“... a conscience can be uneasy bedfellows (though preferable to privilege without a conscience). They may give rise to dislocated feelings of guilt, which can lead to a perverse envy of the deprived – how lucky they are to be free of these feelings of guilt – or a conviction that privilege is, in fact, a form of deprivation, particularly deprivation of ...”

“... that of self-regard, which alerts us to the possibility that societies, no less than individuals, may be flattered by their own lofty sense of purpose when confronted by human misery. ‘The national consensus on American history as a history of progress,’ Sontag writes, ‘is a new setting for distressing photographs – one that focuses our attention on ...”

“... at the moment is Beckett’s sanitisation of old age about which, knowing so little of Beckett, I may be hopelessly wrong. But Beckett’s old age is dry, musty, desiccated. Do Beckett’s characters even smell their fingers? Who pisses? How does the woman in Happy Days shit?21 February. When we went to see the Late Rembrandt show the other week I noticed ...”

“... of her fright. The noir effect is a stand-in for the movies in general, and the corpse may well be Turner’s career. It’s all too much for her, and she goes off on a drinking binge, her old habit. The film is Vincente Minnelli’s The Bad and the Beautiful (1952), soon to be shown in cinemas across the country. Pauline Kael thought it was ...”

“... On Sunday 16 May, a day before the IDF launched its long-awaited, well-planned attack on the civilian population of Rafah, the Israeli chief of staff, Major-General Moshe (Boogey) Ya’alon said it was ‘almost the last chance’ for such an operation and that ‘special conditions were in place’ for an imminent attack ...”

“... vocabulary to do justice to dramatic effect. The impact, experienced immediately by the recipient, may be translated in recollection – and all dramatic criticism is ‘recollection’ – into various thought-moulds, and it is probable that the two views of his acting derived from similar immediate experiences. I would lay great stress on immediacy: what ...”

“... she wants to fight, but only in the way her father and Joan of Arc fought. They both laugh. As we may or may not have worked out by this stage, the little girl grows up to become our adult heroine, the woman we have already seen on her deathbed in the film’s second scene. Soon after that a hand closes her eyes. The hand ...”

“... party. If there is little that resembles a distinctly northern civil society (though this may be changing), neither is there much sign of an ‘official North’ as constructed by the state. What does exist is ‘no more than a caprice of the Whitehall mind’, its boundaries flowing around a series of ill-fated ministries and schemes. The North has ...”

“... most origin stories, this one is too telling to be entirely true; it has a frisson, as the critic David Sylvester put it, ‘at once Oedipal and necrophilic’. Although Magritte wasn’t present at the scene, he alludes to it in a few paintings. In The Musings of the Solitary Walker (1926), a man in a bowler hat, a recurrent avatar of the artist, stands by a ...”

“... by setting about it with the enthusiasm of crusaders clearing the infidel from Jerusalem. David Herlihy of Harvard derided it as ‘a silly book, founded on faulty method and propounding a preposterous thesis’, while Lawrence Stone thought it advanced ‘an implausible hypothesis based on a far-fetched connection with one still uproven fact of ...”

“... itself, or on its musical realisation, or even on the performers, but on what Ruth Berghaus or David Alden or Andrei Serban is saying about it. Or rather what images they are inflicting upon it – for the production of opera is primarily a matter of what something is made to look like. Singers rarely have any authentic acting ability and the wiser ...”

“... shout their presence (the radically different visual effect of the original is illustrated in David Norton’s The King James Bible: A Short History from Tyndale to Today, as well as in Campbell’s own Bible, another history of the KJB). It’s a pity, but the change emphasises just how remote the modern ‘King James’ Bible is from its original. It ...”

“... who wanted me to read verses at a little morning session for foreign poets. ‘Oh, please, Mr David. We only have one Frenchman so far.’ Foolishly I agreed to pipe up if she really ran short of European versifiers. By Easter Sunday we were enjoying an ideal English summer, blue skies and cool breeze. We were feasted, Arab poems were beautifully ...”

“... David Peace’s first novel, Nineteen Seventy Four (1999), was set in West Yorkshire in the year of its title, and presented that time and place in apocalyptic terms. ‘These are violent bloody times, son,’ a senior policeman tells the narrator, a gauche young journalist investigating the disappearance of a series of girls ...”

“... south of England, particularly London, and from Yorkshire and points north. The London emigrant may well have started his wanderings elsewhere: he is a classic case of the fact that people become migrants in mind before they decide on their actual destination. These economic refugees, mostly men, went out in small numbers on ships doing miscellaneous ...”