“... of 1849 and the expansion of the railways. Stereotyping flourished; in The Yellow Peril (1982), William F. Wu writes that the Chinese in America ‘were viewed as inscrutable, wildly excitable, of low intelligence, and of high and complex intelligence ... as extremely able workers yet low on the evolutionary scale. Occupational stereotypes include tong ...”

“... backsides: The military bullocks loomed at us from the windows of the bus. They looked like huge white one-eyed sea monsters in a tank. The nasty ink black eyes of the anuses stared at us. They were very malevolent and they seemed to be surrounded by murky perimeters that varied in their shades of darkness. Place beside this an episode from The Witches of ...”

“... of meaning and reference. ‘At least one reader’ turns out, fifty pages later, to have been William Empson. Brown refers, with irrefutable accuracy, to ‘an American woman actress’, ‘Infidelity’ seems to have some occult meaning for him, because he alludes, in a passage about ‘The Dead’, to Gabriel’s ‘fascination with his wife’s ...”

“... likely extent of his readers’ acquirements. A great many people know that dentists commonly wear white jackets; a smaller but still substantial section of society has had the opportunity of observing that stewards on passenger aircraft are (or at one time were) similarly attired. Almost anybody of sufficient education to find the word ‘haemophilia’ even ...”

“... was so excessive that it failed to take on. It urged Australians to cut all their ties with the white man’s culture and to develop a new art and literature based on that of the aborigines, the folk who had lived longest in contact with the soil. Despite its muddled thinking and its impossible demands on artists, it was a healthy reaction against overseas ...”

“... in a quite unprecedented way on their right to pass judgment on the deeds of important dead white males, and to tell and publish the story of the polities that they lived in. Bridget Hill neglects this broader intellectual context for a more narrowly biographical approach in this study of Catharine Macaulay, but hers is still a considerable achievement ...”

“... living room. ‘I’m biting the baby,’ he said. ‘D’ you want to?’ The baby was lying on a white towelling nappy and Moggie was bent over her, biting her arms and then her legs and then the cheeks of her face. He said he did it all the time and that the baby liked it. He said it was like tickling. I didn’t want to do it but said I’d stay and ...”

“... was drawn in the Sixties into political action, and had joined the 1971 demonstrations outside the White House protesting the bombing of North Vietnam. When Salter asked Clampitt if she had ever wanted children, she replied: ‘Oh no, when we dropped the bomb on Hiroshima I knew that this wasn’t a world I wanted to bring children ...”

“... of North America. Cook’s journals and the reports of other enlightened travellers, including William Marsden’s History of Sumatra (1783) and Arthur Young’s studies of French agriculture (1787-89), were intended as major contributions to knowledge. Marsden’s work was inspired by his regular attendance at the Royal Society’s ‘philosophical ...”

“... the former secretary of state, one of the begetters of the Bush doctrine of pre-emptive war; William Perry, the former US secretary of defence; James Mattis, Trump’s future first secretary of defence, who thought that Theranos blood tests would be a ‘game changer’ in battlefield medicine. Naturally, all those men would be useful when it came to ...”

“... a doomed love affair. The film is composed almost entirely of still images, a series of black and white photographs accompanied by a narrator’s voiceover. There are other sounds, too – a soft and indecipherable whispering, for example, during the sequence depicting the experiment – which give life to the frozen stills, pulling them into the immediacy of ...”

“... and Development’ arm of American fiction – the tradition of Thomas Pynchon, Robert Coover, William Gaddis and Don DeLillo. That might not sound hard if you think of R&D as a matter of surface effects: pop-cultural references, metafictional gestures, glazed irony and so on. But for Moody (b.1961), as for Jonathan Franzen (b.1959) and David Foster ...”

“... man of letters – poetry editor of the Observer, a contributor to the New Yorker under William Shawn, a TV and radio critic and commentator, a good old-fashioned littérateur. Reflecting on his years spent writing about contemporary poetry, ‘always the shabbiest and most malicious fringe of the literary world’, he admits that during those ten ...”

“... few historical figures introduced to bolster the movie’s plot – the future Tammany Hall boss William M. Tweed, Archbishop John Hughes and the showman P.T. Barnum – are either transported backwards in time or engage in alliances with gangs that defy the actual marginality of these gangs within the class and power structure of the mid-century city. As ...”

“... metafiction are still strongly influenced by the 1960s: John Barth, Robert Coover, Thomas Pynchon, William Gass. Thanks to the work of this group and the self-named characters of Philip Roth, we might well brace ourselves for archness or emotional coolness (rather than sincerity, warmth and optimistic political engagement) at the first sign of a ...”