“... the Warhol Museum in Pittsburgh. Both these spaces were industrial structures redesigned by Richard Gluckman, who is as much an architect of the Dia aesthetic – a Modernist transparency of structure rendered with a Minimalist sensitivity to space – as any of the artists.In 1994 Wright made way for Michael Govan, a protégé of Thomas Krens, the ...”

“... is similar to the one Ingres put M. Bertin the banker in) would be used again in the portrait of Richard Arkwright. Miss Cracroft from the same year is a tumble of satin and lace; a veil blows from her shoulder and flowers garland her bosom, but despite the mobile stuffs her face is as still, her back as rigid, as Anne Bateman’s. The catalogue suggests ...”

“... a policeman leaps from the car, and ignoring the open gate, vaults theatrically over the garden wall, shouting, ‘Here, we want you!’ and the young man is taken away without a struggle.The presence of seven cars, and at least twenty policemen not one of them with the sense just to walk up the street, makes me feel the young man deserved to get away with ...”

“... be icons if we knew nothing about the sitters. Even unforgettable photographs like the one Richard Avedon took of Pound in the late 1950s are attached to one time and place. The Lewis portraits represent the man rather than the man at a given moment. Eliot, hair neatly parted, three-piece grey suit, handkerchief in breast pocket, is the conservative ...”

“... outlines, to an extreme position that is the essence of the dance step. Much of the catalogue by Richard Kendall (who also produced an excellent catalogue for the 1996 exhibition Degas: Beyond Impressionism) and Jill DeVonyar is about making images of things that happened too fast to be recorded by the most attentive eye or quickest hand. But the exhibition ...”

“... exhibition in a blacked out subterranean space at the Wapping Hydraulic Power Station at Wapping Wall – itself an impressive piece of plant, dear to industrial archaeologists – gave an insight into their work. There you can see a double display: Reflections (an installation, prepared for the 2004 Venice Architecture Biennale by the architects and the ...”

“... have already been forgotten. An exception is Daniel Pearl, the South Asia bureau chief of the Wall Street Journal, who, early in 2002, was lured to a fashionable restaurant in Karachi, kidnapped and then executed by his captors. A video showing Pearl’s throat being slit was distributed to the Western media and a gruesome clip was shown on CBS ...”

“... Party member to have become a dissident, and one of the founders of the ‘Democracy Wall’ movement. No sooner had Christopher got off his plane than he was confronted by Li Peng, who had been the hardest of the hardliners in urging a bloody end to the Tiananmen protests: Li Peng unleashed a torrent of invective against American interference in ...”

“... Richard Yates faced some formidable obstacles: a broken home, tuberculosis, rampant alcoholism, divorce (twice), lack of recognition and manic depression – a combination that sent him, as he put it, ‘in and out of bughouses’. Even his triumphs seemed only to cause further distress. Though his first novel, Revolutionary Road (1961), was a critical success, sales were wretched, and he spent most of his working life in its shadow ...”

“... elegantly demonstrates how ‘the idea of the poet’ framed literary lives from Keats onwards. Richard Helgerson’s Self-Crowned Laureates (1983) does the same for the English Renaissance. The title of The Great Pretender is triple-loaded: the hero Ben Janis is a claimant for poetic fame, a laureate hoping to crown himself. His claims, he suspects with ...”

“... it, and my hoped-for coup had turned out a failure because of my own stupidity. I hung it on the wall with some reluctance.Buying a work of art is often an instinctual business: you see it, you like it, it speaks to you and you may or may not think about its ‘true’ worth, as opposed to its worth to you. No wonder the rich have art advisers to guide and ...”

“... within it – and with a sense of humour entirely lacking in historical novelists.’ In London, Richard Ollard, an editor at Macmillan, was similarly impressed by O’Brian’s ‘originality, gusto and … really astonishing knowledge of the sources’. He was ‘a more than competent hand at characterisation’, Ollard, a former navy ...”

“... This salute from one German-Jewish Nobel laureate to another was written six months before the Wall Street Crash helped to make National Socialism a mass movement, and it introduces some of Fritz Stern’s central themes. They include the impact of the First World War, which we can now see as the foundational event in the history of the short 20th ...”

“... at Harvard, in Paris, and with various firms, he opened his own office in 1962. Influenced by Richard Neutra, the Austrian emigré who also practised locally, Gehry gradually turned a Modernist idiom into a funky LA vernacular. He did so primarily in domestic architecture through an innovative use of cheap materials associated with commercial building ...”

“... by Rodin – not an obvious host except that here you first see, through a gorgeous glass curtain-wall, the Sculpture Garden below, which Taniguchi has spruced up with pools, trees and terraces. You turn again – suspended above you now is a green helicopter from the Architecture and Design Department – and climb to a great atrium, 110 feet ...”