Time Longer than Rope
Greil Marcus, 16 November 1995
“... airy, blasted, dead-drunk pieces are little exercises in sardonicism that by the end of a tune may have locked a grin on the singer’s face like tetanus; his songs lie beneath the masked voice in ‘Lo and Behold!’, not as something to outdo or transcend but as a tradition to explore for whatever stories it might have told, but didn’t.Frank Hutchison ... ”