“... and Gerbier began to amass an enviable collection of Italian and Dutch artworks (including by Titian, Tintoretto, Bassano and Rubens). John Tradescant was the gardener, sourcing extraordinary curiosities for Buckingham’s delight: an elephant’s head, Pocahontas’s father’s seashell robe.Hughes-Hallett is clear that Buckingham ‘recognised, wanted ...”

“... intentions as an artist but it is not the major obstacle it is when we study Raphael, say, or Titian, or any art which is considered preliminary to one of the great European traditions – Rembrandt has never been considered as preliminary in this way. His imitators never advanced on his achievement. Art which certainly is regarded as preliminary is Greek ...”

“... through the German-inspired, anti-Latin Pre-Raphaelites and through Blake’s blasts at Rubens and Titian all the way to Hogarth’s onslaught on imported art in general, resurface querulously in the critical rhetoric of turn-of-millennium Euro-England. John McEwen’s phrase about the ‘fickle pursuit of French fashion’ catches one end of the tone. Adrian ...”

“... a process which moved towards a correct result just as systematically as the repeated strokes in a Titian drawing move towards a correct result. These are not in any sense paintings you could order over the telephone. There are dull bits and shiny bits, cloudy shapes and firmer ones. The brush-marks are various, they are as firmly structured and yet as ...”

“... book are unequal, since Lucretia has all the thunder (St Augustine, Cranach, Botticelli, Veronese, Titian, Tie-polo, Machiavelli, Shakespeare, Richardson, Pushkin), and Brutus only the lighter cavalry (Mlle de Scudéry, Voltaire, Alfieri, Nathaniel Lee, Gavin Hamilton, J.-L. David). However, Donaldson sharply registers the enormous popularity of the myth ...”

“... attributed to Giorgione, but is now apparently coming to look more and more like the work of Titian. A part of this essay is concerned to question the traditional provenance of the painting, but it soon develops into an analysis of how differently the painting has been described and enjoyed throughout its history. And then, Haskell suddenly asks: ‘does ...”

“... Spain the paintings they had confiscated for the Musée Napoléon in the Louvre. Major works (by Titian, Raphael and probably Van Eyck, as well as by Spanish artists) which had been illegally removed and found their way into private collections in London or Paris were not returned. And Marshal Soult was allowed to keep his many artistic trophies, among them ...”

“... a mobile viewer. About eighty years later, we get 5) ‘painterliness’: Giorgione, emulated by Titian, leaves off applying colour to already drawn objects to rely on the open-ended, fluid brushstroke, as a way of prompting the viewer to share the painter’s pleasure in the process of conjuring up the object. Then in 1600 there is the phenomenon known in ...”

“... energy and attentiveness remain undimmed as he moves on to Rosso. Parmigianino, Brueghel and Titian, laying due weight in each case on the conquest of unexplored forms and the cultivation of an individual style. A third section – which begins, significantly, with an epigraph from Freud’s The Future of an Illusion – deals with ...”

“... defend artistic integrity against the importunities of patrons. And we notice, too, the care that Titian and Barocci took not to be drawn into the service of a great prince, preferring to supply work to them from a distance. These painters sensed that devotion to their art, cultivation of the highest artistic standards became more difficult with senior ...”

“... or that they were aesthetically inferior to the more recent work there by Giulio Romano and Titian. Indeed, throughout the 16th century the name of Mantegna, alone among his contemporaries, repeatedly appeared in lists of the greatest modern painters; and it was principally on the Triumphs that his reputation was based. These were virtually the only ...”

“... those which Leonardo stars over his gloomiest rocks,’ wrote Pater. ‘No forest-scenery like Titian’s fills his backgrounds, but only blank ranges of rock, and dim vegetable forms as blank as they, as in a world before the creation of the first five days.’ Condivi must, in fact, have been defending Michelangelo against the claims made for the very ...”

“... highly agitated figures, but also noting how the composition was adapted by Sansovino’s friend Titian for the painting of the Entombment which is now in the Prado. The blending of the figures with each other and with the setting – Mary melting into her companions, Joseph of Arimathea clinging to the body of Christ, the outstretched arms of the Magdalene ...”

“... Hamlet and Lear can haunt the mind in a way that eclipses even the magnificent faces of Dürer and Titian. Shakespeare in fact embodies in his work a great change in 16th-century culture. During the late 15th and early 16th centuries, major European artists came to work in England. In these decades, King’s College chapel was completed, Holbein achieved his ...”

“... traces of snow in the woods not long before.’ I think this tableau is probably meant to recall Titian’s Diana and Actaeon, in which the severed stag’s head stands on a plinth above the nude and cringing figure of the huntress, and serves as an omen for the unwary Actaeon. (Since Meek grew up in nearby Dundee, it’s worth mentioning that the ...”