“... no mention of Emile Durkheim or of Robert Merton. ‘Anomy’ is declared obs. by the OED but the French variant anomie stands for a sort of sociological deficiency disease: it refers to the ‘lost’ and rootless state of an individual or community that lacks norms of behaviour and behavioural standards. The resulting lawlessness, Nisbet remarks, was an ...”

“... the language used to describe a castrato singing has its own luscious, plaintive sound. The French soprano Emma Calvé wrote in her autobiography about hearing the castrato Domenico Mustafà in 1891: ‘He had an exquisite high tenor voice, truly angelic, neither masculine nor yet feminine in type – deep, subtle, poignant in its vibrant intensity ...”

“... he was told the story of the fall of the Bastille by an eye-witness who was a close friend of his French grandmother. This sufficiently remarkable fact made an enduring impression on him: it was, he declared in 1925, ‘as though some very old person today were to remember having met in childhood a person who had seen John Milton’. But we need not suppose ...”

“... Only a few months after the first, revelatory, biography of Philip Larkin there come two new lives – whether they are ‘revelatory’ will need pondering – of Michel Foucault. It is a suggestive coincidence. The one an exemplar of humanism, the other a grand exponent of anti-humanism, they are about the best in the way of writers their two countries have lately produced, and at their death they seemed to leave as great a hole ...”

“... Alcoholism softens the flesh – or at least, the 19th-century French variety did. When Verlaine died, Mallarmé watched a cast being taken of the face of this staunchly self-destructive drinker. He reported to the poet Georges Rodenbach that he would never forget ‘the wet, soggy sound made by the removal of the death-mask from his face, an operation in which part of his beard and mouth had come away too ...”

“... and its enviable command of recent explorations of popular culture, many of them the work of French folklorists and anthropologists. Now, much altered, it appears in English. Laroque has added further illustrations, comment about theatre audiences, reference to folio and quarto variants in Shakespeare, consideration of New Historicist interpretations of ...”

“... Henry VIII had embarked on a military expedition in northern France, and Scotland responded to French calls for aid by invading England. James IV’s army was equipped with an impressive number of modern cannon cast in bronze and was accompanied by Continental experts in the latest techniques in warfare. The army and its cannon made short work of a number ...”

“... describes took place in London, with a brief postscript in Paris. The embassy of the title is the French Embassy, located at Salisbury Court between Fleet Street and the river. (A contemporary map places it on the north side of the court, but rather typically Bossy argues it was on the opposite side.) Various politicians, authors and malcontents play a ...”

“... debatably attributed pieces – was unknown to the international public until Théophile Thoré, a French critic, began to collect and promote it in the mid-1860s. It offered a new version of the homely Dutch art invoked by mid-19th-century novelists such as George Eliot, who made her famous defence of ‘vulgar’ realism in Adam Bede. The pictures Eliot had ...”

“... Whole systems of thought have been founded on the French language’s inability to distinguish differing from deferring. Perhaps Napoleon is to blame (‘Not tonight, Josephine’). In Britain, we do things differently. Whereas Baudelaire’s vrai voyageur preferred travelling joyfully to the letdowns of arrival – in modern terms, couldn’t stop playing with his signifier – Forster’s Mrs Moore remains convinced that there is a real India to make her passage to, Conrad’s Marlow knows there’s a heart of darkness worth all the tourist’s little tribulations ...”

“... who we are, and of the many places in which our identity is recorded? Some accounts start with the French Revolution and the needs of modern states and colonial empires. Others, following Foucault, push the beginnings back to the surveillance and discipline – ‘the new technologies of power’ – that the monarchies of the 17th and 18th centuries developed ...”

“... we had been brought up. Among the most exciting of the new approaches was that of the school of French historians associated with the journal Annales: Economies, sociétés, civilisations. What made their work exciting was, first of all, the sense they conveyed that nothing was off-limits for the historian, no aspect of life too obscure: everything, from ...”

“... of white Tom   Shall float to Heaven – to Hardy’s ‘rather monotonously small follower Philip Larkin’, etc? If he despises William Carlos Williams, Dylan Thomas, Gertrude Stein, Robert Lowell, Charles Olson, Edith Sitwell, Augustus John and Ted Hughes, what’s the merit of vulgarity and spleen? Many trees have been cut down to make the paper on ...”

“... overlooked. This book corrects that omission, giving a compelling account of the Burgundian and French contexts in which Anne was raised to be a lady of the court. Margaret of Austria, regent of the Netherlands, described Anne at the age of thirteen as ‘so bright and pleasant for her young age’. Margaret’s court was full of art and literature: she ...”

“... Ambassadors: Hans Holbein’s life-sized double portrait of 1533 depicting Jean de Dinteville, the French ambassador in England, and his friend and fellow humanist Georges de Selve, bishop of Lavaur, who passed through London in the spring of 1533, around the time of Anne Boleyn’s coronation. Selve was later appointed ...”