“... he be required to remove his trousers. Lowe, it turns out, was a sergeant-major in the war, and John Le Mesurier, who played the limp Sergeant Wilson, was a captain. Now Lowe was playing a bank manager who had come up the hard way, and Le Mesurier, his chief clerk, was a pampered ex-public schoolboy, incapable of giving orders (‘Oh, Wilson! Bark it ...”

“... only half the story. The other half concerns the Liberal Party and in particular the role of David Steel. It may not be true that Jenkins was dissuaded from joining the Liberal Party by Steel, but plainly the two men were working together from the Brussels days onward to create a new opening on the centre-left. The Alliance ...”

“... back, cow-eyed and alabaster-browed. The actual text is 1079 tiny-printed pages long. ‘Who is John Galt?’ the novel begins: the question is rhetorical, an expression of despair. The setting is, loosely, America in the 1940s – Washington, Wisconsin, Mexico are mentioned, as are diners, bums, hamburgers, negligees – but film-set-thin and vague and ...”

“... before telling me I was the latest visitor in a tradition of literary visitors stretching back to John Milton. He said it very kindly, but I wanted to laugh. However, something high in his red cheeks warned me neither to laugh nor to make any reference to Paradise Lost. I simply smiled and composed my wits and followed him over the black and claret tiles to ...”

“... been international waters. Icelandic gunboats towing net cutters would slice through the steel cables British trawlers used to drag their nets behind them, while Royal Navy frigates tried to keep the gunboats away. Hardie was fishing with a group of twenty trawlers one afternoon, dragging his nets at the standard three and a half knots, when a ...”

“... of the term, slotting it between ‘guilty quotation marks’ throughout the issue. Designed by John Piper (with whom Myfanwy was living at Fawley Bottom, a rundown farmhouse in Oxfordshire), Axis was crisp and modern, with sans-serif lettering and experimental prose. But Myfanwy’s refusal to pin down abstraction infuriated the artists. In what Maclean ...”

“... with a suicide. Into these wavering constructions, Carter inserts explicit statements, like the steel rods in skyscrapers. It was a habit she fell in and out of, depending on the weight of programme in each book. Her last two novels, Nights at the Circus (1984) and Wise Children (1991), are relatively free-standing. But in Shadow Dance, it is surely a ...”

“... The dust jacket of the final volume of Bevis Hillier’s epic life of John Betjeman shows the poet laureate seized by giggles. In this lengthy coda to Hillier’s authorised biography Betjeman appears in many lights, but he’s rarely carefree. ‘Nothing frightens me more than the thought of dying,’ he told a friend in 1958 ...”

“... sectoral heights of the economy – notably energy, communications, transport, and iron and steel. And it is astonishing to recall, as John Redwood does in Public Enterprise in Crisis, the bright hopes that attended their births. They were to advance social and economic equity, enhance efficiency and actually prevent ...”

“... the effect as Chinese Restaurant Syndrome, and reports from sufferers abounded. The following year John Olney of Washington University set out to confirm these findings under laboratory conditions. His experiment involved injecting newborn mice with monosodium glutamate, and the results were alarming: the effects on the mice culminated in acute neural necrosis ...”

“... both are made by the individual, who puts himself into them, puts in his ‘life illusion’, as John Cowper Powys called it, his unconscious fears and desires. History will not work without fiction, or at least the fictive principle, which Scott renounced as far as he could. This of course amounts to choosing a principle of another kind, but a negative ...”

“... to be taken seriously and relying on a single performance by Jo Grimond, Jeremy Thorpe or David Steel to give them whatever credibility they could earn. It was Labour that faced the real problem. Defeat for the leadership – often following a bitter row – saddled it with policies unacceptable to its own MPs and profoundly unattractive to the public. In ...”

“... successfully – most recently in a triumphant Broadway True West, with Philip Seymour Hoffman and John C. Reilly alternating the two main roles – and last year also saw the publication of the very useful Cambridge Companion to Sam Shepard.* But his later plays have often seemed clotted, hyper-masculine, forced, and his ventures into movie direction – Far ...”

“... Stalin implicitly claimed. A saviour was needed, to lead the people back to life, as a new Tsar of steel had been needed, at least by the inherent logic of the Bolshevik ethos, to fuse the national sense of purpose, the will to drive towards the industrial future. On several occasions Pasternak insisted that there could, as it were, be only one true artist at ...”