Peter Campbell looks at the Hayward Gallery Thirties show
Peter Campbell, 6 December 1979
“... Wyndham Lewis’s portrait of Stephen Spender upstages a row of portraits by Lamb, Coldstream and John because of its linear clarity and bite, and a Matthew Smith holds your eye by force of juicy paint and saturated colour alone. Yet thin paint in the work of Stanley Spencer and Paul Nash is part of an Englishness (or rather of two sorts of ... ”