All hail, sage lady

Andrew O’Hagan: ‘The Crown’, 15 December 2016

“... it is words that are the spring of action. (‘This tongue that runs so roundly in thy head,’ Richard II says, ‘Should run thy head from thy unreverent shoulders.’) The Crown has few pretences, and it isn’t Shakespeare, but it sets up a properly sophisticated relationship between words and actions, a relationship in which saying and not saying is ...”

Motiveless Malignity

D.A.N. Jones, 11 October 1990

The Dwarfs 
by Harold Pinter.
Faber, 183 pp., £11.99, October 1990, 0 571 14446 2
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The Comfort of Strangers, and Other Screenplays 
by Harold Pinter.
Faber, 226 pp., £14.99, September 1990, 0 571 14419 5
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The Circus Animals 
by James Plunkett.
Hutchinson, 305 pp., £12.99, September 1990, 0 09 173530 0
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The South 
by Colm Tóibín.
Serpent’s Tail, 238 pp., £7.99, May 1990, 1 85242 170 3
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“... the rationalisations. This script could certainly have made a good film: it was intended for Richard Lester in 1982, but ‘the finances were never found.’ The other three film scripts have become real movies. One of them, The Comfort of Strangers, is another macabre: it adapts Ian McEwan’s novel about an Italian sadist and his subservient wife ...”

Cry Treedom

Jonathan Bate, 4 November 1993

Forests: The shadow of Civilisation 
by Robert Pogue Harrison.
Chicago, 288 pp., £19.95, May 1992, 0 226 31806 0
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“... could be restored to integrity,’ says Harrison. Quite so, but Hitler and his green lieutenant Richard Walther Darre throve on that too. (Anna Bramwell’s work in this area is a conspicuous omission from the otherwise excellent bibliography, the length of which makes one pause to reflect on the number of trees which have been cut down in the cause of ...”

Easter Island Revisited

Tam Dalyell, 27 June 1991

A Green History of the World 
by Clive Ponting.
Sinclair-Stevenson, 352 pp., £16.95, May 1991, 1 85619 050 1
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“... effective he was. The jury was taken aback when Mr Heseltine’s Civil Service Private Secretary, Richard Mottram, casually revealed, to the incredulity of Ponting’s counsel and the jury, that the Commander-in Chief’s Official Report on the Falklands War had been tampered with behind his back, in relation to the crucial timing of the contact between HMS ...”

Labour Blues

Ross McKibbin, 11 February 1993

Defeat from the Jaws of Victory: Inside Neil Kinnock’s Labour Party 
by Richard Heffernan and Mike Marqusee.
Verso, 344 pp., £9.95, November 1992, 0 86091 351 1
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“... has to dissemble to gain office then it will dissemble. It was not unreasonable to think that the English electorate disliked the Conservatives but distrusted Labour. If, therefore, labour had to pretend to utter respectability to win the electorate’s support then it must be utterly respectable, What it did in office is another matter. As it happens, I ...”

Demi-Paradises

Gabriele Annan, 7 June 1984

Milady Vine: The Autobiography of Philippe de Rothschild 
edited by Joan Littlewood.
Cape, 247 pp., £10.95, June 1984, 0 224 02208 3
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I meant to marry him: A Personal Memoir 
by Jean MacGibbon.
Gollancz, 182 pp., £10.95, May 1984, 0 575 03412 2
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“... fiction – from the very beginning when the poor little rich boy is abandoned to an unsympathetic English nanny by his remote father and uncaring worldly mother. The most vivid character and best lay in the story is not the writer Louise de Vilmorin who questioned the Baron about circumcision while running her fingers through his pubic hair, but Charley ...”
Founders of the Welfare State 
edited by Paul Barker.
Gower, 138 pp., £14.95, February 1985, 0 435 82060 5
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The Affluent Society 
by John Kenneth Galbraith.
Deutsch, 291 pp., £9.95, February 1985, 0 233 97771 6
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“... the creations of that time as the culmination of ‘a Whig-like interpretation of history’. Yet Richard Titmuss, both champion and critic of the new order, always placed the words ‘Welfare State’ in quotation-marks in case anyone should suppose that what had been achieved was the end of the story. It was Titmuss and his pupils who made the first ...”

