“... of Robeson’s music was even more problematic. He was happy enough to perform songs like ‘John Brown’s Body’ and ‘Old Man River’, written by whites about what the blacks must be suffering, but he thought jazz had been ‘debased’ by white influence. When someone in a Des Moines audience asked for ‘St Louis Blues’, Robeson’s manager ...”

“... local surgeon. At 21 he moved to London to continue his medical studies as anatomical assistant to John Hunter at St George’s Hospital. Although Jenner returned to his Berkeley medical practice in 1773, Hunter had recognised Jenner’s scientific prowess and encouraged him in his research. ‘Why think – why not try the experiment,’ he wrote in ...”

“... one of the new breed of ruthless mercenaries emerging in the later 14th century, men like Sir John Hawkwood, the leader of the legendary White Company, whose monument can still be seen in the Duomo in Florence next to Dante’s, who hired themselves out to petty tyrants and brought terror and destruction wherever they went. Moreover, Jones ...”

“... is another matter: but at least one distinguished historian of Renaissance theology, the Jesuit John O’Malley, who contributes a postscript to the book, seems to find his conclusions broadly convincing, so they deserve to be examined closely. In Byzantine and early Italian art the infant Christ was customarily shown either in a loose robe or in swaddling ...”

“... Lindsay Anderson lives in a flat in one of the redbrick turn-of-the-century blocks behind John Barnes in Swiss Cottage. With its solid turreted houses, backing on gardens, Can-field, Compayne, Aberdare, Broadhurst, it’s the haunt of refugees, and Jewish old ladies, and perhaps (Lindsay would strike out that ‘perhaps’) the most European bit of ...”

“... add up to a portrayal. The same is true of people Ashton appears to approve of. He tells us that John Pym had skill and statesmanship and that he was a leader of the ‘middle-group’. He is also allowed a few bit-appearances during the various Parliamentary episodes of the 1620s, but that is about it, which seems too little for someone whose role in the ...”

“... had been frequented in pagan times were rededicated to Christian saints. St Winefride’s Well in North Wales attracted royal patronage and papal indulgences. St Patrick’s Purgatory was a complex of caves on an island in Lough Derg, Donegal, where the faithful could enjoy a foretaste of the terrors of hell by spending 24 hours underground; it became a ...”

“... died in France in 1975. By then, Harry Rée was a teacher at Woodberry Down Comprehensive in North London, back doing the job he loved best. But a little over thirty years before, they had been together in the French Resistance. Harry (‘Henri’ or ‘César’) was an agent of the Special Operations Executive (SOE), parachuted in by London to organise ...”

“... space for any genre, any costume and any voice. You can make it a detective thriller, like John Lawton’s Riptide, set in London in 1941, featuring Sergeant Troy of the Yard. You can make it modern picaresque, a frenetic burst of lyrical futurist imagery, like Rodney Hall’s The Day We Had Hitler Home, which is haunted by the presiding monster-to-be ...”

“... this year all the trade, literary and political figures present at the opening in Budapest travel north on the following day to the coalmining town of Salgotarjan. A crowd has gathered outside the arts centre; there are speeches, poetry, a choir performance and a band playing Country and Western, with Hungarian lyrics. It is raining again, but the crowd is ...”

“... especially to mark speakers from the lower classes. Complementary points are implied by the late John Thomas Low, writing on the wealth (or at least number) of modern historical plays in Scots – if you want to have Scots-speaking characters who are not peasants, you must go back in time – and by W.F.H. Nicolaisen, who shows how often novelists use ...”

“... consistent, until ill-health restrained her, in going after it. Even Tomalin’s description of John Middleton Murry’s role in Mansfield’s life as ‘crucial and largely unfortunate’ seems to me glib. Is it right to ignore, as Tomalin does, that farewell letter in which Mansfield wrote: ‘I think no two lovers ever walked the earth more joyfully ...”

“... mention the 1860 battle (nor sub Huxley or Darwin or Hooker). Another portrait, another angle. John Collier’s 1890 painting is the most familiar image: a stiff, hard, sad old man, a man of power – he was ‘the Pope’ and ‘the General’ even before he had rank to pull. Collier was good at old men in pain – he caught Darwin’s next-to-last ...”

“... differently, and that different contingencies would not have made any essential difference. John Adamson asks: what if Charles I had avoided the Civil War? In line with revisionist readings of 17th-century history, he uses this question to make a case for the non-inevitability of a clash between the King and his English Parliaments, had he not ...”

“... 1860s, western Missouri and eastern Kansas produced Border Ruffians, Jayhawkers, guerrillas and John Brown. Pro-slavery men and Abolitionists, Confederates and Union men murdered their opponents. Unionists expelled many non-combatants in an attempt to deny guerrillas support. The Southern guerrillas rode under the black flag, slaughtering their ...”