Riot, Revolt, Revolution

Mike Jay: The Despards, 18 July 2019

Red Round Globe Hot Burning: A Tale at the Crossroads of Commons and Culture, of Love and Terror, of Race and Class and of Kate and Ned Despard 
by Peter Linebaugh.
California, 408 pp., £27, March 2019, 978 0 520 29946 7
Show More
Show More
... struggle for political reform. Despard’s cause was illuminated from a new direction by Peter Linebaugh and Marcus Rediker in The Many-Headed Hydra: Sailors, Slaves, Commoners and the Hidden History of the Revolutionary Atlantic (2000), which devoted a chapter to his formative adventures in the Caribbean and Central America together with his wife ...

Who will stop them?

Owen Hatherley: The Neo-Elite, 23 October 2014

The Establishment and How They Get Away with It 
by Owen Jones.
Allen Lane, 335 pp., £16.99, September 2014, 978 1 84614 719 7
Show More
Show More
... him seriously. His opinions would be ridiculed as those of a ‘dinosaur’ if they came from a Peter Taaffe or Alan Woods, but he is inoculated against such criticism by his youth and avoidance of jargon. In many respects, he is the best thing to happen to the non-compromised, non-New Labour left in the mainstream media in decades: he makes ideas that are ...

Hiatus at 4 a.m.

David Trotter: What scared Hitchcock?, 4 June 2015

Alfred Hitchcock 
by Peter Ackroyd.
Chatto, 279 pp., £12.99, April 2015, 978 0 7011 6993 0
Show More
Alfred Hitchcock: The Man Who Knew Too Much 
by Michael Wood.
New Harvest, 129 pp., £15, March 2015, 978 1 4778 0134 5
Show More
Hitchcock à la carte 
by Jan Olsson.
Duke, 261 pp., £16.99, March 2015, 978 0 8223 5804 6
Show More
Hitchcock on Hitchcock: Selected Writings and Interviews, Vol. II 
edited by Sidney Gottlieb.
California, 274 pp., £24.95, February 2015, 978 0 520 27960 5
Show More
Show More
... fear, but supplies little by way of evidence of its ultimate cause, and draws no conclusions. Peter Ackroyd, however, is firmly of the Truffaut school. His Hitchcock trembles from the outset: ‘Fear fell upon him in early life.’ At the age of four (or 11, or …), his father had him locked up for a few minutes in a police cell, an episode that ...

Diary

Leo Robson: What I Saw at the Movies, 6 November 2025

... a ‘legendary period in movies’. In The Last Picture Show, Welles’s friend and protégé Peter Bogdanovich had made ‘a film for everybody’. The Godfather was an ideal merging of ‘commerce and art’. Martin Scorsese’s Mean Streets was ‘a triumph of personal filmmaking’ and a gripping thriller. For Sontag, these films were merely a case of ...

The Writer and the Valet

Frances Stonor Saunders, 25 September 2014

... Isaiah Berlin​ was on his honeymoon – he married late – when he first read Dr Zhivago. It was the evening of Saturday, 18 August 1956, and he had just made the short journey back to Moscow from the village of Peredelkino, where he had spent the day with Boris Pasternak. Pasternak’s dacha was part of a complex set up on Stalin’s orders in 1934 to reward the Soviet Union’s most prominent writers ...

Cheerfully Chopping up the World

Michael Wood: Film theory, 2 July 1998

The Material Ghost: Films and Their Medium 
by Gilberto Perez.
Johns Hopkins, 466 pp., £25, April 1998, 0 8018 5673 6
Show More
On the History of Film Style 
by David Bordwell.
Harvard, 322 pp., £39.95, February 1998, 0 674 63428 4
Show More
Gilles Deleuze's Time Machine 
by D.N. Rodowick.
Duke, 260 pp., £46.95, October 1997, 0 8223 1962 4
Show More
The Aesthetics and Psychology of the Cinema 
by Jean Mitry, translated by Christopher King.
Athlone, 405 pp., £45, February 1998, 0 485 30084 2
Show More
Signs and Meaning in the Cinema 
by Peter Wollen.
BFI, 188 pp., £40, May 1998, 0 85170 646 0
Show More
Show More
... name for curiosity? What if there are theoretical questions to be asked about models? What if you read the Frankfurt School and also crank through microfilm? This in fact is what both Bordwell and Perez do. What’s mildly worrying is not their practice but their rhetoric of disavowal, their willingness to sound like the intellectual philistines they are ...

Snap among the Witherlings

Michael Hofmann: Wallace Stevens, 22 September 2016

The Whole Harmonium: The Life of Wallace Stevens 
by Paul Mariani.
Simon and Schuster, 512 pp., £23, May 2016, 978 1 4516 2437 3
Show More
Show More
... towards the end of his life. I’ve never felt the need for a biography. And now that I’ve read this one by Mariani, a serial biographer of poets (he has notched already, among Americans, Williams, Crane, Lowell and Berryman), I don’t feel much the better for it. I got more, qua biography, from the bare bones of the 11-page chronology in the Library ...

Born of the age we live in

John Lanchester, 6 December 1990

Stick it up your punter! The Rise and Fall of the ‘Sun’ 
by Peter Chippindale and Chris Horrie.
Heinemann, 372 pp., £14.99, November 1990, 0 434 12624 1
Show More
All played out: The True Story of Italia ’90 
by Pete Davies.
Heinemann, 471 pp., £14.99, October 1990, 0 434 17908 6
Show More
Gazza! A Biography 
by Robin McGibbon.
Penguin, 204 pp., £3.99, October 1990, 9780140148688
Show More
Show More
... the Tories: those papers’ readers were going to vote for them anyway, whereas the Sun was being read by a large number of people whose affinities had traditionally but unimpassionedly been with the Labour Party. Chippindale and Horrie quote Lord Blake on these voters: ‘fairly young, slightly inclined to Labour, largely belonging to the skilled working ...