A Life without a Jolt

Ferdinand Mount: M.R. James, 26 January 2012

Collected Ghost Stories 
by M.R. James.
Oxford, 468 pp., £14.99, October 2011, 978 0 19 956884 0
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“... connection comes later: for the French, ‘maison hantée’ is a 19th-century Anglicism. In English, the ghostly connection is at least as old as Shakespeare. Richard II tells us that some kings are ‘haunted by the ghosts they have deposed.’ Ghosts then were regular revenants, resident nuisances. In James, they ...”

Sabre-Toothed Teacher

Colin Kidd: Cowling, 31 March 2011

The Philosophy, Politics and Religion of British Democracy: Maurice Cowling and Conservatism 
edited by Robert Crowcroft, S.J.D. Green and Richard Whiting.
I.B. Tauris, 327 pp., £54.50, August 2010, 978 1 84511 976 8
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“... Maurice Cowling was the English intelligentsia’s self-appointed pantomime ogre. Hamming up his villainy, he deliberately courted boos and hisses. In 1990, on the publication of the second edition of his book Mill and Liberalism (1963), he remembered with delight that one of its original reviewers had ‘obligingly’ described it as ‘“dangerous and unpleasant”, which was what it was intended to be ...”

In 1348

James Meek, 2 April 2020

“... tournaments were expensive, lurid and boastful, teeming, jostling social occasions that were, as Richard Barber put it in Edward III and the Triumph of England, part Roman triumph, part circus. The last royal tournament of 1348 was held on 14 July, in Canterbury. ‘The costumes for the entry into the city,’ Barber writes, ‘required eight pounds of ...”

Fear among the Teacups

Dinah Birch: Ellen Wood, 8 February 2001

East Lynne 
by Ellen Wood, edited by Andrew Maunder.
Broadview, 779 pp., £7.95, October 2000, 1 55111 234 5
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“... middle classes claims that East Lynne may be ‘one of the most famous unread works in the English language’. Very possibly. Yet it was spectacularly successful in its day, and its popularity has turned out to be more durable than that of most publishing sensations. Newly literate novel-readers in the mushrooming industrial cities consumed it with ...”

Thomas’s Four Hats

Patricia Beer, 2 April 1981

The Poetry of Edward Thomas 
by Andrew Motion.
Routledge, 193 pp., £8.95, November 1980, 0 7100 0471 0
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“... on the style of even eminent critics: for example, F.R. Leavis, who praises him in New Bearings in English Poetry (1932). Having spoken cogently and authoritatively of Yeats, De la Mare and Blunden, in the chapter ‘The Situation at the End of the First World War’, he becomes almost schoolgirlish (A-level and well-taught) when he gets to Edward ...”

At the National Gallery

Elizabeth Goldring: Holbein and Henry James, 23 April 2026

“... his brother Philipp; George Boleyn, 2nd Viscount Rochford, and William Paget, 1st Baron Paget; and Richard Pate and Hugh Askew. This last lent itself to yet another interpretation of the anamorphic skull: that it was a visual pun on the sitters’ combined surnames (‘Pate Askew’). One member of the public optimistically suggested that either of the men ...”

Time and Men and Deeds

Christopher Driver, 4 August 1983

Blue Highways: A Journey into America 
by William Least Heat Moon.
Secker, 421 pp., £8.95, May 1983, 0 436 28459 6
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“... achievement, combining the restless determination of Tschiffely’s Ride with a touch of Richard Jefferies or (among recent American naturalist-travellers) Edwin Way Teale. Moon uses a camera and a tape-recorder competently, but as aides-mémoire, not as mistresses. Between these covers are locked the perceptions of a reluctant solitary, perhaps, but ...”

I am a false alarm

Robert Irwin: Khalil Gibran, 3 September 1998

Kahlil Gibran: Man and Poet 
by Suheil Bushrui and Joe Jenkins.
One World, 372 pp., £18.99, August 1998, 1 85168 177 9
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Prophet: The Life and Times of Kahlil Gibran 
by Robin Waterfield.
Allen Lane, 366 pp., £20, August 1998, 0 7139 9209 3
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“... and syntax (both quite dreadful). Gibran produced a small body of writings in Arabic and in English, and managed to be soupily soulful and vaguely prophetic in both languages. He also painted – Robin Waterfield’s biography is good on the recurring features of his art, including its ‘vague ectoplasmic figures, often female’ and the ‘veil of ...”