“... of mistresses, champagne, gambling and entertaining’. He was best known for his magazine John Bull. Launched in 1906 following Bottomley’s election as the Liberal MP for Hackney South, it specialised in a leaden patriotism. The French were ‘the Foul French’; the Labour leader Keir Hardie was ‘Kur’ Hardie; Britain’s wartime opponents were ...”

“... and excitement of research than Julia Blackburn’s account of her attempt to find out about John Craske. Detail from Craske’s ‘The Evacuation of Dunkirk’ She first hears about him from her friend Emily, who told her: ‘He was a fisherman who became a painter and embroiderer … I think he’s much better than Alfred Wallis down in ...”

“... John Crowley’s novels are hard to describe. His best one, Little, Big (1981), is probably something you might call ‘fantasy’. It contains talking trout, and little people, and witches in New York, and an attempt by the Emperor Frederick Barbarossa to rule the world again, which is thwarted by a family who possess a magic deck of cards ...”

“... motive to his barons, who are often depicted as anxious to avoid civil wars over succession). But John of Salisbury, Gervase of Canterbury and William of Newburgh all say that the initiative was with Eleanor. Gervase claims that she used consanguinity as a ‘pretext’ and William that she ‘grew most irritated with the king’s habits and … said that she ...”

“... First/Bunny died, then John Latouche,/then Jackson Pollock,’ Frank O’Hara reflects during a post-prandial stroll around midtown Manhattan in ‘A Step away from Them’, written in August 1956. Everyone knew Jackson Pollock and the lyricist John Latouche, but only insiders to the avant-garde coteries in which O’Hara moved would have known who Bunny was – especially since she published under the name V ...”

“... to do without ‘misogynist satire, self-congratulation, smut’. He has left these to the other John, whose anthology is bold, noisy, rude, aggressive and full of itself, all of which things love can be, too, given half a chance. Neither editor is taking any chances, though. Fuller’s book, which has a long and elegant introductory essay, is an ...”

“... This is much harder to talk about, or illustrate. In All the Pretty Horses, the year is 1949. John Grady Cole is 16, his grandfather has just died, his parents are separated, his girlfriend has found someone else. He leaves his home in San Angelo, Texas and takes off with a friend for Mexico. They meet up with another, even younger boy riding a fine horse ...”

“... In 1886 there was an exhibition at the Grosvenor Gallery of the work of John Everett Millais (Sir John, in fact: he had recently been made a baronet). There were pictures from his Pre-Raphaelite infancy, like Isabella and Christ in the Carpenter’s Shop; anecdotal ones, like My First Sermon (a child portrait in the Bubbles line); landscapes (Chill October); pictures with stories (The Proscribed Royalist) and pictures from stories (Mariana ...”

“... the tense problem of the modern muse and the sexual prompt of modern art’, or that John Updike is largely concerned with ‘the revelation of form, the moment of aesthetic revelation in the contingencies of life’. Bradbury is just going through the motions, hastening from name to name, reciting worn-out academic phrases, too bored even to ...”

“... In his off hours, London ‘wanted to be where the winds of adventure blew’, as he wrote in John Barleycorn, his ‘alcoholic reminiscences’. He was a child labourer in Oakland at 14, a Bay Area pirate at 15, a transcontinental hobo at 16, an able-bodied seaman at 17, a New York State prisoner at 18, a California ‘work beast’ at 20 and a Yukon ...”

“... subjects might as well have stuck their heads through a hole in a pre-painted background. But as John Brewer emphasises in his catalogue essay, the Tour was more socially mixed than it might appear. Basset, the biggest spender among the consigners to the Westmorland, was not an aristocrat but the beneficiary of a recent family fortune made from Cornish ...”

“... I saw no cowboys on television but plenty on the movie screen, from the Lone Ranger and Tonto to John Wayne, and I still have a picture of myself as a little boy in a cowboy outfit with a hat and chaps and toy pistols. It’s a small indication of how deeply influenced Cubans were by our mighty neighbour to the north, and the way the fiction of the ...”

“... a term than Romanticism or Classicism have been in helping us to understand the art of the past. John Russell, meantime, in his new book, Meanings of Modern Art, is a little bolder. He begins conventionally enough with Manet and the 1860s, but, unlike the formalists who also took this line when formalism was in fashion, he attributes the shift in art ...”

“... to accomplish, entailed a Parliamentary union between Peelites like Gladstone and Whigs like Lord John Russell. The Gladstonian Liberal Party, which was to dominate Victorian politics, was conceived in the Ayes lobby that night in 1846: it was their baby. When the baby grew up, it duly encountered its own midlife crisis. In 1886 it was the Liberal Party which ...”

“... also has sharp chapters on the rise of two other bovine symbols of Englishness: the bulldog, and John Bull (here he draws heavily on the work of Miles Taylor). Both supposedly represented the same qualities of directness, determination and courage. In the case of the bulldog, which took its name from the grisly sport of bull-baiting rather than from any ...”