“... London in the 1880s, depends on energy coming from opposites. The novel’s protagonist, Hyacinth Robinson, appreciates beauty and feels excluded from the world of privilege around him. He lives an interior life. ‘He would,’ as James wrote in his preface, ‘become most acquainted with destiny in the form of a lively inward revolution.’ For any action ...”

“... perpetual burrowing reminded me of the fractal architecture of the Elizabethan palace contrived by Michael Moorcock for his Spenserian 1978 novel, Gloriana, or The Unfulfill’d Queen. Moorcock, in his turn, was paying his respects to Mervyn Peake’s Gormenghast. Being outside the literary mainstream, and seeing the landscape of the city as just one ...”

“... Shaw later said that it was a play ‘which might lead a man to do something foolish’. Lennox Robinson wrote that it ‘made more rebels in Ireland than a thousand political speeches or a hundred reasoned books’.Now, at the end of his life, almost a version of Cuchulain, Yeats feels free, as though visited by the Shades, to question himself, to set out ...”

“... just a master of the political dark arts, he claimed he modelled himself on a Tory predecessor, Michael Heseltine, who had pledged to ‘intervene before breakfast, lunch and dinner’ on the side of British industry. But Mandelson never had a chance to put the case. A few weeks after EDF made its move, he was on the brink of tears, listening to Tony Blair ...”

“... Angela knew Anthony and Ann when they first met. ‘He had a huge picture of the singer George Michael above his bed,’ said Angela. ‘Everybody teased him about it, but he said: “One day I’ll be famous like him.”’ Angela was wearing huge hooped earrings and slippers covered in hearts. Whenever she got excited she kicked an Argos catalogue that ...”