“... into an ideology, neutralising living questions, and flattening them into the equivalent of the White Paper. And, yes, I admit that I want my Hamlet critics to have at least some sense of sex and violence, some power to evoke what Empson, in his 1953 essay, called Hamlet’s ‘crazy magical behaviour’. Various doubts creep in about the account of the ...”

“... of laughter and affection, counting her kisses, when I was six’; as a stiff little figure in white muslin and a black sash, in mourning for the German Emperor; as an efficient chaperon, bustling her small seasick brother up into bracing deck air. Her own description of Lancaster Gate in Olivia has the same critical tendency as her brother’s, but is ...”

“... blame for Plath’s death. In this story, Plath arrives at Cambridge immaculate, with her gold and white Samsonite luggage, her neat Smith College clothes, her shiny freshly-washed blond hair. And England drags her under, dirties her, releases the true poetic self, which is ‘aggressive, rude ... disorderly, sexual’. In death she is ‘the little defeated ...”

“... different times (and by different factions at the same time) of being a terrorist, a centrist, a White agent, a Nazi agent, a Stalinist agent, a social democrat, a Trotskyist, even (gulp) a Gaullist. After his death in 1947 he was forgotten for decades, being useless to either side in the Cold War – all probity and no PR. Susan Weissman is even more ...”

“... Frankenstein … obsessed with one xenophobic idea’. ‘There was disquiet across the white world,’ de Bellaigue writes, at Mossadegh’s ‘show of Oriental bad form’. The Foreign Office started a campaign to persuade the American public of the rightness of the British cause and the US press duly fell in with it. The New York Times and the ...”

“... downright good a story … Too oily.’ ‘I was only thinking last night,’ she wrote in 1921 to Richard Murry, ‘people have hardly begun to write yet – now I mean prose … Aren’t they still cutting up sections rather than tackling the whole of a mind? … With all that one knows how much does one not know? … The unknown is far, far greater than the ...”

“... and make-up probably owed more to stage adaptations of Frankenstein than to the novel itself. Richard Brinsley Peake’s Presumption: or the Fate of Frankenstein, which opened on 28 July 1823, ran for 37 performances in London, with Mr T.P. Cooke a great success in the role of –––, as the play called Frankenstein’s creature. Mary Shelley, who went ...”

“... it and the mausoleum beyond, within whose rough and massive walls the figure of a woman, carved in white marble, contemplates a pinecone, is the work of Sarah Losh. Losh, who destroyed many of her papers herself and specified in a long and detailed will that ‘my funeral … must be private & inexpensive as possible,’ clearly intended that her buildings, of ...”

“... Silchester village hall, and reading out, from a primitive autocue – a series of large sheets of white cardboard, the text handwritten on them in thick felt-tip pen – the story of the first Christmas, as my contemporaries performed what I spoke. The most thrilling scene for me had nothing to do with donkeys, inns, stables, babies, shepherds, angels or wise ...”

“... on stage. As Cage watched the Happening unfold, his eyes were drawn towards a series of all-white canvases by Robert Rauschenberg that were pinned to the ceiling, and the idea of a piece without any ostensible ‘musical’ content was born. Cage’s increasing infamy through the 1950s was largely due to 4’33”, which premiered a few weeks after the ...”

“... OK? Twenty-five years, there wasn’t a problem.’ (The story is apparently the invention of white supremacist websites.)Peace Lovers Trump: ‘When Iran, when they circle our beautiful destroyers with their little boats, and they make gestures at our people that they shouldn’t be allowed to make, they will be shot out of the water.’The Educated ...”

“... in midtown Manhattan. In 1939 it received its own building, an International Style box clad in white marble designed by Philip Goodwin and Edward Durell Stone, on 53rd Street. A significant extension has followed every twenty years or so, each coolly modernist in style – totally abstract, highly engineered, fiercely refined, elegantly branded. The first ...”

“... Man Out of His Humour; Humfrey King, the poetic tobacconist; the barber-surgeons Tom Tooley and Richard Lichfield; the tavern joker John Stone. These loquacious oddballs found a small economic niche as ad hoc entertainers; they are haunters of St Paul’s Churchyard and the Inns of Court, of revels and convivia. We have no first-hand record of a Coryate ...”

“... found in the pages of a book. Listen to this, for instance, from III Henry VI, a very early play. Richard, Duke of York has fatally lost a battle: … all my followers to the eager foe Turn back and fly, like ships before the wind, Or lambs pursu’d by hunger-starved wolves. His sons rally to him, and they counter-attack: With this we charg’d again; as ...”