“... the most appealing a beaker on a dish with a rose belonging to the Saltwood Bequest and so to Alan Clark who is somewhere about, though I don’t see (or hear) him. Then there are lots of terrible flower paintings before some wonderful Goyas in the last room, including a heap of dead fish. The look in the eye of one of the dead bream seems familiar then I ...”

“... Stella, the enfant terrible of geometric abstraction. Colour-field painters like Morris Louis, Kenneth Noland and Jules Olitski, whose work Newman had influenced but didn’t encourage, were also on the rise, and Greenberg had swung much of his support to them. Newman was now recognised as the co-leader, with de Kooning, of the New York School – they ...”

“... sort of busy bee.I’m not suggesting you were some foppish, would-be West End theatre figure like Kenneth Tynan. When you started ‘Tomorrow’, though, you must already have had a group of collaborators and contributors you could nobble for the next issue.I’d enjoyed bringing out the Scorpion and had always remembered it. Then I met a Sri Lankan, Susil ...”