“... on the innovative experiments of early Modernist poetry, but they make the same charges that would be repeated, with diminishing persuasiveness, for the next twenty years. In the American Tree and ‘Language’ Poetries are the first book-length anthologies of the work of a poetic movement which has been developing (primarily) in the United States for almost ...”

“... whom this vast infrastructure has (at least ostensibly) been erected. It is a historiography, as David Ingleby wittily put it, ‘like the histories of colonial wars’: it tells ‘us more about the relations between the imperial powers than about the “third world” of the mental patients themselves’. For this reason, among many others, Elaine ...”

“... Confessor and the Elder literally felt not to count – even though the latter’s mark may still be visible on the shire system of Central England. As for the Egberts and Oswigs and Cerdics, the incompetences of modern spelling have left them all unpronounceable, vaguely ludicrous. To this general picture of neglect and oblivion there is one shining ...”

“... In 1987, David Cannadine concluded an essay on what he saw as the dark and doubtful state of British history with a call to ‘fashion a new version of the national past which can regain its place in our general national culture, and become once again an object of international interest’. A job application posted through the unusual medium of a scholarly journal? I doubt it, but it may be that this essay found its way onto a desk at Penguin Books, leading to Cannadine’s appointment, in 1988, as general editor of the new Penguin History of Britain ...”

“... repeats what a number of scholars (Ruth Perry especially) have already dealt with, and this should be more openly recognised. Even more striking is the paucity of literary quotation, and the almost total absence of quotation from, or reference to, novels; the exception is Philip Roth’s The Breast. Yalom notes the works of a few Renaissance poets who wrote ...”

“... It would be interesting to place Jay McInerney and David Holbrook as neighbours at E.M. Forster’s imaginary table. Both novelists are fascinated by decadence – that much they have in common. But their diagnoses and anatomies of the decadent condition are quite different; worlds apart, to use Holbrook’s dominant image ...”

“... it is because of that sardonic smile, and an uneasy feeling that, if he were alive today, he would be doing the mocking. For if much of the Crosland canon seems dated, there remains a core which has increased in relevance with the passage of time. Such, at any rate, is the theme of David Reisman’s two volumes of ...”

“... we nod and smile quickly. He’s flying to Cork to vote Yes. I haven’t a vote, but I want to be there on the day. Though the view is that a high poll is a sign of a strong Yes vote, I have a gut feeling – no, more a fear – that the No vote will be mounting up. I place the Yeses at 62 per cent, and feel that Sidney ...”

“... until at last it empties itself into the bitter immensity of death, the ocean of the end? And by an extension of the metaphor, the river is not a figure for the life of a single individual, but for the life of the whole tribe, the whole nation, the totality of the human race, and indeed of all creation. More, poets have seen the river as time itself, all ...”

“... faith in America’s scientific and technological genius on the proposition that a carapace can be erected over the United States – and (why not?) over Nato Europe as well. Any and every incoming missile is to be intercepted at some place along the flight path starting with the initial boost phase. After all, Americans ...”

“... A year or two ago my eye was caught by the cover of a magazine on an American news-stand. It was a magazine for the working woman, and its title, in the best traditions of the me-generation, was Self. The cover advertised articles with titles like ‘The Problems of the Kept Man’ and ‘What if He Says No?’ But what attracted my attention was the rather Californian injunction flashed in bold letters across the top: ‘Let’s Be Real!’ Of such stirring raw material is philosophical reflection made ...”

“... There were references to Dagobert II, the Merovingian king, to Sion, and to treasure said to be Merovingian. The consequences of the discovery were odd. Saunière was sent to Paris with the two documents, and came into contact with some leading figures in the literary and artistic world, all of whom were interested in the occult. He became suddenly very ...”

“... The woodcut below by Hans Holbein the Younger, made some time before 1526, shows clearly and succinctly what the Reformation – as far as its religious aspects can be disentangled from its political – was all about. Christ is offering to an eagerly approaching group of wide-eyed laymen of all degrees, particularly lowly degrees, the pure, clear light of the New Testament, beaming from a candle on a candle-stick round whose column cluster St Paul and St Peter, and whose base is supported by the symbols of the Evangelists ...”

“... thick sheaf of pages, imposing form. The narrative voice is modestly assertive. There is a tale to be told. The taleteller, having caught your attention, will not let go. No tricks, no mannerisms, no eye-catching Modernist flourishes: that’s the trick of it. The story is what it’s about. And how strange a sensation this is for the innocent reader who wants ...”

“... a public relations disaster: the apex of world football frenzy was a dull noscore draw, and had to be decided on penalties. In a previous game, Diego Maradona had run to the corner flag after scoring for the Argentines, only to stare and rant at the camera in such a maniacal manner that all suspicions were confirmed – his euphoria was ...”