“... electoral college, clips of ‘Everybody Rejoice (A Brand New Day)’ from The Wiz (1978), an all-Black version of The Wizard of Oz, appeared everywhere online. While the director (Sidney Lumet) and screenwriter (Joel Schumacher) were both white, the music was mostly written by the Black lyricist and composer Charlie ...”

“... the same time, my mother was stopped in the street by a neighbour and asked: ‘Is your husband a black man?’ Not only were blacks as rare in Ulster as Albanians, but the neighbour in question was well-acquainted with my father’s appearance. ‘No, he’s English, actually,’ my mother replied, to which the neighbour returned: ‘Is he walking the ...”

“... turned to Zuckerman and to the young men in the PUS’s secretariat: figures like Frank Cooper and Michael Quinlan, who were themselves to become powerful Permanent Secretaries in the course of time. Financial stringency meant that the high-spending Services once more had to turn their fire on one another, and the Navy and the RAF battled, with a desperation ...”

“... A statement of high ideals, Lincoln’s Gettysburg failed to stand against the white supremacy and black material deprivation that were the legacies of the war. The second civil rights revolution, that of Martin Luther King, returned to Lincoln’s principle of equality, but the re-entry of the fight for racial equality into US politics enabled the intensified ...”

“... silver necklace I bought her (out of the death grants) as a parting gift; and on her body the black silk moiré dress she bought in Fenwick Street on that same trip to London. Sleeveless, and dropping to just below the knee, it shows me (and the faculty) the curve and bulk of her buttocks, her almost not quite large enough breasts. For all the sun and the ...”

“... or a TV dinner. Handled and unhandled jars appear up and down, left and right. There is a deep black panel in the top centre, but the overall effect of the piece is light, a bewildering jostle of information. The European pictures can be just as lovely. I hadn’t known Café by the Lake (1913), hard to read but irresistible, laid out again in verticals ...”

“... and all, Dupea is, at the start of the story, at home in a flimsy apartment with Rayette (Karen Black), a waitress at a diner. She is as devoted to Tammy Wynette as he is alienated from Chopin, although we don’t know about the Chopin bit yet. Black gets pregnant. Nicholson expresses his displeasure to his workmate Elton ...”

“... Sarabande, haven’t done poet or translator any favours with their cover (a creepy-looking black and white caricature of Tranströmer with curly-wurly writing that appears to promise a graphic novel within, and the words ‘Bright Scythe’ like a blue parrot along one shoulder), the odd title (a celebration of death?) or the book itself as an ...”

“... thumb. She shows it to us, held between her toes. The movie is shot by Bruno Delbonnel in black and white, but its dominant colour is a very pale grey. The witch speaks, as the witches in Macbeth always do, of ‘fog and filthy air’, and we see a filthy screen straight away, with two birds faintly discernible in the fog, hovering as if in an air ...”

“... great moment also involves Augie, but more centrally. He leaves the Technicolor film set for the black and white backstage of a theatre, and then steps out onto a balcony in a narrow city street: a theatre district somewhere, plenty of neon lights in the background. This is as close as any movie is going to get to a certain kind of realism, presenting a true ...”

“... visiting various moments in her past and getting rid of lingering loads of feeling. Dressed in a black leather suit, she lies in a tub of liquid, receives an injection in her ear and takes off into the past. The soirée we attended was part of the first of her trips.Let’s look at some of this more closely. Periodically we return to the tub of liquid or the ...”

“... watch Harrison from the back but have no real sense of what he is doing to the all but invisible black shape of Tóth. The event is confirmed for us, or announced to us, by Erzsébet’s later marching into Harrison’s house and accusing him publicly. The film really ends there. Harrison disappears, and an epilogue takes us to Venice in 1980, where a ...”

“... but only after a six-minute period where it seems unlikely to begin at all. We looked at a black screen, listened to heavy, ghostly, synthesised sound with no sense of voices or instruments in it. As time went by, I wondered if this was a technical glitch of some kind, having experienced such events more than once in the same cinema. There is a similar ...”

“... Cassel) is Jewish, Saïd (Saïd Taghmaoui) is an Arab, and Hubert (Hubert Koundé) is Black. Their views range from believing that all police officers are evil to the thought that some police officers might be human. Vinz is the most violent and argumentative, Hubert relatively conciliatory (he still hopes to make it in the world of boxing and we ...”

“... Altaforte’, the old troubadour Bertran de Born – with his ‘whoreson dogs’ and ‘hell blot black’ – is as alive as any written character can be, and more alive than many of Pound’s actual contemporaries. But what about some of the parallel or related questions? When do we dig up the dead, and how? Can they be robbed? What if their deadness is ...”