“... has little use, in his own verse, for the jazzy verbal slippages younger American poets (following John Ashbery) often pursue: his terms are never ambiguous, though they are usually polysemous and ambivalent (‘odi et amo’). He is never funny, never mellifluous, rarely delicate, and mostly unable or unwilling to copy in his own verse (however much he ...”

“... It is the fate​ of some artists,’ John Ashbery once remarked, ‘and perhaps the best ones, to pass from unacceptability to acceptance without an intervening period of appreciation.’ For a long time – more than forty years in fact – there seemed no danger that this fate would befall J.H. Prynne: take him or leave him, it didn’t seem possible that he’d ever be acceptable ...”

“... during the 1970s, when holidays brought together the Heaneys, the Hammonds, Deane, Brian Friel and John Hume; there is a book to be written about those summers and their consequences, in politics and in the arts.But Heaney’s debts to music pre-date Hammond, and extend far beyond his example. A blind musician, Rosie Keenan (remembered in the poem ‘At the ...”

“... screen of hysteria blots out the folded hemlocks.’ It was decades later that poets such as John Ashbery or Paul Muldoon helped Anglophone poetry to a convincing use of Surrealist licence for its own ways and meanings. In any case, at the end of the Thirties Gascoyne himself had effectively abandoned Surrealism, and with it ‘The Rites of ...”

“... happens to contain a spelling mistake of his own: the fact that one of his American Modernists is John Ashbery, whose name Stead cannot spell, gives one little confidence in the quality of the information underlying these Modernist choices. Stead is a vigorous writer, and there are pages in this book that are stronger than my review suggests. But it is ...”

“... back to the academics’. Despite some scoring against the ‘academic’ character of poets like John Ashbery (whose work is described as the ‘epitome’ of the academic in a derogatory phrase which oddly echoes the celebrative description of the footnote as the ‘epitome’ of Pound’s work), McGann has so thoroughly assimilated the phenomenon to ...”

“... Stevens’s Collected Poems came out in the mid-1950s. It was ‘a major imaginative event’, John Hollander said, and John Ashbery – in his first piece for the New York Review of Books – hailed Ammons as an ‘American original’. ‘I was born big and jaundiced (and ugly),’ Archie Randolph Ammons ...”

“... It is John Ashbery who takes the cake – in this case, the triple-decker cake with the solitary little sugar bride on top – for his description of Elizabeth Bishop: she is ‘the poets’ poets’ poet’. It sounds farcical, but it’s strictly true, and there’s as little getting round it as there is improving on it ...”

“... phrase in Rimbaud, the last line of a prose poem called ‘Parade’, ingeniously translated by John Ashbery as ‘Sideshow’. The poem describes a set of frightening ‘robust rascals’, young and old, who appear to be street performers.They act out ballads, tragedies of thieves and demi-gods … and resort to magnetic comedy. Their eyes flame, the ...”

“... by a living American. Here is the poem: As I sd to my friend, because I am always talking, – John, I sd, which was not his name, the darkness sur- rounds us, what can we do against it, or else, shall we & why not, buy a goddamn big car, drive, he sd, for christ’s sake, look out where yr going. Written around 1954, the poem got wide notice after ...”

“... called the ‘hermeneutical Mafia’.) Even the literary texts they take here – various works by John Ashbery, Shelley, Wordsworth and Maurice Blanchot – get so thoroughly devoured that they lose any intrinsic interest they might have had for him (which isn’t much); and while he probably won’t understand most of the book if he does attempt to read ...”

“... history that displays her influence seems very local, mostly confined to the New York poetry of John Ashbery and Frank O’Hara or the writing of Andy Warhol, though in fact so much of Hemingway’s manner of writing – the short, paratactic sentences, the use of repetition, the idea of removing the obvious subject – was taken from her, so the whole ...”

“... as hard as she does to distinguish motive from method. This approach yields an immediate result. John Ashbery once remarked that he had been sufficiently ‘grabbed and bothered’ by his first sight of Parmigianino’s enigmatic Self-Portrait in a Convex Mirror to feel that he ought to ‘do something’ about it. Sensing a kindred spirit, Davis ...”

“... out; and because it isn’t just a matter of time before you get it – as is the case, say, with John Ashbery – you can’t get much literary criticism out of a Thomas poem. (Nothing reveals the banality of paraphrase more than a commentary on one of his poems; his best critics – Empson, Lowell, MacNeice – are inclined to say that they don’t ...”

“... they all ate so much, and their conduct was such,/That it killed that Old Man of the East’). John St Loe Strachey was eight when he met Lear, and later recalled that ‘he knew a great deal about children, and they knew that he knew it and he knew that they knew that he knew it and so a complete and (as he might have said) abject harmony was ...”