Feast of St Thomas

Frank Kermode, 29 September 1988

Eliot’s New Life 
by Lyndall Gordon.
Oxford, 356 pp., £15, September 1988, 0 19 811727 2
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The Letters of T.S. Eliot 
edited by Valerie Eliot.
Faber, 618 pp., £25, September 1988, 0 571 13621 4
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The Poetics of Impersonality 
by Maud Ellmann.
Harvester, 207 pp., £32.50, January 1988, 0 7108 0463 6
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T.S. Eliot and the Philosophy of Criticism 
by Richard Shusterman.
Duckworth, 236 pp., £19.95, February 1988, 0 7156 2187 4
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‘The Men of 1914’: T.S. Eliot and Early Modernism 
by Erik Svarny.
Open University, 268 pp., £30, September 1988, 0 335 09019 2
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Eliot, Joyce and Company 
by Stanley Sultan.
Oxford, 326 pp., £25, March 1988, 0 19 504880 6
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The Savage and the City in the Work of T.S. Eliot 
by Robert Crawford.
Oxford, 251 pp., £25, December 1987, 9780198128694
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T.S. Eliot: The Poems 
by Martin Scofield.
Cambridge, 264 pp., £25, March 1988, 0 521 30147 5
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... fully uncovered until 20l9 (Gordon’s date; Mrs Eliot says 2020) are the letters Eliot wrote to Emily Hale. He had known her since 1912, but most of the letters were written between 1927 (Gordon’s date; 1932 according to Valerie Eliot) and 1947. We learn from Mrs Eliot that in the Sixties the poet, ‘in a private paper’ whose privacy has now gone the ...

I’m an intelligence

Joanna Biggs: Sylvia Plath at 86, 20 December 2018

The Letters of Sylvia Plath, Vol. I: 1940-56 
edited by Peter Steinberg and Karen Kukil.
Faber, 1388 pp., £35, September 2017, 978 0 571 32899 4
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The Letters of Sylvia Plath, Vol. II: 1956-63 
edited by Peter Steinberg and Karen Kukil.
Faber, 1025 pp., £35, September 2018, 978 0 571 33920 4
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... once lived. Alvarez had told her she was the first woman poet he’d ‘taken seriously since Emily Dickinson’, and she visited him and read him her new poems. She also intended to go to ‘a literary party to celebrate a poetry anthology I am in, & which Ted was one of the three editors of. He will probably be there, and with someone else, but I ...

Phut-Phut

James Wood: The ‘TLS’, 27 June 2002

Critical Times: The History of the ‘Times Literary Supplement’ 
by Derwent May.
HarperCollins, 606 pp., £25, November 2001, 0 00 711449 4
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... the signature of the institutional, the establishment’s individual voice. It makes one think of Emily Dickinson’s ‘I’m Nobody! Who are you?’ How dreary – to be – Somebody! How public – like a Frog – To tell one’s name – the livelong June – To an admiring Bog! Writing anonymously, you could be ‘nobody’ precisely because you ...

The Three Acts of Criticism

Helen Vendler, 26 May 1994

The Oxford Companion to 20th-Century Poetry in English 
edited by Ian Hamilton.
Oxford, 602 pp., £25, February 1994, 0 19 866147 9
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... about a poet, but not so much as does the characteristic internal structure of his or her lyrics. Emily Dickinson’s binary and ternary forms are symbols of her bitter contrastive briskness and ironic point-making; Whitman’s expansive middles, with their ranging glances, show a poet who sits down in the centre of his subject-matter and gathers it ...

Former Lovers

Michael Mason, 6 September 1984

The Bourgeois Experience. Victoria to Freud Vol. I: Education of the Senses 
by Peter Gay.
Oxford, 608 pp., £18.50, March 1984, 0 19 503352 3
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Austin and Mabel: The Amherst Affair and Love Letters of Austin Dickinson and Mabel Loomis Todd 
by Polly Longsworth.
Farrar, Straus, 449 pp., £18.50, September 1984, 0 374 10716 5
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The Memoirs of John Addington Symonds 
edited by Phyllis Grosskurth.
Hutchinson, 319 pp., £14.95, May 1984, 0 09 154170 0
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... were certainly interesting. She was physically enthusiastic about sex, and had an affair with Emily Dickinson’s brother Austin which her husband not only condoned but aided and abetted. However, all this is recorded in the diaries in a far from neutral spirit. To Mabel her sex life proved something: ‘The greatest proof I have ever had that I am ...

The Uncommon Reader

Alan Bennett, 8 March 2007

... all the truth but tell it slant, Success in circuit lies.” Or was it,’ she asked the room, ‘Emily Dickinson?’ Unsurprisingly, the room did not answer. ‘But one mustn’t talk about it or it will never get written.’ It was no comfort to the prime minister to reflect that whereas most people when claiming to want to write a book would never get ...

Fiction and E.M. Forster

Frank Kermode: At the Cost of Life, 10 May 2007

... action as a result of which Sandy is converted to Catholicism? Or the departure of one girl, Joyce Emily, influenced by Brodie, to fight on Franco’s side and to die in Spain? And are we always to accept as the case whatever the voice of the narrator seems to be telling us (‘The Lloyds were Catholics and so were made to have a lot of children by ...