“... fountain pens. At the same time, she makes sure that the narrator – a wide-eyed young man called Richard Papen out of a nowhere town in California – is able to persuade us that the susceptibility is all his own. As a character, Richard isn’t wholly convincing. For a straight bloke of 19 or 20 he’s a little too blasé ...”

“... by Al Alvarez’s little piece, ‘Doctor in the House’, which turns out not to be a homage to Richard Gordon (sadly), but a two-and-a-half-page chat about the problems of getting his house redecorated. Mr Alvarez’s wife makes no fewer than seven appearances in this brief narrative, yet her name is not mentioned once: this in spite of the fact that the ...”

“... and ‘Vigorous’ Gothic mannerism of men such as S.S. Teulon, as well as the secular Gothic of Scott and Butterfield. It was also valuable for its discussion of the origins of the domestic styles of Nesfield and Shaw, and for dealing at length with the work of George Devey, that recondite designer of genuine Jacobean houses for Liberal politicians. Dr ...”

“... complemented, rather than competed with, each other. A different challenge is mounted by Jonathan Scott’s polemical essay, which accepts the existence and importance of a republican tradition but denies Harrington a significant place in it. Pocock, seeming less than pleased, deals easily enough with Scott’s more ...”

“... urbane Old Etonian leader of the Liberal Party, had been accused of conspiring to murder Norman Scott, a former male model and Thorpe’s sometime lover, who had become a danger to his reputation and career. In the event the only victim was Scott’s great Dane, Rinka, shot dead on Exmoor by a hired hitman (a former ...”

“... such negativity had all but drained away. ‘A new generation of Dadaists has emerged today,’ Richard Hamilton wrote in 1961, ‘but son of Dada is accepted.’ With Jeff Koons, the current maestro of the readymade, whose work is the subject of a retrospective at the Whitney in New York (until 19 October), acceptance has become affirmation, even ...”

“... film which is up on the screen turns out to be Budd Boetticher’s Westbound, one of the Randolph Scott cycle, although the voice that we hear on the soundtrack is mysteriously speaking some lines of poetry by Guillaume Apollinaire. In a way, this aberrant moment summed up Godard’s appeal for me – the perverse mixture of Modernism with B-movies, as if an ...”

“... time indicators such as ‘presently’ (lifted, according to his friend John Spurling, from Richard Hughes). And he renders his characters’ inner voices oddly, sometimes putting thoughts in quotation marks, sometimes using free indirect style and sometimes forgetting which of the two he’s doing. From time to time this makes people think in the wrong ...”

“... in Alistair Cooke’s great account of the time, Generation on Trial. He was the man who made Richard Nixon’s self-serving book, Six Crises (a ‘campaign book’ for an entire career), possible in the first place. Witness, his own work, had a marked influence on Arthur Koestler and on Czeslaw Milosz and is, indeed, the nativist American equivalent of ...”

“... the Independent Group, the extraordinary band of young artists, architects and critics (including Richard Hamilton, Peter and Alison Smithson, and Lawrence Alloway, among others) who developed, from within the Modernist Institute of Contemporary Art, a Pop sensibility of their own. His revised dissertation, Theory and Design in the First Machine Age, made his ...”

“... Opera became a sensitive field of ideological possibilities: the traditions associated with Richard Wagner, in particular, had to be reassessed in the withering light of Nazism, while in Italy the revival – begun under Mussolini as part of a nationalist cultural policy – of an apparently dead repertory of early 19th-century works led to a vogue for ...”

“... and make-up probably owed more to stage adaptations of Frankenstein than to the novel itself. Richard Brinsley Peake’s Presumption: or the Fate of Frankenstein, which opened on 28 July 1823, ran for 37 performances in London, with Mr T.P. Cooke a great success in the role of –––, as the play called Frankenstein’s creature. Mary Shelley, who went ...”

“... places the burden of compassion on the reader. It didn’t happen that way. In his introduction Richard Pevear makes the case that Russia’s liberal intelligentsia mistakenly labelled Leskov a reactionary on the basis of a carelessly worded editorial he wrote in the Northern Bee in 1862, seemingly linking radicals to a spate of suspicious fires in St ...”

“... that they’re growing. I think that they’re desperate.’ I heard about hope. I heard General Richard Myers, chairman of the Joint Chiefs of Staff, say: ‘I came away more positive than I’ve ever been. I think we’re getting some momentum built up.’ I heard about happiness. I heard Lieutenant General James Mattis say that ‘it’s a lot of fun to ...”

“... barefoot or otherwise. I then went to see K. B. McFarlane. My special subject in Schools was Richard II so I had been to McFarlane’s lectures on the Lollard Knights; I also had a copy of some notes on his 1953 Ford Lectures that was passed down from year to year in Exeter. I knew of his austere reputation and of his reluctance to publish from David ...”