“... of which every thinking man is solicitous’. Priestley’s enemies were equally eloquent. William Blake, whose own spirituality entitled him to dismiss this kind of enlightenment as stupid and blind, reckoned Priestley’s much-advertised knowledge ‘not worth a button’. In Philadelphia, William Cobbett, under the pseudonym Peter Porcupine, launched biting ...”

“... along with Bloch, that all future-oriented thought is inherently utopian, forgetting that if Blake was a visionary, Pol Pot was too. Nor is he quite alert enough to a logical problem with what he sometimes unguardedly calls a ‘total’ historical rupture: by what criteria could we identify the future that followed from such a break as the future of our ...”

“... of 9/11, implying that it had shown great leadership in finding what happened that day very bad. George W. Bush has boiled doublethink down to a sticky residue: ‘you’re either for us or you’re for the terrorists’ is its central flavour. But choosing New York for the convention was overweening even by Republican standards: like Woody Allen, only less ...”

“... edition of her Original Stories (for children), with an introduction by E.V. Lucas and five of the Blake plates reproduced. The other modern edition I acquired was called The Love Letters of Mary Wollstonecraft, and had a biographical preface by Roger Ingpen. It was a reprint of Mary’s letters to her lover Gilbert Imlay, first published by Godwin among her ...”

“... a frogmarch, maybe even a toad’s march, to Pseud’s Corner even to bring up the name of William Blake, but historians of English madness, including Porter, help us see the Blakean contradictions: all those élitist mouthings-off about Reason, all that hypochondriacal cool, all those dancing lessons, all culminating, two hundred years later, in nonsense like ...”

“... mingles fearlessly with what is both contemporary and royal, stuffy and philistine. It is as if Blake were exulting in the family life of George III, or Goya’s genius revelling in paint with the gross King Ferdinand. Lion and Unicorn, Ape and Hyena, cavort with Falstaff and the corgis on the Fortieth Anniversary of the ...”

“... English poetry’. Hear the voice of the practitioner,’ Ricks enjoins in a provocative play on Blake. The voice of the anthologist – authoritative in tone, appositive in syntax – is heard here first in a stylishly stylised preface, next in a more tangential introduction vertebrated by a miniature anthology of elegant extracts from ‘our ...”

“... any other secondary authority. Some of these items are fairly slight, but even a short note on Blake and Reynolds, dating from 1957, makes a sharp and persuasive impact. One brief study, entitled ‘ “Borrowed Attitudes” in Reynolds and Hogarth’ (1938), is already a classic, though certain details can be challenged. Its central assertions remain ...”

“... a mock-gravity bordering on the hilarious. At the foot of an immensely long undergraduate essay on George Eliot, written by a friend of mine, he wrote, ‘Some good things here, I expect,’ a comment that was both a reproof and a vote of confidence, while at the same time managing to say everything about the sort of essays one should write on ...”

“... in his novels and poems as well as the more conventional sequence of biographies (Dickens, Blake, Thomas More) which preceded it. This vision is both conventionally literary and bracingly eccentric; as the constant repetitions and reiterations gather force, Ackroyd seems increasingly determined to disconcert the coffee-table end of his readership by ...”

“... the liberal Enlightenment, a politics from which this volume is not light-years remote. William Blake thought that art should not be too obvious in case it fell into the rationalist trap of false transparency; but he was also quick to see how cults of mystery were exploited by both priest and king to legitimate their power. There is no reason to assume that ...”

“... Europeans: Magritte, Dubuffet, Michaux, Bellmer, Klapheck. Britons: Bacon, Hamilton, Paolozzi, Blake, Harold Cohen, Riley, Caulfield, Gilbert and George. Kasmin’s Americans included Newman, Reinhardt, Stella, Noland, Louis, Frankenthaler, Olitski, Poons; his Britons, Caro, Tucker, Latham, Hill, Hockney, Richard ...”

“... epigram: the naturalness of young girls embodies for Lewis Carroll the Romantic ideal, present in Blake and Coleridge; for them, as Cohen points out, the child was a free spirit in a providential state of natural goodness (and possessed untrammelled innocence). Carroll met George MacDonald in Eastbourne in 1854, at the ...”

“... those characters move. So, when the 15-year-old Ellen Terry enters the artistic colony in which George Frederic Watts is to paint and later to marry her, the narrative voice becomes a prissy, late Victorian chorus: ‘The atmosphere was curiously liberal. Surely it was not quite fitting that the guests, whatever their rank, should be treated as models for ...”

“... about him as bard of a society in cancerous decline, harkening to the Muse of Death, like the George MacBeth who saw England as The Cleaver Garden or the Blake Morrison who heard The Ballad of the Yorkshire Ripper. Yet what sets Reading apart is that he has constantly signalled that he is fascinated as much by cut-ups ...”