In Transit
Geoff Dyer: Garry Winogrand, 20 June 2013
“... wager – had he so internalised what photography did to things that he no longer needed to look? John Szarkowski, then the head of photography at MoMA in New York, considered the man he had championed so enthusiastically (‘the central photographer of his generation’) wholly profligate in his last years: a profligacy that was also a symptom of a desperate ... ”