Damsons and Custard
Paul Laity: Documentary cinema’s unsung poet, 3 March 2005
“... could ever manage. The film, which owes much to Jennings’s editor, and in this case co-director, Stewart McAllister, is, as Jackson writes, wholly free of commentary, and ranges over the life of the nation from late afternoon, through the watches of the night and into the next day, concentrating on the performance of music – in a ballroom, on the ... ”