“... can be found everywhere one looks in modernist culture. It is there in a benign form in D.H. Lawrence, for whom we do not belong to ourselves but must simply be open to whatever anonymous creative force is evolving within us. In the thought of T.S. Eliot, this force assumes the impersonal authority of tradition, which the individual talent must allow to ...”

“... to ‘riding out’ on a tenor sax in a bop session. Williams’s literary heroes were Rilke, D.H. Lawrence, and Hart Crane, and his theatrical heroes were Ibsen, Strindberg and Chekhov – a photo of the last accompanied him wherever he went. Mix together all these colours on a New Orleans palette, add the playwright’s wonderful sense of the poetry of ...”

“... smug elitism than laughter.’ Judging by his comments on Larkin’s dad’s admiration for D.H. Lawrence as well as Hitler, Bradford has brought himself up to speed on John Carey’s The Intellectuals and the Masses (1992). Not liking modernism and not wanting to be taken for poncy literary types were Amis-Larkin stances too, and proudly despising ...”

“... She doesn’t miss the opportunity of pointing out that the Melville revival (heralded by D.H. Lawrence, in his remarkable Studies in Classic American Literature) took place in that decade. It is certainly one of the weirder facts of literary and cultural history that Moby-Dick should have been almost totally ignored for over half a genteel century, almost ...”

“... all his serious efforts, the Rev. Crace remains rather amusing – in the same way that, say, D.H. Lawrence, the Most Rev., was rather amusing. To be holy is to be ridiculous, and also to lack a sense of the ridiculous. After a lifetime’s searching, Lawrence finally found some kindred spirits, a people worthy of ...”

“... grew almost beyond bearing – a wonder and a pain.’ The novel also records the death of D.H. Lawrence. Aldous Huxley ‘flattered our intellects’ but ‘Lawrence made us face what was in the dark of ourselves, whether we liked it or not.’ Ned is dismissive: ‘Anyone could do that if they put in all the dirty ...”

“... of imperturbability, and rejected it in Joyce as much as in Browning. His arguments against D.H. Lawrence in Paleface, and against Hemingway, the ‘dumb ox’ of Men without Art, are much less cogent, more routine hobby-horses. The case against Hemingway is particularly unconvincing, because Lewis compares his style with random examples of genuine ...”

“... Woolf’s nomination), the works of Jane Austen, Henry James, Joseph Conrad and D.H. Lawrence, Dickens’s Hard Times and half of Daniel Deronda. The ‘great tradition’ doubtless stands for something much less rigorous in Mr Patten’s mind, but it is nevertheless likely to deny to early adolescents the opportunity of enjoying some of the ...”

“... still writhing ecstatically in the coils of those onanistic periods – as the Bloomsburied D.H. Lawrence discovered his Nottinghamshire self in the words of Dana, Cooper and Melville that he had read as a boy. But Lawrence was able to turn the rhetoric of these books-for-boys into Classic American Literature, while Donald ...”

“... before Life’, and the religious idiom here is wholly calculated. It is inherited from D.H. Lawrence, for whom the novel was the ‘Book of Life’, the sacred scripture of a post-metaphysical social order. ‘Life’ for both Lawrence and Leavis is a transcendent rather than empirical affair, a matter of laying ...”

“... University Press, which long ago set a standard for editing novelists with its multi-volumed D.H. Lawrence. The extent and minuteness of the labours of Todd and Bree, both in this volume and throughout the series, are almost painful to contemplate. It used to be taken as obvious that the aim of an editor was to represent as far as possible the final wishes of ...”

“... He intimates at one point that, in spite of all the Nietzschean rubbish he came out with, D.H. Lawrence had some sensuous merit, and Carey has a fondness for James Joyce that enables him to play down that author’s mutterings against the ‘trolls’ and ‘rabblement’ of Ireland. But it is not clear that he reckons many of the others – Eliot, Aldous ...”

“... drive home a point. There was Gordon Wasson on mushrooms, William Emboden on narcotic plants, D.H. Lawrence on meeting interesting women, and Marcel Proust babbling about French society in a most peculiar syntax. I’d never heard of any of these writers; the slow-rising central horror of education in Middle America is that Great Expectations and that hollow ...”

“... attribute quotations and the book has no notes. He compares her early work vaguely to that of D.H. Lawrence, and taking his cue from Kavan’s own comments, sees the influence of Alain Robbe-Girllet in the later. He maintains that ‘the sensibility of an addict permeates and informs the work of Anna Kavan’ but shows no understanding of what this ...”

“... of Croydon as a Motif in English Literature’, and log every instance, all the way from D.H. Lawrence and Anna Wickham through John Betjeman to Martin Amis, of one single placename’s use to connote a vast tundra of anodyne, apathetic anonymity. Here, though, Croydon is exactly where you’d expect Lodge to make his couple come from: a prompt for often ...”