Stir and Bustle

David Trotter: Corridors, 19 December 2019

Corridors: Passages of Modernity 
by Roger Luckhurst.
Reaktion, 240 pp., £25, March 2019, 978 1 78914 053 8
Show More
Show More
... brief mention of The Maltese Falcon in accounting for film noir’s preoccupation with bleakly anonymous lobbies, passages and hallways. But it’s not the skills and attitudes required to negotiate these spaces that interest Luckhurst. In his view, corridors have a meaning rather than a function. Film noir, he says, set out to ...

The Lemming Market

Atossa Araxia Abrahamian: Asset Class Art, 10 May 2018

Dark Side of the Boom: The Excesses of the Art Market in the 21st Century 
by Georgina Adam.
Lund Humphries, 232 pp., £20, January 2018, 978 1 84822 220 5
Show More
A History of the Western Art Market: A Sourcebook of Writings on Artists, Dealers and Markets 
edited by Titia Hulst.
California, 416 pp., £28, November 2017, 978 0 520 29063 1
Show More
Show More
... a painting. When prices swell, the digits become abstractions. So, too, do the objects: the still-anonymous buyer purchased a painting, but it could as easily have been a mansion, a yacht, an island, or a horse. And although Leonardos are exceedingly rare, this one was considered a dud: ‘a thumping epic triumph of branding and desire over connoisseurship ...

Saints for Supper

Alexander Bevilacqua, 26 December 2024

Iconophages: A History of Ingesting Images 
by Jérémie Koering, translated by Nicholas Huckle.
Princeton, 480 pp., £30, October 2024, 978 1 890951 27 6
Show More
Show More
... of Constantinople – that she was ‘healed by the image’ – is, he admits, misleading. As the anonymous Byzantine Greek writer who recorded the incident is at pains to specify, the woman was not made whole by the frescoed wall, but by the saints whom the painting represented. The woman herself, the writer insists, understood that God was working on her ...

Only the crazy make it

Thomas Jones: Jim Crace, 8 March 2007

The Pesthouse 
by Jim Crace.
Picador, 309 pp., £16.99, March 2007, 978 0 330 44562 7
Show More
Show More
... six of them – however carefully they try to prevent it. Felix ‘Lix’ Dern lives in an anonymous Central European city, where after a twenty-year thaw totalitarianism is making a creeping return. The narrator is a neighbour – he’s always going on about ‘our city’ – if an anonymous, disembodied ...

Short Cuts

Daniel Soar: Underground Bunkers, 6 November 2008

... in large-format full colour by David Moore. The Last Things (Dewi Lewis, £25) opens with an anonymous quote – ‘Ministry of Defence official, London 2007’ – that reads: ‘I don’t understand how you’ve got this far.’ What follows is a series of shots of unpeopled hallways and decontamination chambers, a pot-plant here, a lectern ...

At the National Portrait Gallery

Peter Campbell: Gerhard Richter, 14 May 2009

... the paintings show his wives, children, friends, colleagues and fellow artists, as well as many anonymous figures, they reach you by bringing to mind blurred images of your own. In Richter’s portrait-making, looking at photographs has taken the place of looking at the world. The quality of the marks that record the image is as central to the force of his ...

At the Grand Palais

Barry Schwabsky: Christian Boltanski, 11 February 2010

... rumbling heartbeats also connect the installation to another Boltanski project, another angle on anonymous individuality called Les Archives du coeur: a compendium of recordings of the human heart kept on a Japanese island, which the artist has been collecting since 2005. Visitors to the Grand Palais are invited to go to a side room where theirs can be added ...

At 1 Chiltern Street

Peter Campbell: Suits, 6 August 2009

... dummy dressed in jacket, shirt, tie and trousers; tables stacked with shirts; dump bins, anonymous bags, an ironing-board and a stepladder. Full size, these things might be found in any garment district. The bins and racks are the sort you see wheeled from one ‘wholesale only’ showroom to another; in Mens Suits they re-create the back-room ...

At the British Museum

Anne Wagner: Käthe Kollwitz, 2 January 2020

... and the narratives offered by her images insist that those who suffer are not only victims. Her anonymous weavers, labourers, peasants, prisoners are crushed only because they have first risen up. Most often, the prints show us something that has just happened, or is soon to occur. An exhausted peasant hones a scythe, a woman lies raped among flowers, a man ...

At the National Portrait Gallery

Peter Campbell: Fashion photography, 23 September 2004

... the captions would have named the clothes, not the models; here in the Portrait Gallery the anonymous model becomes the subject. The book even has a foreword by one of them – Iman. She says Parkinson was nice to work with, that he was amusing and led the model on, as in a dance. Her job was to work out ‘the perfect retort, expressed through my ...

Open House

Peter Campbell: Looking through other people’s windows, 6 October 2005

... to the style of the building. Both building and sculpture are technically accomplished, coolly anonymous and assured. The sculpture consists of almost 27,000 fine, closely spaced wires stretching from the top of the atrium space to a shallow water-filled tray at the bottom. Glass balls strung on these wires, which are never quite still, are clustered to ...

In Regent Street

Peter Campbell: A Mile of Style, 10 May 2007

... but the trench coat lives on. One strand of design theory found favourite examples in simple, anonymous objects – silver spoons, country chairs, industrial sheds and so on – and looked to a future beyond fashion. That this was a mirage became clear when modern ceased to mean new and became Modern, the style. There are still timeless designs to be ...

At the British Museum

Peter Campbell: Medical Curiosities, 7 August 2003

... is the hero, the mother who covers her face the heroine, the boy being operated on merely an anonymous haunch. There are plenty of sentimental bedside pictures, and terrible ones, but even Munch’s sick child and various paintings of dying wives and mistresses tend to put you in the place of the troubled witness not the sick person. Only fiction (The ...

Cyber-Con

James Harkin: Tweet for the CIA!, 2 December 2010

Death to the Dictator! Witnessing Iran’s Election and the Crippling of the Islamic Republic 
by Afsaneh Moqadam.
Bodley Head, 134 pp., £10.99, May 2010, 978 1 84792 146 8
Show More
The Net Delusion: The Dark Side of Internet Freedom 
by Evgeny Morozov.
Allen Lane, 408 pp., £14.99, January 2011, 978 1 84614 353 3
Show More
Blogistan: The Internet and Politics in Iran 
by Annabelle Sreberny and Gholam Khiabany.
I.B. Tauris, 240 pp., £14.99, September 2010, 978 1 84511 607 1
Show More
Show More
... of a taxi and used the internet to get it back, the 100 young New Yorkers who were persuaded by an anonymous email to converge on Macy’s department store and stare in silence together at an expensive rug. Shirky argued that the internet had opened up the possibility of an exciting new form of leaderless social co-ordination. From now on, he said, blogging ...

I came with a sword

Toril Moi: Simone Weil’s Way, 1 July 2021

The Subversive Simone Weil: A Life in Five Ideas 
by Robert Zaretsky.
Chicago, 181 pp., £16, February 2021, 978 0 226 54933 0
Show More
Show More
... and authenticity’.I am struck by her loneliness. She wanted to merge with the masses, to be anonymous and unobtrusive – a worker, a farmhand, a trade unionist, a soldier – one among many, working and fighting alongside others. Yet she found true solidarity hard to come by. Everywhere she went, she stood out. She was often the only woman; she was ...