“... indicators such as ‘presently’ (lifted, according to his friend John Spurling, from Richard Hughes). And he renders his characters’ inner voices oddly, sometimes putting thoughts in quotation marks, sometimes using free indirect style and sometimes forgetting which of the two he’s doing. From time to time this makes people think in the wrong ...”

“... to an occasional session of sweet silent thought, or even to the consulting of a concordance. Robert Browning, Luria, 1846 – I dedicate this last attempt for the present at Dramatic Poetry to a Great Dramatic Poet: ‘Wishing what I write may be read by his light’: if a phrase originally addressed, by not the least worthy of his contemporaries, to ...”

“... translations of Colette to appear in Britain. It gives, however, no feel of Colette whatever. Robert Phelps makes a sound and lively job of his selection of her letters, which constitutes in effect an autobiography in outline. He includes a letter (or is it a poem? is her concreteness of imagery in fact more Japanese than English?) that might be by ...”

“... whereas for others of us (Seamus Heaney, for one, who recently incorporated the poem – in Robert Pinsky’s superb translation – into a fervent lecture on poetry and political witness), ‘Incantation’ is a poem to freeze the spittled irony upon the lips of even the most malignant of ironists. In this, it partakes – though utterly different in ...”

“... conservative Midwestern town, but there is no follow-up on this broad hint. The youngest brother, Robert, stayed in Ohio. James described him as a ‘Babbitt’ – a smug materialist. He too was a published author, though his book was called The Successful High School Athletic Programme. Purdy remarked that if Robert or ...”

“... McCarthy, Judd Nelson, Ally Sheedy, Molly Ringwald – almost any actor who appeared in a John Hughes teen film qualified). The Literary Brat Pack was a journalistic readymade, roping together a number of writers who may have scarcely known each other and treating them as a floating soirée. It was cartoonish and unfair to most of the individuals ...”

“... the 1950s, edited by D.J. Enright, appeared in 1955, followed a year later by New Lines, edited by Robert Conquest. Enright’s volume contained work by eight poets: Robert Conquest, D.J. Enright, Kingsley Amis, Donald Davie, John Holloway, Elizabeth Jennings, Philip Larkin and John Wain, to which list Conquest’s volume ...”

“... features none of the planetary collisions, the cheek-chewing grand guignol of the legend of Ted Hughes and Sylvia Plath. There are no treaties with dark gods to be unpacked into conspiracy files and no shamanic visitations from crows and reeking foxes. Two ambitious young or youngish American men operating out of the same city, San Francisco, forge an ...”

“... properly) advised by his lawyers to settle for £5000. The barrister who advised him was Robert McCartney QC. Mr McCartney had recently won a celebrated libel action in Belfast against the Sunday World. The paper had alleged, falsely, that Mr McCartney and another barrister had had a row in a café over the last available cream bun. This report, the ...”

“... and of reconstructions-from-afar is evoked in the novel’s epigraph from the famously unsettled Robert Louis Stevenson: The tropics vanish, and meseems that I, From Halkerside, from topmost Allmuir, Or steep Caerketton; dreaming gaze again.                         Songs of Travel This is the nature of the voyage for the Scots on ...”

“... the Yale Younger Poets Prize in 2004, joining first collections by Adrienne Rich, John Ashbery and Robert Hass in a century-old series that still guarantees critical attention. But Crush was unusual in achieving not just critical acclaim but substantial popular success. Its hot-blooded, hallucinatory poems, set in a run-down, roadside-horror America, pursued ...”

“... Keats walked this coast he felt it followed him,’ I said. But our plans involved Robert Burns. Karl, since he first began publishing Seamus in the New Statesman in the 1960s, always felt there was a clear affinity between Burns and Heaney. They were both the sons of farmers and they both allowed nature to oxygenate the mind and inflect the ...”

“... Roundhouse, the former engine-turning shed. Stuart Montgomery, the publisher of Gunslinger (and of Robert Duncan, Gary Snyder, Basil Bunting, David Jones and Roy Fisher), a wispy-moustached medical man with a significant hobby, decided to do something about the sluggishness and indolence of mainstream critics. He flew off to Las Vegas and took a cab to the ...”

“... for ‘nine-tenths of the reading of the reading public’. When, in 1928, Laura Riding and Robert Graves’s Pamphlet against Anthologies charged the genre with reducing poetry to a ‘packet-commodity’, the only alternative that they proposed revealed just how inescapable the anthology had become. The ‘full Corpus’ that could drive anthologies ...”

“... feet and inches, as for police records. Moira Shearer had rich material to go on in Sir Robert Helpmann, with his ‘bulging forehead and wide protruding eyes’, narrow shoulders, large diaphragm and ‘thin unmuscular legs’; fine for balletic and dramatic roles, but ‘in modern dress he seemed too fantastic to be believable’. Lord David ...”