“... of myself as a mental self, my feeling is that I am continually new. In his autobiography, John Updike writes: ‘I have the persistent sensation, in my life ... that I am just beginning.’ This seems exactly right. The experience of the ‘I’ as in some sense new each time is (I suggest) fundamental and universally available, although it is ...”

“... the difference between ‘beige’ and ‘bone’ at fifty yards that made her a natural diarist. John Updike said her ‘Talk of the Town’ pieces ‘helped put New York back into the New Yorker’. Her first column, in January 1954, was about a careless dry cleaner, and began the dispatches from ‘a rather long-winded lady’ whom the New Yorker ...”

“... decisive break, or even have gone further back, to Theodore Dreiser. Pierpont groups the book with Updike’s Couples (1968) and Mailer’s Why Are We in Vietnam? (1967), but as a combined breakthrough and millstone it belongs with Catch-22 (1961) and Slaughterhouse Five (1969). Joseph Heller didn’t publish another novel until 1974, while Vonnegut kept to ...”

“... in his dispassionate intelligence and arabesques of introspection suggests Proust,’ John Updike wrote in the New Yorker, while the New York Times Book Review announced that ‘a new star has risen in the East.’ Since then, Pamuk has been compared to Joyce and Musil, Kafka and Calvino, and almost never – a further compliment – to the ...”

“... up your partner’s adulation of the genius he or she is sleeping with.) As sensitive a reader as John Updike, in a dismissive review of Mortals that dwelled on his irritation with the involved character of Ray Finch’s thoughts, seemed not to notice either the novel’s mockery of Ray or the smaller but considerable element of self-mockery in the very ...”

“... the intricate and mysterious network of connections, the echoes and reflections by which, as John Hollander demonstrates in The Figure of Echo, works of literature are flexibly bound, despite all national boundaries, one to another. Such criticism then hopes to reconnect the works to a social-economic support system wherein, on new frequencies, a few of ...”

“... facilely grouped as a cetacean school of Great White Males (Styron, Norman Mailer, James Jones, John Updike, Saul Bellow, Gore Vidal, J.D. Salinger, Joseph Heller, the recently retired Philip Roth), whose ghostly father and bearded Neptune disturbing the liquor cabinet deep into the night was Ernest Hemingway. Even those least influenced by ...”

“... and West Point are not useful frames of reference. Reviewing Bruce Chatwin’s On the Black Hill, John Updike singled out a particular detail as seeming to be ‘miraculously recovered’ from the past – the pink dimple left in the flesh of a man’s neck by the collar stud he has been wearing. Chatwin was reaching back a couple of generations. Enrigue ...”

“... tragedy. Denied the dignity of his tragic heroism, the noble Hamlet is a destructive force. In John Updike’s recent novel Gertrude and Claudius, Hamlet is still more unlovable. He is coldly manipulative, while his kingly father is reduced to a clumsy and egotistical bully. Updike is also engaged in an act of ...”

“... have a memory of sitting there and feeling smug,’ she wrote of attending a class taught by John Crowe Ransom in 1938. She identified as a Trotskyite, placing herself on the anti-Stalinist left along with the writers she admired: Irving Howe, Dwight Macdonald and Mary McCarthy.Hardwick wanted to flee to New York, like ‘a provincial in Balzac, yearning ...”

“... and years!’ The bouncy tone is explained by this being a fantasy of what Baker might say to John Updike in the unlikely event of their finding themselves playing a round of golf together. It was the sure convergence of apparent incompatibles that gave The Swimming-Pool Library (1988) its impact, even for readers who found William Beckwith, the ...”

“... to know as much and forgive as much as Yates, or Salinger (whom he particularly admires), or Updike, or John Cheever, must be a tiring business. In Yates’s Builders there is a writer, Bob Prentice, who knows that too much sensitivity is a mistake, and upsets the readers. Prentice, however, is an unsuccessful ...”

“... relationship to their creator as Rabbit – a kind of clownish, dimmer alter ego – does to John Updike. Bouvard and Pécuchet, who start the novel looking as if they are to be satirical butts, end it as deranged comic heroes, sub-Quixotic failures in their own heroic if absurd quest.Not Too Slow, Not Too FastFlaubert is famous for his ...”

“... remarking that his ‘vocabulary and syntax are those of utmost abstention from waste’. John Updike referred to ‘the stirring purity’ of Kafka’s prose. Hannah Arendt, as well, wrote that his work ‘speaks the purest German prose of the century’. So although Kafka was certainly Czech, it seems that fact is superseded by his written ...”

“... went for the unexamined word. ‘Why did you use this word?’ He disliked ‘fine writing’ – Updike, for example. He hated anything that sounded mannered or experimental, so Joyce, Beckett and others were beneath consideration. He asked me which writers I was reading. I told him Nathanael West, Emily Dickinson, Camus. He said he didn’t think much of ...”