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Michael Hofmann: Zagajewski’s Charm, 15 December 2005

Selected Poems 
by Adam Zagajewski, translated by Clare Cavanagh, Renata Gorczynski, Benjamin Ivry and C.K. Williams.
Faber, 173 pp., £12.99, October 2004, 0 571 22425 3
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A Defence of Ardour: Essays 
by Adam Zagajewski.
Farrar, Straus, 198 pp., $14, October 2005, 0 374 52988 4
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“... day, sweet when asleep.’ I have a fear that an unhealthy sweetness, a corn-syrupy sweetness, may be beginning to appear in Zagajewski’s work, perhaps brought on by so much time in the US, where most of his livelihood and reputation is won. I fear poetry as a sort of preserve, praise for the sake of praise, and lushness for the love of lushness. As with ...”

Hoo sto ho sto mon amy

Maurice Keen: Knightly Pursuits, 15 December 2005

A Knight’s Own Book of Chivalry 
by Geoffroi de Charny, translated by Elspeth Kennedy.
Pennsylvania, 117 pp., £10, May 2005, 0 8122 1909 0
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The Master of Game: The Oldest English Book on Hunting 
by Edward, Duke of York.
Pennsylvania, 302 pp., £14.50, September 2005, 0 8122 1937 6
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“... he joined the abortive crusade of Humbert, Dauphin of Vienne; it has been suggested that it may have been on this expedition, somewhere in the eastern Mediterranean, that he acquired the famous shroud. He had by this time already made a martial name for himself, and in 1346, after the French defeat at Crécy (a battle he was lucky to miss), he was taken ...”

Hallo Dad

Christopher Ricks, 2 October 1980

Mr Nicholas Sir Henry and Sons Daymare 
by Thomas Hinde.
Macmillan, 271 pp., £6.95, August 1980, 0 333 29539 0
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“... but with a grasp of the obsession, with an evocation of how odd excitement is, how little it may be related to anything obviously exciting. Conversation with Mr Nicholas was enough to complicate excitement. ‘At the first hint of co-operation with his excitement his father lost interest.’ The excitement is authentic, and so is its draining. ‘He felt ...”

Sartre

Pierre Bourdieu, 20 November 1980

“... of the In-itself and the For-itself, which Sartre sees as part of the universal human condition, may ultimately be only a transfigured form of the intellectual dream which Flaubert expressed more naively: ‘to live like a bourgeois and think like a demi-god’ (i.e. like an intellectual). Thus, even in his life, divided between his desk and the literary ...”

What there is to tell

David Lodge, 6 November 1980

Ways of Escape 
by Graham Greene.
Bodley Head, 309 pp., £6.95, October 1980, 0 370 30356 3
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“... from Western civilisation, and made his journey appear more of an exploration of his own self.) We may accept that the details of Phat Diem or Santiago were observable by anyone who happened to be there, but venture to think that only one writer would have selected them and not others present in the scene, and described them in those words in that particular ...”

Plays for Puritans

Anne Barton, 18 December 1980

Puritanism and Theatre 
by Margot Heinemann.
Cambridge, 300 pp., £12.50, March 1980, 0 521 22602 3
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John Webster: Citizen and Dramatist 
by M.C. Bradbrook.
Weidenfeld, 205 pp., £10, October 1980, 0 297 77813 7
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“... in the light of the general argument advanced by Margot Heinemann in Puritanism and Theatre, it may be that we should also regard it as the quite natural response of a man less committed than Jonson to the royalist or ‘court’ party. Shakespeare had at least one patron (William Herbert, third Earl of Pembroke) with substantial Puritan affiliations. He ...”

Breaking Point

Martin Loughlin: Militant Constitutionalism, 25 April 2024

Tyranny of the Minority: How to Reverse an Authoritarian Turn and Forge a Democracy for All 
by Steven Levitsky and Daniel Ziblatt.
Viking, 368 pp., £20, October 2023, 978 0 241 58620 4
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“... Reverse an Authoritarian Turn and Forge a Democracy for All’, is most surely a distortion. This may be America’s problem but in most parts of the world Levitsky and Ziblatt’s emphasis on ‘democratising our democracy’ and restoring majoritarian rule is the last thing liberal intellectuals want. Outside the US, liberals march under the banner of ...”

