“... the knack/Of looking fierce in pins and black,/The suburbs wouldn’t want you back’), and the frank versions of a gay overworld (‘Yet when I’ve had you once or twice/I may not want you any more’) would have made him a guru here; I presumed that his recent elegies on the deaths of friends from Aids would have made him a central figure in the literary ...”

“... to grouse not to ‘Young pigs or pork’. But Kelvin elsewhere totally disarms criticism by his frank admission that one letter has been printed twice because his discovery of a mistake in dating came ‘too late to make a change’; it is the kind of candour about error that inspires trust. This first volume of Morris’s correspondence contains some 659 ...”

“... poet – and it ought to frustrate his readers – when he gets recognised for the wrong things. Frank Bidart first became famous in America (famous, that is, as American poets go) for the grisly violence of his dramatic monologues, for his poems’ unusual layout and typography, and for his close association with older poets, especially with ...”

“... to Newton’s achievement in his personality. Far and away the best psychohistorian of Newton is Frank Manuel. His Portrait was first published in the USA in 1968, and is here reproduced without alteration: even a howler on page 112 stands uncorrected. Manuel has published two other more specialised books on Newton, but this is his best all-round ...”

“... Albert Anastasia, head of the so-called Murder, Inc; Moe Dalitz, a prominent Jewish gangster; Frank Costello, Luciano’s understudy; Carlos Marcello, the crime boss of New Orleans; Santo Trafficante, scion of a prominent crime family in Tampa; and Lansky himself, born Maier Suchowljansky in Poland and raised on New York’s Lower East Side. In The ...”

“... book not only as an exploration of ancient history, but as a work that speaks to the present. As Frank Kermode put it in The Sense of an Ending, people are born in medias res and ‘also die in mediis rebus, and to make sense of their span they need fictive concords with origins and ends, such as give meaning to lives and to poems’. I was once asked in an ...”

“... Not that external regulation has worked either. Recent disclosures, including John Yates’s frank admission that his failure to reopen the hacking investigation in 2009 was ‘pretty crap’, suggest that police action against reporters’ malfeasance is as hopeless as the PCC’s. As Stewart Tendler, a Times crime reporter, put it, apparently without ...”

“... Claude Simon, Nathalie Sarraute, Michel Butor and the hugely entertaining and wrongly overlooked Robert Pinget. Beckett in particular, and later the very bankable Robbe-Grillet and Simon, seem never to have thought of being published by anyone else, even if it did mean their having to argue the toss over punctuation. There could be no more pleasant way of ...”

“... account of Boswell’s later life which was published six years ago by one of the present editors, Frank Brady – is the worse for its author’s frustrations, prostrations and despairs, interesting though he can sometimes make them appear; it conveys what can often seem like a bitter end for the likely lad from Ayrshire; Boswell’s last legs are apt to give ...”

“... was William Camden’s ponderous official history, then the influential courtier biographies by Robert Naunton, Froude’s probing critique, the rigorous constitutionalism of A.F. Pollard, and so on to John Neale, his pupils and colleagues, and beyond to Peter Lake and John Guy. So often studies of Elizabeth’s reign are impossible to disentangle from the ...”

“... volumes of the prosecution’s documentary evidence, the unpublished papers of the US prosecutor, Robert H. Jackson, and of the principal US judge, Francis Biddle, and numerous published memoirs. Both have consulted unpublished collections of papers in the US and Britain, although in some cases not the same ones; and both regale us with titbits from ...”

“... Robert Altman’s Short Cuts is a long, loose-looking movie, but the looseness is an effect, carefully worked for. Plenty of themes recur throughout – insecurity, chance, rage, damage, the long, bruising war between men and women – and although there are fourteen or fifteen stories here (based on extrapolated from ten stories by Raymond Carver – the handouts and the introduction solemnly say nine stories and a poem, but the so-called poem is also a prose narrative), they are intricately stitched together, like a miniaturised Comédie humaine set in Los Angeles ...”

“... on the martyr’s role: ‘I have a death-thing, I know ...’ he told his official biographer Robert Shelton in one of his more revealing interviews, as if confiding to an apostle. The concerts themselves often turned into furious confrontations between performers and audience, with disgruntled folk-music lovers heckling throughout the rock ‘n’ roll ...”

“... too, that Bishop’s peculiar methods and achievement were somehow exemplary or corrective. Robert Lowell, also an early enthusiast, addressed Bishop handsomely in a poem of his later years as the ‘unerring Muse who makes the casual perfect’ – again the highest praise, and with an emphasis on her role as touchstone and ...”

“... seize and hold the “high ground” of the market before competitors can get there’, as Robert Ball put it in the August 1971 issue of Fortune. It is the economics of the industry that are at fault, not the firm itself, and it is unrealistic to expect that anti-trust action would achieve very much. What is needed is a change in the way the industry ...”