to overthrow the destructive construction of gender in Western society, such as Monique Wittig and Roland Barthes,’ Ramadan writes, ‘Garréta set about subverting the way gender works in the French language in order to combat its sexist nature.’ This doesn’t seem quite right, since subverting something normally means more than avoiding its ...

Massive Egg

Hal Foster: Skies over Magritte, 7 July 2022

Magritte: A Life 
by Alex Danchev with Sarah Whitfield.
Profile, 420 pp., £30, November 2021, 978 1 78125 077 8
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... profoundly). Certainly Foucault saw Warhol’s silkscreens as simulacra, as did Gilles Deleuze, Roland Barthes and Jean Baudrillard, and some of us approached a good deal of postmodernist art in this way too.How does the play with simulacra relate to the left politics that Magritte supported? ‘In life as in my painting, I am also traditionalist, even ...

Marvellous Boys

Mark Ford, 9 September 1993

The Ern Malley Affair 
by Michael Heyward.
Faber, 278 pp., £15, August 1993, 0 571 16781 0
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... didn’t exist has only increased his fascination in the Post-Modern era. It’s some time since Roland Barthes announced the death of the author, insisting that all texts should be seen merely as a ‘multi-dimensional space in which a variety of writings, none of them original, blend and clash’. No texts could illustrate this idea of literature more ...