“... a peasant-servant repeats the central plot-device of Godwin’s allegory of class conflict, Caleb Williams. These early reviewers simplified the book they had to deal with. Baldick’s more careful comparison of Mary Shelley’s protagonists with those of any model in the 1790s shows that her sympathies are unusually evenly distributed, her message complex ...”

“... a Bible on matters linguistic. Nor, one imagines, could a post-Willinsky scholar do what Raymond Williams did in the Fifties and base a major intellectual enterprise on the confident assumption that OED represents ‘a systematic, reliable and comprehensive history of the English vocabulary’ – raw lexical material. In the Foreword of Keywords ...”

“... have been and are many philosophers of a wide range of political shadings (Michael Oakeshott, Richard Rorty, Bernard Williams, Martha Nussbaum) who breathe the air of the tower far more easily than they do that of the stove. Maybe if this tendency continues, Montaigne will one day come to seem as significant a figure in ...”

“... debt, friendship, family and inheritance. Starting from the breakdown of medieval landholding in Richard II and Henry IV, Maus ends, after two fine chapters on The Merchant of Venice, with an account of the ‘vagabond kings’ of Henry VI Part II and King Lear. The transition from feudalism to capitalism, from Richard II ...”

“... Richard Rorty has made us familiar with the distinction between two sorts of philosophy, which he calls ‘systematic’ and (I think infelicitously) ‘edifying’. The first sticks to the central epistemological tradition, which assumes that it can deal systematically and progressively with reality; the second is essentially of the periphery, and its exponents are pragmatical opponents of the institutional tradition ...”

“... aesthetic, but in their later poems, they caught up with the American Modernists (William Carlos Williams describing the peeling cityscape outside his window): by the time she wrote ‘Requiem’ and he wrote ‘Lines on an Unknown Soldier’, both formally innovative and both concerned with recording the voices of the lost, they had been forced into a ...”

“... transformation hasn’t happened yet, and activists are becoming impatient. Who would imagine, Richard Perry and Patricia Williams ask, ‘that the brave people who faced fire hoses and police dogs and who sat-in at lunch counters in the Fifties and Sixties were after nothing more than, say, the market freedom of an ...”

“... the most admired by writers and critics. It wasn’t just the usual modernist suspects like Pound, Williams, Stevens and Marianne Moore who sang his praises, but other, very different kinds of poet too: Robert Graves, Dylan Thomas, Octavio Paz, Louis Zukofsky and Charles Olson. As did any number of critics: Edmund Wilson, Harry Levin, Jacques Barzun, Lionel ...”

“... an infuriating wallflower, eavesdropping on the glorious beauty of Shelley’s marriage to Mary. Richard Holmes’s unsurpassable biography, Shelley: The Pursuit, written in the ‘golden years’ of the early Seventies, was the first to rescue Claire from the patronage of the Shelley-worshippers and to introduce her as a political thinker, who not only ...”

“... democrats who, in 1979, saw no advantage in leaving Labour for a putative centre party. Shirley Williams spoke for many when she said it would have ‘no roots, no principles, no philosophy and no values’. Today there are still many social democrats who remain in the Labour Party, hopeful of reversing the balance of fortune and of reinstating their ...”

“... of as only partially understood. The Vedanta centre is where Isherwood began his training – in Richard Alpert’s expression, ‘to become nothing’. The world is seen as mad, and forces the weary traveller from Europe to subject himself to a difficult regime of retreat and quiet. A ‘homesickness for sanity’ is the one valid reason for putting oneself ...”

“... unnaturally large, with their heads reaching nearly up to the ceiling, as the British sculptor Richard Deacon showed us in photographs of visitors to the labyrinth of tiny tunnels which run under the city of Chicago. The tunnel becomes claustrophobic, oppressive, odd. On the other hand, if the tunnel is very large, it becomes ...”

“... In the closing stages of Richard Ben Cramer’s biography of Joe DiMaggio there is an exchange between the baseball legend and a man called Cappy Harada for whom DiMaggio had done a bit of business. The episode is undated in the book, but took place some time before the San Francisco earthquake of 1989, at which time DiMaggio was 74 ...”

“... unpunctuated prose-poems and cute little seven or eight-liners in free verse in the style of Richard Brautigan. (A Californian professor once plucked a volume of Brautigan out of my hand and hurled it to the ground claiming it was causing the Death of Literacy on the American Campus.) The stories are stronger, but with a maximum length of four pages they ...”

“... kinds of trouble academically and emotionally.’ In a letter to a friend from 1966, reproduced in Richard King’s new oral biography, Travels over Feeling, the 15-year-old Russell is already referring to Walt Whitman, John Cage and Allen Ginsberg (prefiguring later, more explicit involvements with queer sexuality, paganism and utopian politics). There is ...”