“... the authors sadly make us doubt their scholarly credentials. Jo Gladstone’s interesting study of John Ray quotes a passage that she attributes to Bishop Wilkins when it is, in fact, from Bacon’s Advancement of Learning, and elsewhere she says that Thomas Blount ‘first used the title term “hard words’ ” when, in fact, it appears in the title of the ...”

“... College, Cambridge in 1633 at the age of 12. He left Cambridge in 1641 without obtaining his MA, and soon left for the Continent, where he appears to have acted as tutor to a wealthy young man. (On the other hand he may have entered his brother-in-law Edmund Popple’s trading-house.) When he returned to England in 1647 his political sympathies were ...”

“... medieval knights. They switch between the imperious passé simple and idiomatic phrases like ‘ma foi’ (my word). Sometimes she summons up a listener to comment on the narration: ‘Let’s not debate this forever,’ one teases, after quibbling about a word choice. Characters are referred to by their initials and sometimes disappear without ...”

“... demanding. In a perceptive if slightly laboured chapter that draws largely on the clinical work of John Bowlby, Wood describes Constant’s childhood – which included learning Greek at the age of five from a sadistic tutor – and its role in forming a personality characterised by an obsession with death, by uncertainty and indecision, and by a general ...”

“... wilderness renamed is still a wilderness,’ writes Lawson-Peebles in apparent agreement with John Quincy Adams and Joseph Hall, both of whom had scorned the ‘edenic’ fables told about the West. But is it? Yes, in the sense that you can still starve or freeze or get eaten in it. But we’re talking about writing and reading here. To an audience ...”

“... compartment, Khusroo’s hip and torso shook, as, more frugally, did his legs. ‘On the shuffling ma-adness,’ he sang, ‘of loco-motive bryeath – da da da all time loser’s hurtlin’ to his dyeath ... ’ Melody was replaced by a menacing curl of the lips. Khusroo would lean forward quickly and spectatorially, and then immediately retreat backward with ...”

“... her life. Dogville is structured in chapters, like Breaking the Waves, but also has a narrator (John Hurt) who supplies a mocking commentary on the town and its hypocrisies. Grace is found by an aspiring young writer called Tom (Paul Bettany), who is engaged in an inquiry into Moral Rearmament. Tom believes that the people of Dogville have no sense of ...”

“... of his life, he undertook his autobiography, a small book published in French as Chroniques de ma vie, whose precise authorship, like that of Stravinsky’s other prose works, has been disputed. Stravinsky’s St Petersburg friend Walter Nouvel seems to have done much of the writing, but Walsh shrewdly observes that the book must have engaged a ...”

“... lures the animal inside. In the library, as the bear dozes beside her, she picks up an edition of John Richardson’s Wacousta (1832), often called the first Canadian novel, and then reaches for the next book on the shelf: an 1858 memoir by Edward John Trelawny who ‘burned Shelley’s body and saved the heart’, who ...”

“... first piece, for piano, was nine bars long, most of it a quote from a music-hall song called ‘Ma Normandie’. He seems to have found the sounds of the cafés and nightclubs more alluring than the classical tradition, and a ‘Fantaisie-Valse’ and a ‘Valse-Ballet’ followed.By the mid 1880s Satie was excelling at the vie de bohème. In a photo from ...”

“... over several years. For instance, I was almost sure I would tackle the distinguished art critic John Russell’s Paris (1960), ‘with photographs by Brassaï’, but never got past the pictures. I had slightly less confidence about Maxime Du Camp’s six-volume Paris, ses organes, ses fonctions et sa vie dans la seconde moitié du XIXe siècle ...”

“... done to their mother too. Their only real protection was the mythic and tequila-breathing Uncle John, who always knew what to say, crying out ‘this situation calls for enchiladas’ whenever things really disintegrated. He had a better handle on such situations than the Catholic Church. In a story called ‘Silence’, he snatches up Mamie’s Bible and ...”

“... War movement was the same man who had, half a century before, hounded Emma Goldman and John Reed and, later, put Leon Trotsky under surveillance in Mexico. This longevity makes Hoover’s biography a wonderful subject. Powers’s book is painfully neutral and somewhat pedestrian at times, but his authoritative command of his sources makes it ...”

“... to what other writers were doing about the war. In 1943, after reading a story about the army by John Cheever in the New Yorker, he wrote to Mackie: ‘The trouble with writing a story about the army is this: people expect something to happen in a story (Cheever supplied things, lots of things); but the whole point of the army is that nothing ever does ...”

“... I ran away.’ I was never able to, and never even considered it. One day my mother announced that John Gielgud was coming to Cairo to perform Hamlet at the Opera House. ‘We must go,’ she said with infectious resolve, and indeed the visit was duly set up, although of course I had no idea who John Gielgud was. I was nine ...”