While Statues Sleep

Thomas Laqueur, 18 June 2020

Learning from the Germans: Confronting Race and the Memory of Evil 
by Susan Neiman.
Allen Lane, 415 pp., £20, August 2019, 978 0 241 26286 3
Show More
Show More
... and teachers. Not since the publication of the central texts of the modern history of slavery, John Hope Franklin’s From Slavery to Freedom in 1947 and Kenneth Stampp’s The Peculiar Institution in 1956, has any serious history book claimed that slavery was a benign paternalistic institution. No one has argued that it was anything other than the great ...

Fame at last

Elaine Showalter, 7 November 1991

Anne Sexton: A Biography 
by Diane Wood Middlebrook.
Virago, 488 pp., £20, November 1991, 1 85381 406 7
Show More
Show More
... book, To Bedlam and Part Way Back (1960), the poem shows Sexton’s craft, honed with advice from John Holmes, W.D. Snodgrass and Robert Lowell. Retrieved at the last moment from her ‘bone pile’ of discards to fill out the book, it had gone through 19 drafts before Sexton achieved what Middlebrook calls the ‘double “I” ’ of the stanza and ...

Liberated by His Bite

Andrew Delbanco, 19 September 1996

Our Vampires, Ourselves 
by Nina Auerbach.
Chicago, 238 pp., £17.50, November 1995, 0 226 03201 9
Show More
Show More
... than the licensed torture of a woman who knew women didn’t need men. By the time of John Badham’s 1979 Dracula, starring Frank Langella as ‘a Dracula of fusion’, the women have become ‘victims no more’, but passionate creatures liberated by his bite – seekers ‘who embrace vampirism as the sole available escape from ...

At the National Gallery

Naomi Grant: Gainsborough’s ‘Blue Boy’, 12 May 2022

... the more personal and experimental genre of the fancy picture.In a letter to his friend William Jackson, written at the height of his career, Gainsborough complained that he was ‘sick of portraits’, but he seems, nonetheless, to have valued his fancy pictures – these were the works for which he charged the highest prices. And unlike portraits of ...

After Leveson

Stephen Sedley, 11 April 2013

... a monopoly of printing. In 1588 the anti-episcopal Marprelate Tracts (one of whose authors, John Penry, was executed for publishing them) provoked a system of press licensing which survived in one form or another, though with diminishing effect, until the last decade of the 17th century. The first thing that should be said about the current controversy ...

Much to be endured

D.J. Enright, 27 June 1991

Samuel Johnson in the Medical World: The Doctor and the Patient 
by John Wiltshire.
Cambridge, 293 pp., £30, March 1991, 0 521 38326 9
Show More
Show More
... writings and those of contemporary medical men, besides the testimonies of friends and strangers, John Wiltshire examines Johnson as both sufferer and physician (or healer). Hence his punning subtitle. Some of Johnson’s best friends, starting with his godfather, were doctors, and in addition to being himself a monumental patient, he was ready to give others ...

Men in Aprons

Colin Kidd: Freemasonry, 7 May 1998

Who’s Afraid of Freemasons? The Phenomenon of Freemasonry 
by Alexander Piatigorsky.
Harvill, 398 pp., £25, August 1997, 1 86046 029 1
Show More
Show More
... anticlerical French model, was misguided rather than vicious. This distinction was confirmed by John Robison, professor of natural philosophy at Edinburgh, in Proofs of a Conspiracy against all the Religions and Governments of Europe (1797). British Masonry stood in a different relationship to the visible Establishment. Whereas in 1738 Pope Clement XII’s ...

Living on Apple Crumble

August Kleinzahler: James Schuyler, 17 November 2005

Just the Thing: Selected Letters of James Schuyler 1951-91 
edited by William Corbett.
Turtle Point, 470 pp., £13.99, May 2005, 1 885586 30 2
Show More
Show More
... it still Connecticut, the dear deer, the steady lay, the unprivate walls?’ His correspondent, John Hohnsbeen, an art-dealer friend, was having an affair with the architect Philip Johnson, and the ‘unprivate walls’ are those of Johnson’s famous Glass House. Schuyler was 28 and this was his first serious mental breakdown. He had only recently arrived ...