Plots don’t stop

Leo Robson: ‘The World and All That It Holds’, 13 April 2023

The World and All That It Holds 
by Aleksandar Hemon.
Picador, 336 pp., £18.99, February, 978 0 330 51332 6
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“... way of processing the world. He couldn’t be sure what ‘the experience of exultant plotting’ may have done to his mind – ‘at least not yet’. On the evidence of The World and All That It Holds, he still isn’t sure. Aleksandar Hemon isn’t the writer he once was, and his efforts to conceal it are fooling no ...”

We have been here before

Susan Pedersen: Interwar Antagonisms, 7 March 2024

Against the World: Anti-Globalism and Mass Politics between the World Wars 
by Tara Zahra.
Norton, 352 pp., £14.99, March, 978 1 324 07520 2
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“... to lean into globalisation while reneging on solidarity. From this act of radical self-harm we may not ...”

Another Ilk

Adam Mars-Jones: George Saunders’s ‘Vigil’, 21 May 2026

Vigil 
by George Saunders.
Bloomsbury, 172 pp., £18.99, January, 978 1 5266 2430 7
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“... planet recedes in importance. A belief in the next world, and the possibility of judgment there, may encourage moral scruple without inspiring respect for the precariousness of our environment. The majority of believers in an afterlife have tended to regard the world, and everything in it, as an entitlement rather than a sacred ...”

Goodbye Dried Mince

Clare Bucknell: Eimear McBride’s Method, 14 August 2025

The City Changes Its Face 
by Eimear McBride.
Faber, 327 pp., £20, February, 978 0 571 38421 1
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“... to Eily and Stephen’s first snog: ‘I’ll just clear these plates. Goodbye dried mince. May the kissing go better for the Pinter beneath it. Will it? Orange peel on Valle-Inclán. What might have been a plaster on Howard Brenton.’In A Girl Is a Half-formed Thing (2013), McBride’s first novel, the narrator and her friend bunk off school and read ...”

Elder of Zion

Malcolm Deas, 3 September 1981

Prisoner without a Name, Cell without a Number 
by Jacobo Timerman, translated by Toby Talbot.
Weidenfeld, 164 pp., £7.95, July 1981, 0 297 77995 8
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“... of Indian philosophy and mysticism to corroborate the importance of national liberation.) ... it may be that I’ve lived through a period of such political and social disintegration that it is hard for me to conceive that some coherent explanation would emerge from such disparate and anarchistic opposing elements. The Armed Forces let Isabel Peron survive ...”

Golden England

Martin Wiener, 3 December 1981

Condition of England 
by Lincoln Allison.
Junction, 221 pp., £12.50, August 1981, 0 86245 032 2
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“... this so much the worse for the modern world, alarm bells should be ringing. ‘I like it here’ may be a valuable corrective to national self-denigration, but it is not a sufficient guide to the problems of national existence in the present or the future. Allison’s denunciation of media crisis-mongering is disturbingly reminiscent of Vice-President ...”

Jericho

Ronald Blythe, 17 September 1981

The Diary of a Country Parson, 1758-1802 
by Reverend James Woodforde, edited by John Beresford.
Oxford, 364 pp., £65, June 1981, 0 19 811485 0
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The English Countrywoman: Her Life in Farmhouse and Field from Tudor Times to the Victorian Age 
by G.E. Fussell and K.R. Fussell.
Orbis, 221 pp., £10, June 1981, 0 85613 336 1
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The English Countrywoman: Her Life and Work from Tudor Times to the Victorian Age 
by G.E. Fussell and K.R. Fussell.
Orbis, 172 pp., £10, June 1981, 0 85613 335 3
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“... On the credit side, Woodforde is modest, affectionate, and wholly without snobbery, and while some may say that in a self-portrait he is bound to be so, it has to be remembered that in a diary stretching across nearly fifty years a great many unflattering lines will usually have crept in to balance any attempt by the writer to present his good side only. And ...”

Everybody

Craig Raine, 3 February 1983

Confessions of an Actor 
by Laurence Olivier.
Weidenfeld, 305 pp., £9.95, October 1982, 0 297 78106 5
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“... subtler. They call for the same ingredients but in different proportions. The precise differences may take some years of puzzling work to appreciate; in each case there are many subtle variations according to the character of the actor. Thanks very much. That’s a great help. Nevertheless, Olivier manages, despite a dangerous amount of unchronological free ...”