Castration

Lorna Scott Fox, 24 November 1994

Mea Cuba 
by G. Cabrera Infante, translated by Kenneth Hall.
Faber, 497 pp., £17.50, October 1994, 0 571 17255 5
Show More
Before Night Falls 
by Reinaldo Arenas, translated by Dolores Koch.
Viking, 317 pp., £16, July 1994, 0 670 84078 5
Show More
Show More
... a league of notions that are no more than bons mots, as felicitous or as facile as the epigrams of Oscar Wilde – a playwright who was always blamed for his coups de théâtre, Camus offers instead fatalist coups de philosophe that will never abolish Wilde. Thanks to shifting official attitudes in Mexico, and to its ...

Did Lady Brewster faint?

Eric Korn, 24 April 1997

Huxley: Evolution’s High Priest 
by Adrian Desmond.
Joseph, 372 pp., £20, March 1997, 0 7181 3882 1
Show More
Show More
... Huxley could not afford to be seen in the wrong company: one evening his artistic daughter brought Oscar Wilde home – Huxley declared that Wilde was never to come to the house again. And so he constructed a respectable, almost a pious agnosticism (the word is his neologism) while distancing himself from the political ...

Poor Hitler

Andrew O’Hagan: Toff Humour, 15 November 2007

The Mitfords: Letters between Six Sisters 
edited by Charlotte Mosley.
Fourth Estate, 834 pp., £25, September 2007, 978 1 84115 790 0
Show More
Show More
... are embarrassing in life and horrific on the printed page. The English upper orders learned from Oscar Wilde how to abhor earnestness and embrace triviality, but even Wilde would appear strained next to the Mitfords. The lesson of the girls: it’s not what one says but how one says it. English prose is in love with ...

Infante’s Inferno

G. Cabrera Infante, 18 November 1982

Legacies: Selected Poems 
by Heberto Padilla, translated by Alastair Reid and Andrew Hurley.
Faber, 179 pp., £8.75, September 1982, 0 374 18472 0
Show More
Show More
... of the poet is the work of the poet and the work of the poet is the life of the poet.’ This is Oscar Wilde as rewritten by Tennessee Williams. The author of that gruesome playlet must have had in mind the notorious Algerian meeting near the fin de siecle in which Wilde, holding Bosie’s hand, boasted before a timid ...

Short Cuts

Tom Crewe: Found Objects, 12 August 2021

... the other’s knee. They were in bed, on the beach, picnicking, posing on car bonnets. For every Oscar Wilde, there were the 27 mostly anonymous men questioned in the early 1890s for John Addington Symonds and Havelock Ellis’s Sexual Inversion, who with delightful candour describe early experiences, favourite sexual positions and relationships past ...

Soap

Wendy Steiner, 28 June 1990

The New Women and the Old Men: Love, Sex and the Women Question 
by Ruth Brandon.
Secker, 294 pp., £16.95, January 1990, 0 436 06722 6
Show More
Show More
... ideological soap opera is London, a genteel hotbed of reformist debate, despite the jailing of Oscar Wilde and the snail’s pace of women’s suffrage. Havelock Ellis contributed his scientific zeal to the Fellowship of the New Life, and Olive Schreiner enlivened the Men and Women’s Club. Eleanor Marx felt obliged to decline membership there for ...

Respectful Perversion

John Pemble: Gilbert and Sullivan, 16 June 2011

Gilbert and Sullivan: Gender, Genre, Parody 
by Carolyn Williams.
Columbia, 454 pp., £24, January 2011, 978 0 231 14804 7
Show More
Show More
... it was a sort of apotheosis. Gilbert’s caricatures made W.H. Smith, Sir Garnet Wolseley and Oscar Wilde popular celebrities. Wolseley was so tickled by being portrayed as Major-General Stanley in The Pirates of Penzance that he learned the show-stopping ‘Modern Major-General’ patter-song and performed it at parties. Gilbert communicated no real ...

Half-Way up the Hill

Frank Kermode, 7 July 1988

Young Betjeman 
by Bevis Hillier.
Murray, 457 pp., £15.95, July 1988, 0 7195 4531 5
Show More
Show More
... care for criticism: when Geoffrey Grigson at New Verse turned down his poem about the arrest of Oscar Wilde he stood on the backside of the White Horse at Uffington and cursed him. In these years he must, despite all the appearances, have been working extremely hard. His output included newspaper gossip, profiles, film criticism, articles about ...

