“... This is much harder to talk about, or illustrate. In All the Pretty Horses, the year is 1949. John Grady Cole is 16, his grandfather has just died, his parents are separated, his girlfriend has found someone else. He leaves his home in San Angelo, Texas and takes off with a friend for Mexico. They meet up with another, even younger boy riding a fine horse ...”

“... In 1886 there was an exhibition at the Grosvenor Gallery of the work of John Everett Millais (Sir John, in fact: he had recently been made a baronet). There were pictures from his Pre-Raphaelite infancy, like Isabella and Christ in the Carpenter’s Shop; anecdotal ones, like My First Sermon (a child portrait in the Bubbles line); landscapes (Chill October); pictures with stories (The Proscribed Royalist) and pictures from stories (Mariana ...”

“... subjects might as well have stuck their heads through a hole in a pre-painted background. But as John Brewer emphasises in his catalogue essay, the Tour was more socially mixed than it might appear. Basset, the biggest spender among the consigners to the Westmorland, was not an aristocrat but the beneficiary of a recent family fortune made from Cornish ...”

“... I saw no cowboys on television but plenty on the movie screen, from the Lone Ranger and Tonto to John Wayne, and I still have a picture of myself as a little boy in a cowboy outfit with a hat and chaps and toy pistols. It’s a small indication of how deeply influenced Cubans were by our mighty neighbour to the north, and the way the fiction of the ...”

“... Laudanum, Kenelme Sexnoth Pope, H.N. (Helga Nevvadotoomuch, c/o Lord Godmanchester (Gumster), The John Peelcroft Hadmanchester Podgoets, Night Slide Clubb, P.O. Box 1AA, BBC-wise, W.1, and others. The translations were just as elastic as these cartoon-rubber composites. In the Robert Lowell version actually used by the Sunday Times, ‘Spleen’ opens: I’m ...”

“... to accomplish, entailed a Parliamentary union between Peelites like Gladstone and Whigs like Lord John Russell. The Gladstonian Liberal Party, which was to dominate Victorian politics, was conceived in the Ayes lobby that night in 1846: it was their baby. When the baby grew up, it duly encountered its own midlife crisis. In 1886 it was the Liberal Party which ...”

“... a term than Romanticism or Classicism have been in helping us to understand the art of the past. John Russell, meantime, in his new book, Meanings of Modern Art, is a little bolder. He begins conventionally enough with Manet and the 1860s, but, unlike the formalists who also took this line when formalism was in fashion, he attributes the shift in art ...”

“... also has sharp chapters on the rise of two other bovine symbols of Englishness: the bulldog, and John Bull (here he draws heavily on the work of Miles Taylor). Both supposedly represented the same qualities of directness, determination and courage. In the case of the bulldog, which took its name from the grisly sport of bull-baiting rather than from any ...”

“... in general. The past itself is alterable, since the future casts it in a new light. Whether John Milton belonged to a species which ended up destroying itself is up to us and our progeny. The future possibilities of Hamlet are part of the play’s meaning, even though they may never be realised. One of the finest English novels, Samuel Richardson’s ...”

“... It is an image that has inspired varied imaginative treatment down to our own times, in films like John Boorman’s vulgar and energetic epic Excalibur or Bresson’s stark, pessimistic Lancelot du Lac. It is rumoured that Jancso is now preparing a film, inspired by the work of Georges Duby, of the great clash of knights at Bouvines (1214), one of the few ...”

“... as blunt, uncourtly and dressed always in black, Walsingham has long defied categorisation. John Cooper’s book is a fresh attempt to assess the accuracy of these opposing images. It charts Walsingham’s life from his birth in 1531 or 1532, on the cusp of the Henrician Reformation and the break with Rome, through his education at King’s ...”

“... of fortune flourished,’ says the cover flap of Frances Stonor Saunders’s biography of Sir John Hawkwood (c.1320-94), one-time leader of the White Company made famous by Conan Doyle’s historical novels. The 14th century was indeed an age of opportunity for military adventurers, and for mercenary soldiers in particular. Independent companies, led by ...”

“... plays do survive – Thomas Drue’s The Duchess of Suffolk, Davenport’s King John and Matilda, Arthur Wilson’s The Swisser, or Glapthorne’s Albertus Wallerstein – and others preserve a sketchy existence through the records of censorship and prosecution. Massinger causes Miss Heinemann some difficulty. She (rightly) contrasts the ...”

“... one side, and studies of religion in the English Revolution on the other. Lancelot Andrewes and John Donne are subjects: literature has seen to that. And so is Puritanism: America has seen to that. But not the ordinary mainstream history of the Jacobean Church. We still tend to see that history through Victorian eyes, our understanding of early Stuart ...”

“... gallant men, and I thought them fools.’ What, I wonder, did these ‘fools’ think of John Milton as he watched and judged and yet abstained from their pleasures? Towards the end of his Latin poem on the death of his university friend Carlo Diodati, Milton expresses the fear that he might sound ‘turgidulus’. He then launches into a description ...”