Out of Sight, out of Mind

Frank Kermode: A.J. Ayer’s Winning Ways, 15 July 1999

A.J. Ayer: A Life 
by Ben Rogers.
Chatto, 402 pp., £20, June 1999, 9780701163167
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“... as ever. Never has philosophy been so fast, so neat.’ In view of all these successes it may be surprising to find that Ayer habitually thought of himself as an ‘outsider’ and ‘self-made’, exaggerating the poverty of his family, looking at the world, as his widow, Dee Wells, puts it, with ‘big desiring eyes’, and, despite a career of ...”

Run to the hills

James Meek: Rainspotting, 22 May 2003

Rain 
by Brian Cathcart.
Granta, 100 pp., £5.99, September 2002, 1 86207 534 4
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“... the task of explaining why we are wrong to underestimate the power of British rain: why, though it may never inspire the immediate awe of a hurricane or a tornado or a Russian purga, it is worthy of respect and fear; and how, even as the mysterious forces of cultural evolution lead more urban Britons to wander about without umbrellas and rainwear, hoping that ...”

Kick over the Scenery

Stephanie Burt: Philip K. Dick, 3 July 2008

Four Novels of the 1960s: ‘The Man in the High Castle’, ‘The Three Stigmata of Palmer Eldritch’, ‘Do Androids Dream of Electric Sheep?’, ‘Ubik’ 
by Philip K. Dick.
Library of America, 830 pp., $35, May 2008, 978 1 59853 009 4
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Five Novels of the 1960s and 1970s: ‘Martian Time-Slip’, ‘Dr Bloodmoney’, ‘Now Wait for Last Year’, ‘Flow My Tears, the Policeman Said’, ‘A Scanner Darkly’ 
by Philip K. Dick.
Library of America, 1128 pp., $40, August 2008, 978 1 59853 025 4
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“... That is what happened to rock music in the late 1960s, when sophisticated critics decided, as Richard Poirier put it, to start ‘learning from the Beatles’. It is what happened to comics, too, in the early 1990s, when the Pulitzer Prize committee invented an award for Art Spiegelman’s Maus. And it has happened to science fiction, where the anointed ...”

My son has been poisoned!

David Bromwich: Cold War movies, 26 January 2012

An Army of Phantoms: American Movies and the Making of the Cold War 
by J. Hoberman.
New Press, 383 pp., £21.99, March 2011, 978 1 59558 005 4
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“... a less anxious president, to revoke the order in April 1953. In Hollywood the fear began on 8 May 1947, when the House Un-American Activities Committee, led by its chairman, Parnell Thomas, and its chief investigator, Robert Stripling, ‘set up shop’ at the Biltmore Hotel in Los Angeles. The first response by the industry to notice of an investigation ...”

Even If You Have to Starve

Ian Penman: Mod v. Trad, 29 August 2013

Mod: A Very British Style 
by Richard Weight.
Bodley Head, 478 pp., £25, April 2013, 978 0 224 07391 2
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“... of scooter-borne rock fans, draped in the ambiguous insignia of RAF targets and Union Jacks. What Richard Weight calls the ‘very British style’ of Mod found its initial foothold in late 1950s Soho with the arrival of the jazz ‘modernists’, who defined themselves in strict opposition to the reigning gatekeepers of Trad. Modernists were wilfully ...”

Charmed Life

John Bayley, 15 September 1983

The Russian Revolutionary Novel: Turgenev to Pasternak 
by Richard Freeborn.
Cambridge, 256 pp., £27.50, January 1983, 0 521 24442 0
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Boris Pasternak: His Life and Art 
by Guy de Mallac.
Souvenir, 450 pp., £14.95, February 1983, 0 285 62558 6
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Pasternak: A Biography 
by Ronald Hingley.
Weidenfeld, 294 pp., £12.95, August 1983, 9780297782070
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Selected Poems 
by Boris Pasternak, translated by Jon Stallworthy and Peter France.
Allen Lane, 160 pp., £7.50, February 1983, 0 7139 1497 1
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Poets of Modern Russia 
by Peter France.
Cambridge, 240 pp., £20, February 1983, 0 521 23490 5
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Russian Literature since the Revolution 
by Edward Brown.
Harvard, 413 pp., £20, December 1982, 0 674 78203 8
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“... uses and its presence is so much taken for granted as to be relatively benign. Though bad art may embody poshlost, its pretensions are usually harmless and recognisable: worse things happen when good art is taken up by poshlost, and has the kind of qualities which it can take over. When does this happen? Not with Mozart, with Shakespeare or with ...”
Adventures on the Freedom Road: The French Intellectuals in the 20th Century 
by Bernard-Henri Lévy, translated by Richard Veasey.
Harvill, 434 pp., £20, December 1995, 1 86046 035 6
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The Imaginary Jew 
by Alain Finkielkraut, translated by Kevin O’Neill and David Suchoff.
Nebraska, 230 pp., £23.95, August 1994, 0 8032 1987 3
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The Defeat of the Mind 
by Alain Finkielkraut, translated by Judith Friedlander.
Columbia, 165 pp., $15, May 1996, 0 231 08023 9
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“... of Sartre and Raymond Aron, future historians of French intellectuals in the Eighties and Nineties may well be condemned to structuring their narratives around the post-Marx brothers of French intellectual life, Bernard-Henri Lévy and Alain Finkielkraut. This is not a case simply of contemporary thinkers being dwarfed by the giants of the past – the ...”