Mozart’s Rascal

Roger Parker, 23 May 1991

Mozart in Vienna 1781-1791 
by Volkmar Braunbehrens.
Deutsch, 481 pp., £17.95, June 1990, 9780233985596
Show More
The Mozart Compendium 
edited by H.C. Robbins Landon.
Thames and Hudson, 452 pp., £24.95, September 1990, 0 500 01481 7
Show More
Mozart and Vienna 
by H.C. Robbins Landon.
Thames and Hudson, 208 pp., £16.95, February 1991, 0 500 01506 6
Show More
Mozart’s Thematic Catalogue: A Facsimile 
introduced and transcribed by Albi Rosenthal and Alan Tyson.
British Library, 57 pp., £25, November 1990, 0 7123 0202 6
Show More
The Compleat Mozart: A Guide to the Musical Works of Wolfgang Amadeus Mozart 
edited by Neal Zaslaw and William Cowdery.
Norton, 351 pp., £19.95, April 1991, 0 393 02886 0
Show More
Show More
... this picture has of late been injected with new life and massively disseminated by the success of Peter Shaffer’s Amadeus, whose veneer of shocking realism and occasional flights of pure fancy hardly conceal its basic reinscription of the romantic image. It was time for scholars to hit back, and Amadeus was cited by H.C. Robbins Landon as a main reason for ...

Nonchalance

Mary-Kay Wilmers, 27 July 1989

Jigsaw: An Unsentimental Education 
by Sybille Bedford.
Hamish Hamilton, 328 pp., £12.95, May 1989, 0 241 12572 3
Show More
Show More
... close to unseating the Kaiser. Nancy Mitford said it was one of the very best novels she had ever read and Evelyn Waugh ‘saluted a new artist’. Proustian in its preoccupation with money and rank, it has the charm of the dying Europe in which it is set: a world where the very rich, when they went to take the cure, travelled in a private railway carriage ...

A Duck Folded in Half

Armand Marie Leroi, 19 June 1997

Before the Backbone: Views on the Origins of the Vertebrates 
by Henry Gee.
Chapman and Hall, 346 pp., £35, August 1996, 0 412 48300 9
Show More
Show More
... speak of homology among DNA sequences as easily as among tetrapod fore-limbs) that it is easy to read into Geoffroy’s claims an evolutionary meaning he did not intend. The homologies that he saw, or thought he saw, were as far as he was concerned, placed there by the Creator. It was the age of what would be called Transcendental Anatomy. The Darwinian ...
A Slight and Delicate Creature: The Memoirs of Margaret Cook 
Weidenfeld, 307 pp., £20, January 1999, 0 297 84293 5Show More
Show More
... that doubtless have more to do with my childhood than my professional integrity, I feel obliged to read every word of any book I review, but though I doggedly and probably neurotically followed Dr Cook through all her youthful adventures, I confess to skipping pages and pages devoted to the various horses she owned and her anguish at their individual ...

Pamphleteer’s Progress

Patrick Parrinder, 7 February 1985

The Function of Criticism: From the ‘Spectator’ to Post-Structuralism 
by Terry Eagleton.
Verso, 133 pp., £15, September 1984, 0 86091 091 1
Show More
Show More
... teacher. Criticism and Ideology (1976), which begins with an attack on Williams, is perhaps best read as a belated result of the student revolution at what Althusserians call the ‘level of theory’. Literary criticism was now to be scuttled in favour of an anti-humanist ‘science of the text’ in which the production of art was dialectically reduced to ...

Catastrophe

Claude Rawson, 1 October 1981

The Sinking of the Titanic 
by Hans Magnus Enzensberger.
Carcanet, 98 pp., £3.95, April 1981, 0 85635 372 8
Show More
Paul Celan: Poems 
translated by Michael Hamburger.
Carcanet, 307 pp., £7.95, September 1980, 0 85635 313 2
Show More
Talk about the Last Poet 
by Charles Johnston.
Bodley Head, 78 pp., £4.50, July 1981, 0 370 30434 9
Show More
Show More
... for women’ versus ‘boats for women’. Enzensberger must have missed it, or we should have read all about it. The feminist dimension is not among the elements of Titanic mythography to which the poem devotes much attention. It is confined to a few bits of lurid bizarrerie: Three cheers for the Countess Rothes in her ...

Like ink and milk

John Bayley, 10 September 1992

‘Sons and Lovers’: The Unexpurgated Text 
by D.H. Lawrence, edited by Helen Baron and Carl Baron.
Cambridge, 675 pp., £70, September 1992, 0 521 24276 2
Show More
D.H. Lawrence: The Early Years, 1885-1912 
by John Worthen.
Cambridge, 464 pp., £14.95, September 1992, 0 521 43221 9
Show More
‘Sons and Lovers’ 
by Michael Black.
Cambridge, 126 pp., £19.95, September 1992, 0 521 36074 9
Show More
Show More
... brutality of a relation brought into the open, unmentionable in that epoch of Brushwood Boys and Peter Pans. Jessie Chambers wrote her own version of events in a novel she called The Rathe Primrose (Milton’s ‘rathe primrose that forsaken dies’) which Frieda found touching and ‘lovable’, while even Lawrence said ‘it wasn’t bad’. This ‘faded ...