“... and Metamorphosis – Charles Martindale, who protested at Tom Paulin’s review in the LRB, and Richard Swigg who many months ago answered Alistair Elliott’s more brutal review in the TLS – have every reason to wonder that Tomlinson should still solicit the suffrages of a public that shows him such ill-will. He must be, so it must seem, either ...”

“... art, of course, depicts nudes. The Hepburn-like (or horrible-troll-like) naked body, though, may or may not be beautiful. He or she is real. He or she does return the viewer’s gaze. He or she is an active subject of desire – as well as of everything else, to quote Nietzsche, that’s ‘human, all too human’. And ...”

“... In The Crucible of Creation (1998) he attacked Gould, ‘biting the hand that once fed him’ as Richard Fortey put it in his review, in a way that made ‘a shoal of piranha seem decorous’.* The range of evolutionary options is tightly constrained, he insisted, and wherever there is life, on earth or any other planet, human-like creatures are likely to ...”

“... that they went on to discuss heatedly their rival pronunciations of Latin. That shared culture may actually be dead, and that story’s significance may live on only in the eye of sentiment, but I feel bound to carry on regardless, believing that Horace said, matchlessly, a lot of sane and valuable things. When Horace ...”

“... you know that your faith, your assurance, are genuine and permanent; Calvin acknowledges that men may have temporary faith. But since the gift of faith comes before repentance it is no good looking inside yourself for signs that will justify assurance, or trying to verify your faith by good works. For Beza and Perkins, the problem is how a man can know that ...”

“... the random Ethiope innately repulsive, unworthy of the bright jewel in his or her ear.This may not be the way the image has always worked in practice, however, given that Romeo and Juliet is a play in which dark night is the time of love, garish day the time of destructive violence. Juliet will soon be begging the fiery-footed steeds of the sun to ...”

“... as ever. Never has philosophy been so fast, so neat.’ In view of all these successes it may be surprising to find that Ayer habitually thought of himself as an ‘outsider’ and ‘self-made’, exaggerating the poverty of his family, looking at the world, as his widow, Dee Wells, puts it, with ‘big desiring eyes’, and, despite a career of ...”

“... the task of explaining why we are wrong to underestimate the power of British rain: why, though it may never inspire the immediate awe of a hurricane or a tornado or a Russian purga, it is worthy of respect and fear; and how, even as the mysterious forces of cultural evolution lead more urban Britons to wander about without umbrellas and rainwear, hoping that ...”

“... That is what happened to rock music in the late 1960s, when sophisticated critics decided, as Richard Poirier put it, to start ‘learning from the Beatles’. It is what happened to comics, too, in the early 1990s, when the Pulitzer Prize committee invented an award for Art Spiegelman’s Maus. And it has happened to science fiction, where the anointed ...”

“... a less anxious president, to revoke the order in April 1953. In Hollywood the fear began on 8 May 1947, when the House Un-American Activities Committee, led by its chairman, Parnell Thomas, and its chief investigator, Robert Stripling, ‘set up shop’ at the Biltmore Hotel in Los Angeles. The first response by the industry to notice of an investigation ...”

“... of scooter-borne rock fans, draped in the ambiguous insignia of RAF targets and Union Jacks. What Richard Weight calls the ‘very British style’ of Mod found its initial foothold in late 1950s Soho with the arrival of the jazz ‘modernists’, who defined themselves in strict opposition to the reigning gatekeepers of Trad. Modernists were wilfully ...”

“... uses and its presence is so much taken for granted as to be relatively benign. Though bad art may embody poshlost, its pretensions are usually harmless and recognisable: worse things happen when good art is taken up by poshlost, and has the kind of qualities which it can take over. When does this happen? Not with Mozart, with Shakespeare or with ...”

“... stone in a peach and it must exist before one can ever begin to start thinking constructively. In May he decided to have a break and, on a friend’s recommendation, took a boat from Narragansett to Block Island. There he saw the charred remains of the Ocean View Hotel, which had once claimed to have the world’s longest bar – 101 stools – and hosted the ...”

“... Swann’s Way offers the refreshingly simple ‘Time was when I always went to bed early’, while Richard Howard proposes going into print with ‘Time and again, I have gone to bed early.’ One can argue the toss indefinitely over the respective strengths of these different renderings. Grieve’s ‘Time was’ and Howard’s ‘Time and again’ have the ...”

“... unashamed fan of minor Hollywood pictures. Breathless, as Godard readily admitted, was inspired by Richard Quine’s Pushover and could be seen as the direct sequel to Otto Preminger’s Bonjour tristesse. The central character of the film, the petty criminal played by Belmondo, modelled his self-image on that of Humphrey Bogart in Mark Robson’s The Harder ...”