Saintly Resonances

Lorraine Daston: Obliterate the self!, 31 October 2002

Dying to Know: Scientific Epistemology and Narrative in Victorian England 
by George Levine.
Chicago, 320 pp., £31.50, September 2002, 0 226 47536 0
Show More
Show More
... mathematician Mary Somerville – there is a sizeable and equally endearing dose of egotism. As Oscar Wilde observed, the personal memoir, even if written for friends and family alone or to satisfy an importunate publisher, is always delightfully self-obsessed. The very genre of the scientific autobiography is a 19th-century invention: we learn about ...

The Art of Being Found Out

Colm Tóibín: The need to be revealed, 20 March 2008

... selves and the possibility of discovery were essential elements. As 1895 opened, for example, Oscar Wilde could move between intimate family life and, when he grew bored with that, a life in hotels and foreign places. He could mingle with the great and the good and then pleasurably spend time with young men from a different, mostly a lower, social ...

Pig Cupid’s Rosy Snout

Jane Eldridge Miller, 19 June 1997

Becoming Modern: The Life of Mina Loy 
by Carolyn Burke.
Farrar, Straus, 494 pp., $35, July 1996, 0 374 10964 8
Show More
The Lost Lunar Baedeker: Poems 
by Mina Loy, selected and edited by Roger Conover.
Farrar, Straus, 236 pp., $22, July 1996, 0 314 25872 8
Show More
Show More
... creation of a mannered self-image corresponding to the stylisation of her art’. Following in Oscar Wilde’s footsteps, Loy decided to become a work of art. Her first marriage, to Stephen Haweis, an English painter and photographer, was unhappy. The strain of Haweis’s numerous affairs and the death of their daughter, of meningitis, two days after ...

Roaming the Greenwood

Colm Tóibín: A History of Gay Literature: The Male Tradition by Gregory Woods, 21 January 1999

A History of Gay Literature: The Male Tradition 
by Gregory Woods.
Yale, 448 pp., £24.95, February 1998, 0 300 07201 5
Show More
Show More
... visible, in developments that were publicly dramatised in – though far from confined to – the Wilde trials.’ Kosofsky Sedgwick is careful not to push the matter further, but other writers – Woods calls them ‘Post-Foucauldian’ – have taken the view that until the time of the Wilde trial there wasn’t really a ...

Boozing and Lounging

Tom Crewe: Unsuccessful Siblings, 10 September 2026

Relative Failures: The Lives of Willie Wilde, Mabel Beardsley and Howard Sturgis 
by Matthew Sturgis.
Head of Zeus, 312 pp., £25, April, 978 1 80454 366 5
Show More
Show More
... He​ ‘fell down on my threshold like a wounded stag’, Willie Wilde wrote of the moment his younger brother, Oscar, out on bail after the collapse of his first trial for gross indecency, arrived at the small house on Oakley Street that Willie shared with their mother. The image of the stag – too mannered, too detached – suggests a fundamental failure of sympathy ...

Dark Tom

Christopher Ricks, 1 December 1983

Beyond the Pale: Sir Oswald Mosley 1933-1980 
by Nicholas Mosley.
Secker, 323 pp., £8.95, October 1983, 0 436 28852 4
Show More
Rules of the Game: Sir Oswald and Lady Cynthia Mosley 1896-1933 
by Nicholas Mosley.
Fontana, 274 pp., £2.50, October 1983, 0 00 636644 9
Show More
Show More
... the father of Nicholas Mosley’s girlfriend, exclaiming: ‘But I would rather shake hands with Oscar Wilde than with Oswald Mosley!’ Mosley was not amused but bemused: ‘Does her father think I’m a bugger?’ ‘No, Dad, it’s not that he thinks you’re a bugger.’ But one of the good things about the anecdote must be its onomastic antics: for ...

Impossible Conception

T.J. Reed: ‘Death in Venice’, 25 September 2014

Deaths in Venice: The Cases of Gustav von Aschenbach 
by Philip Kitcher.
Columbia, 254 pp., £20.50, November 2013, 978 0 02 311626 1
Show More
Show More
... a puritanical German public that had been scandalised by recent court cases and the fall of Oscar Wilde, and to keep Mann himself safe from suspicion. Homosexual critics have called Mann cowardly not to have shown Aschenbach in a more positive light. Seen in the context of the time, however, Mann had a lot to lose by obviously sympathising, let ...