“... amateur snaps, is a necrophile’s delight: photograph after photograph, in tiny, eye-straining black and white, of crosses, graves, plaques, inscriptions, bombed-out block-houses converted into monuments, decaying trench relics, dank rows of cypresses, grassed-over mine and shell craters, obscene-looking barrows, and yet more crosses and graves. Some of ...”

“... since the funding of the racket had to be concealed from the Treasury and State Departments, a black economy. The arms dealers, drug smugglers and middlemen of this dirty budget were to furnish most of the ‘colourful characters’, as Americans found to their dismay that shady Persian marchands de tapis knew more about the bowels and intestines of the ...”

“... of Corfu. There are several different versions of Mosley’s political career. Fellow politicians, Michael Foot and Richard Crossman among them, took the view that, like themselves, he was interested in power but that, unlike them, unlike Foot and Crossman at any rate, he was too impatient to wait his turn. For Skidelsky, though there are signs that he may now ...”

“... Bint, who admitted to this at the inquest), G (PC James Scottow), I (PC Anthony Richardson), J (PC Michael Freestone) and F (PC Raymond White, the driver). This is Cass’s ordering, starting with the most likely culprit. At first sight, Cass’s conviction that White was not responsible is surprising. Much of the press coverage focused on the medical evidence ...”

“... of their amazing new healthcare robot, the Asimo. Asimo is short (4’3”) and white with a black facemask and a metal backpack. It resembles an unusually small astronaut. In the video Asimo advances towards a staircase and starts climbing while turning his face towards the audience as if to say, à la Bender from Futurama, ‘check out my shiny metal ...”

“... political theme, sees the writer as doing a ‘particularly brilliant thing’ in Amphitryon; and Michael Cordner three times reiterates the word ‘masterpiece’ when introducing his edition of the play. There is an appealing American proverb, ‘If you’re so smart, why ain’t you rich?’ It seems to throw light on the difficult case of Dryden. During ...”

“... midnight, accompanied by a coterie of friends, bodyguards and hangers-on, wearing his trademark black beret, his shirt open to the waist. He was unbelievably beautiful. People stopped whatever they were doing and stared at the Revolution made flesh. ‘He had an incalculable enchantment that came completely naturally,’ Julia Costenla, an Argentine ...”

“... would soon reach him. He called his brother at 1.30 and left a message saying there was black smoke everywhere. People could have made for the stairs at that point, but they were told to stay put. And it quickly became evident that some people were trapped. Tall ladders were needed, but they are scarce in Central London and the first one didn’t ...”

“... their hands. It was my birthday; we got a babysitter; we met friends at a restaurant in Soho. Black cabs and Ubers seeded Frith Street with revellers. The boozing-rooms roared. Unmasked waiters leaned in. The skies were full of planes, underground and overground trains full of people. And at this time, somewhere in a great city in China whose name held no ...”

“... or thrown into shadow, with one point of high light in an area of gloom or foreground figures black against brightness, with the key shifting according to mood. These decisions were in keeping with Welles’s monumental analysis of the hero: the camera would delve like a shovel or coax as a sculptor chips a block of stone to find the lurking image. He ...”

“... an illustrator. Among the friends he made there was Tommy Jackson, a young artist who studied at Black Mountain College in North Carolina. Jackson sent him the first issue of the Black Mountain Review and introduced him to the work of artists such as Robert Rauschenberg, Robert Motherwell, Cy Twombly and Ray ...”

“... his head – ‘La, Sir! You’re always fancying things.’ One of the book’s recent champions, Michael Neve, finds it a ‘subtle meditation on the philosophical ludicrousness of love’, a ‘picture of driven desire that, with Freudian exactness, ends up without even an obscure object’. All the while Hazlitt continued his punishing schedule of literary ...”

“... shatter the conventional categories of the resistance/collaboration dichotomy. As the history of black slavery should have taught us, the most unpromising situations afford some space for negotiation, and the guilt-laden compromises of the Judenräte were no exception. But each of the decisions taken – to meet Nazi demands in order to modify them, to ...”

“... of traditional leadership and social order’, in situations equivalent to that occasioned by the Black Death which preceded the great English Peasant Revolt of 1380. This sort of crisis creates a sense of total, oneiric alteration in which, since the time-honoured no longer functions, almost anything can be attempted. The world can be turned upside down. For ...”

“... less well than a lot of professional writers. The photo of a beaming 75-year-old Jenkins in black tie being awarded the Whitbread biography prize in 1995 for his Life of Gladstone suggests a life well-rounded in many senses. And yet, nagging questions about Jenkins’s politics and political leadership – and, indeed, about the shape of modern British ...”