“... title is presumably a market pitch. The subtitle, perhaps another pitch, lays bare a problem which John Stubbs never grips. We are two-thirds of the way through before we reach ‘the English civil war’ of the 1640s. The bulk of the book is set in the generation before it, from the years around the accession of Charles I to the outbreak of fighting in ...”

“... The unnamed narrator of John Banville’s novel is an academic who spends the summer on a run-down country estate in Ireland where he hopes to put the finishing touches to a book on Isaac Newton. Gradually, his research takes a back seat as he becomes fascinated with the family on whose property he is living. Edward Lawless is a wreck of a man, clumsy, inarticulate, frequently drunk; his wife Charlotte is noble, suffering, strangely withdrawn; Ottilie, Charlotte’s niece, is blonde, somewhat graceless, but physically available ...”

“... that if something is believed in or wanted for long enough, it will eventually materialise. From John Aubrey’s passing remark in 1665 that Stonehenge might have been built by druids, through William Stukeley’s obsessively detailed and almost entirely invented account of the druidic religion it took another hundred and fifty years, but in the early 20th ...”

“... version of pastoral is more fashionable than ever. ‘In a time of informational overload,’ John Updike wrote in an introduction to Walden, ‘of clamorously inane and ubiquitous electronic entertainment, and of a fraught, globally challenged and ever more demanding workplace, the urge to build a cabin in the woods and thus reform, simplify and cleanse ...”

“... a circular bronze relief of the Virgin and Child in use as an ashtray.’ The narrator is Sir John Pope-Hennessy and his nocturnal encounter was with one of the most hawk-eyed art-dealers in Europe. ‘ “Was it double-sided?” I asked him. “Yes,” he replied, he thought it was. Next day it was brought to my office …’ And there Pope-Hennessy ...”

“... preface to this celebratory volume of essays presented to Dame Helen Gardner on her 70th birthday, John Carey apologises for the fact that the topics discussed are restricted to 16th and 17th-century English literature. Dame Helen’s latest book, after all, was The Composition of ‘The Four Quartets’. Eliot’s presence, though, still hovers over ...”

“... the daily life of vanished cultures. He has chosen to give this time traveller the name John Lubbock. John Lubbock was also the name of a Victorian equivalent of Mithen himself, who summarised the current knowledge of ‘primitive’ societies nearly a century and a half ago in Prehistoric Times, as Illustrated by ...”

“... he’s gone and joined this weird sect. He sits in a cave with his guru, a batty old bugger called John and scribbles on scrolls stuff to scare you while the rabbi goes rabbiting on. He seems dead to us does my brother. He’s been so thoroughly brainwashed by John ‘I look in your eyes,’ said our mother ‘But the bright ...”

“... of Greek and Roman art. Ned’s chief assistant in this enterprise was the great love of his life, John Marshall. The two met at Oxford, where Marshall was an outstanding student. Many of his contemporaries believed that the young man might become a great Classical scholar, but he chose to serve as Ned’s secretary. He received a regular salary, but he was ...”

“... Thee’ and much that France still offers. There are writers he likes, most of them dead: Ronsard, John Clare, William Barnes (‘love of whose poems seems to me a litmus paper of the genuine’), Auden (‘the greatest of my contemporaries’), George Herbert, Vaughan, Crabbe, Hopkins, Whitman, Campion, Morris, Christina Rossetti, ...”

“... when they have been the intimidated colleagues of the late F.R. Leavis. ‘Unashamedly,’ says John Rathmell of Christ’s College, ‘a lyric and romantic poet in the tradition of Blake and Shelley’, thus grossly maligning both Blake and Shelley. (‘Unashamedly’, however, is correct.) Either the Times or the Telegraph had advance knowledge of the ...”

“... and yet falling short of the ideal moral imperatives? These are the questions which occupy John Dunn in the essays that make up this book and which give it a coherence greater than that usually achieved in such collections. They range from reflections on and exercises in the history of ideas, through detailed case-studies of African and Asian political ...”

“... its strange and extreme silentness’. Coleridge wrote this line in 1798, a couple of years before John Marsh finished the first part of his History of My Private Life, and a reading of ‘Frost at Midnight’, along with some of the other ‘Conversation Poems’ – ‘The Aeolian Harp’, ‘This Lime-tree Bower My Prison’, ‘The Nightingale’, for ...”

“... The relationship between Byron and his editor John Murray lasted a little over ten years. It began in March 1812 with the publication of Childe Harold’s Pilgrimage, which made Byron’s name. (‘I awoke one morning and found myself famous,’ he famously wrote, or is said to have written.) It ended twice: first, in the winter of 1822, when, after a number of disagreements and misunderstandings, Byron transferred his business to the publisher John Hunt; and finally in the spring of 1824, when Murray presided over the destruction of Byron’s memoirs, which he had not read, in his rooms at 50 Albemarle Street ...”

“... falling away. The Sunday Telegraph has ceased its passionate flirtations with nostalgia. Besides, John Major is either dismantling some of what she did or failing to conceal his embarrassment at the consequences of what he cannot undo. In the balance between exalting the Thatcher years and distancing itself from them, the Major Government has slowly but ...”