Damsons and Custard
Paul Laity: Documentary cinema’s unsung poet, 3 March 2005
“... The lives of ‘ordinary people’ in industrial Britain were already being depicted by Basil Wright and other documentary-makers at the GPO Film Unit: Jennings realised that cinema offered a way of combining his painterly sense of image with both the ‘poetic’ and political impulses behind Mass-Observation. Jennings joined the Film Unit full-time ... ”