Never the twain

Mark Amory, 4 March 1982

Evelyn Waugh, Writer 
by Robert Murray Davis.
Pilgrim Books, 342 pp., $20.95, May 1981, 0 937664 00 6
Show More
Show More
... English acquaintance have written brief, anecdotal accounts based on their memories of him – John St John’s To the War with Waugh has 56 pages, Frances Donaldson’s Portrait of a Country Neighbour 118, while those collected in Evelyn Waugh and his World are naturally shorter still. It is true that Alec Waugh ...

Not His Type

Frank Kermode, 5 September 1996

About Modern Art: Critical Essays 1948-96 
by David Sylvester.
Chatto, 448 pp., £25, June 1996, 0 7011 6268 6
Show More
Show More
... distinction; and anyway he might have known from his first surprised (and hostile) response to Jackson Pollock that the future of an art is predictable only by hindsight. His meditations on the characteristics of modernity are more considerable. Writing admiringly about a print by Barnett Newman, he remarks in a parenthesis, ‘I’m no Modernist by ...

Hospitalism

Sarah Perry: Victorian ‘Hospitalism’, 5 July 2018

The Butchering Art: Joseph Lister’s Quest to Transform the Grisly World of Victorian Medicine 
by Lindsey Fitzharris.
Allen Lane, 304 pp., £16.99, October 2017, 978 0 241 26249 8
Show More
Show More
... rate among medical students – who were liable to let the knife slip – was high: the surgeon John Abernethy concluded his lectures with a resigned ‘God help you all.’ When John Phillips Potter nicked his knuckle anatomising – at the dead man’s request – the circus performer the ‘Gnome Fly’, he swiftly ...

A New Twist in the Long Tradition of the Grotesque

Marina Warner: The monstrousness of Britart, 13 April 2000

High Art Lite: British Art in the 1990s 
by Julian Stallabrass.
Verso, 342 pp., £22, December 1999, 1 85984 721 8
Show More
This is Modern Art 
by Matthew Collings.
Weidenfeld, 270 pp., £20, June 1999, 0 297 84292 7
Show More
Show More
... permission to use the runnels and platforms for The Vertical Line, a performance piece devised by John Berger. In Ways of Seeing, Berger presented on television for the first time an ideological analysis of art and aesthetics. One of the programmes juxtaposed pin-ups and centrefolds with Titians, in a powerful early assault on advertising. Thirty years ...

What Happened to Obama?

August Kleinzahler: The Rise and Fall of Barack Obama, 18 October 2007

Dreams from My Father 
by Barack Obama.
Canongate, 442 pp., £12.99, September 2007, 978 1 84767 091 5
Show More
The Audacity of Hope: Thoughts on Reclaiming the American Dream 
by Barack Obama.
Canongate, 375 pp., £14.99, May 2007, 978 1 84767 035 9
Show More
Obama: From Promise to Power 
by David Mendell.
Amistad, 406 pp., $25.95, August 2007, 978 0 06 085820 9
Show More
Show More
... in Boston. He was a state senator at the time in Illinois and running for national office. John Kerry, the Democratic presidential candidate, a singularly drab and prevaricating man, had been much taken by Obama after appearing on stage with him in Chicago. Many were taken with him. He was the ‘It’ guy, the papers said so. It isn’t much of a ...

The Great National Circus

Eric Foner: Punch-Ups in the Senate, 22 November 2018

The Field of Blood: Violence in Congress and the Road to Civil War 
by Joanne Freeman.
Farrar, Straus, 450 pp., £20.99, September 2018, 978 0 374 15477 6
Show More
Show More
... the presidency languished as a series of one-term nonentities succeeded the popular hero Andrew Jackson in the White House. Who could become excited by John Tyler, Millard Fillmore or Franklin Pierce? The Senate chamber, by contrast, was inhabited by giants, notably the ‘great triumvirate’ of ...

Royal Americans

D.A.N. Jones, 4 October 1984

Lincoln 
by Gore Vidal.
Heinemann, 657 pp., £9.95, September 1984, 0 434 83077 1
Show More
Stars and Bars 
by William Boyd.
Hamish Hamilton, 255 pp., £8.50, September 1984, 0 241 11343 1
Show More
Show More
... will already know that Lincoln has four more years to live before he is shot by Herold’s friend, John Wilkes Booth, the most notorious of all those Americans who have sought to win fame by killing heroes and idols. In this urgent manner, blending the legendary and the humdrum, Gore Vidal introduces his story, like a 20th-century version of a Greek tragedy ...