His Peach Stone

Christopher Tayler: J.G. Farrell, 2 December 2010

J.G. Farrell in His Own Words: Selected Letters and Diaries 
edited by Lavinia Greacen.
Cork, 464 pp., €19.95, September 2010, 978 1 85918 476 9
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“... stone in a peach and it must exist before one can ever begin to start thinking constructively. In May he decided to have a break and, on a friend’s recommendation, took a boat from Narragansett to Block Island. There he saw the charred remains of the Ocean View Hotel, which had once claimed to have the world’s longest bar – 101 stools – and hosted the ...”

English Proust

Christopher Prendergast, 8 July 1993

In Search of Lost Time 
by Marcel Proust, translated by C.K. Scott Moncrieff and Terence Kilmartin, revised by D.J. Enright.
Chatto, £15, November 1992, 0 7011 3992 7
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“... Swann’s Way offers the refreshingly simple ‘Time was when I always went to bed early’, while Richard Howard proposes going into print with ‘Time and again, I have gone to bed early.’ One can argue the toss indefinitely over the respective strengths of these different renderings. Grieve’s ‘Time was’ and Howard’s ‘Time and again’ have the ...”

When the beam of light has gone

Peter Wollen: Godard Turns Over, 17 September 1998

The Films of Jean-Luc Godard 
by Wheeler Winston Dixon.
SUNY, 290 pp., £17.99, March 1997, 0 7914 3285 8
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Speaking about Godard 
by Kaja Silverman and Harun Farocki.
New York, 256 pp., $55, July 1998, 0 8147 8066 0
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“... unashamed fan of minor Hollywood pictures. Breathless, as Godard readily admitted, was inspired by Richard Quine’s Pushover and could be seen as the direct sequel to Otto Preminger’s Bonjour tristesse. The central character of the film, the petty criminal played by Belmondo, modelled his self-image on that of Humphrey Bogart in Mark Robson’s The Harder ...”

On the Secret Joke at the Centre of American Identity

Michael Rogin: Ralph Ellison, 2 March 2000

Juneteenth 
by Ralph Ellison, edited by John Callaghan.
Hamish Hamilton, 368 pp., £16.99, December 1999, 0 241 14084 6
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“... Hawthorne on the American romance to Henry James on Nathaniel Hawthorne to Lionel Trilling and Richard Chase staking out the ground for American exceptionalism in the postwar United States, the problem for the writer of American fiction famously posed itself as a deficit: ‘no shadow, no antiquity, no mystery, no picturesque and gloomy wrong’ (Ellison ...”

Strange, Angry Objects

Owen Hatherley: The Brutalist Decades, 17 November 2016

A3: Threads and Connections 
by Peter Ahrends.
Right Angle, 128 pp., £18, December 2015, 978 0 9532848 9 4
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Raw Concrete: The Beauty of Brutalism 
by Barnabas Calder.
Heinemann, 416 pp., £25, April 2016, 978 0 434 02244 1
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Space, Hope and Brutalism: English Architecture 1945-75 
by Elain Harwood.
Yale, 512 pp., £60, September 2015, 978 0 300 20446 9
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Concrete Concept: Brutalist Buildings around the World 
by Christopher Beanland.
Frances Lincoln, 192 pp., £18, February 2016, 978 0 7112 3764 3
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This Brutal World 
by Peter Chadwick.
Phaidon, 224 pp., £29.95, April 2016, 978 0 7148 7108 0
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Modern Forms: A Subjective Atlas of 20th-Century Architecture 
by Nicolas Grospierre.
Prestel, 224 pp., £29.99, February 2016, 978 3 7913 8229 6
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Modernist Estates: The Buildings and the People Who Live in Them 
by Stefi Orazi.
Frances Lincoln, 192 pp., £25, September 2015, 978 0 7112 3675 2
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Architecture an Inspiration 
by Ivor Smith.
Troubador, 224 pp., £24.95, November 2014, 978 1 78462 069 1
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“... speculative capitalism that gave rise to the semi-Brutalist office and housing projects of Richard Seifert, such as the Anderston Centre in Glasgow, a half-finished and shoddily renovated sub-Barbican of monumental towers connected by walkways across a raised podium. Seifert, as Hugh Casson pointed out, had ‘loyalty to his clients’ where other ...”

Britain’s Thermonuclear Bluff

Norman Dombey and Eric Grove, 22 October 1992

“... are two problems with these accounts. First, the test of Orange Herald was held on Friday, 31 May: it would not have been physically possible for the story to appear before the following Monday. In other words, the journalists wrote their stories in advance of the test, on the basis of a briefing from Brigadier Jehu, who had seen the first test – Short ...”

Gotcha, Pat!

Terry Castle: Highsmith in My Head, 4 March 2021

Devils, Lusts and Strange Desires: The Life of Patricia Highsmith 
by Richard Bradford.
Bloomsbury, 258 pp., £20, January 2021, 978 1 4482 1790 8
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“... both an astute moral purchase and a great sympathy for Highsmith. I wish I could say the same of Richard Bradford’s new Life, Devils, Lusts and Strange Desires. As the ill-advised title might suggest, the book is a sad mess: shallow, mistake-ridden, voyeuristic in tone. It’s hard to get through for a number of reasons. Tellingly, there are no scholarly ...”

Des briques, des briques

Rosemary Hill: On British and Irish Architecture, 21 March 2024

Architecture in Britain and Ireland: 1530-1830 
by Steven Brindle.
Paul Mellon, 582 pp., £60, November 2023, 978 1 913107 40 6
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“... New features could be introduced without any sense of anachronism, rather as a new picture may be hung in an old house. ‘Britain’ itself was still a semi-mythic construct, supposedly the creation of the Trojan ‘Brut’, descendant of Aeneas, and Brindle keeps the particularities of Scotland and Ireland in view. Scotland, though it would have its ...”