Diary
Frank Kermode: Theatre of Violence, 7 October 1982
“... to wrest it from his hands: he had been part of the show, and had as much right to the trophy as Taylor, who had just made the winning hit. Possibly this new relationship between performers and audiences at public games (Botham Agonistes) has emerged rather belatedly from the theatre proper, which has for years encouraged such a revision. There was the ... ”