“... The galleries overlook courtyard gardens, following classical Persian design, and Diba also drew on Persian architecture to create towers shaped like badgirs, or windcatchers. In the desert these provide ventilation; in the museum they allow light to stream in.A curatorial delegation arrived in New York in May 1975 for the first round of ...”

“... the essentially corrupt and temporary nature of the Northern Ireland state. Paisley, like Longley, drew a message for the times from St Paul, and it is impossible to read Longley’s early poems without being haunted by ironic premonitions of what was about to happen. And although it is possible to regard ‘No Continuing City’ as a straightforward, if ...”

“... bystander and suggested he run along the deck to see if any stray pieces of ice had come on board. Elizabeth Eustis and Martha Eustis Stevenson, sisters from Haverford, Pennsylvania, travelling first-class, were asleep in their cabin. The collision, though almost soundless – ‘like tearing a strip of calico, nothing more’ – woke them up. ...”

“... is so natural and interesting that one might even wonder why it hasn’t been treated before. Elizabeth Anscombe, Philippa Foot (née Bosanquet), Mary Midgley (née Scrutton) and Iris Murdoch all matriculated at Oxford in the late 1930s. When most of the men went off to war, they found themselves, as women philosophy students, in a very unusual situation ...”

“... According to the magus John Dee, whose antiquarian researches captured the attention of the queen, Elizabeth had ‘title royal to all the coasts and islands beginning at or about Terra Florida, and so alongst, or near unto Atlantis [America], going northerly, and then to all the most northern islands great and small, and so compassing about ...”

“... experience. Such endeavours include Ephraim Chambers’s Cyclopaedia (1728), a work which Johnson drew on for the Dictionary, the French Encyclopédie, Gibbon’s Decline and Fall (1776), and the more specialised works studied by Lawrence Lipking in his important book, The Ordering of the Arts in 18th-Century England – Charles Burney’s History of ...”

“... lines.The architects and planners Guy Ortolano examines in his essay had no common project and drew inspiration from eclectic sources. By the 1960s some of them – Alison and Peter Smithson, Ruth Glass – had come to see Victorian forms more appreciatively. Indeed, as a clever piece by Sarah Mass shows, urban planners deliberately evoked the bogeyman of ...”

“... and Europe before, during and after the Second World War has suggested that those movements drew their direct inspiration at least as much from the ‘positivist’ legacy of Comte (and his mentor Saint-Simon) as from the more obvious influences of either democratic socialism or Soviet-style Marxism. Some of the most prominent social planners of those ...”

“... confessional allegiance: Thomas Ken’s ‘White Paternoster’, a prayer to be said before bed, drew on a Catholic model but pruned it of saints, even though the bedchamber remained a place where Catholics and dissenters could follow their own practices in seclusion. Bedtime prayer was a necessary precaution in case of sudden death during the night, and ...”

“... to the work of a wide variety of literary theorists in the Seventies, many of whom, like Kaufmann, drew their inspiration from the work of Baudelaire, Flaubert, Mallarmé, Proust, Rilke, Artaud and Kafka. The exploration of the text’s non-referential dimensions, its rhetorical self-consumption, was at the heart of the theoretical revolution. But many of the ...”

“... Danish master Jørn Utzon; the inside by a confused committee, or, as the Australian critic Philip Drew sourly calls them, ‘a conspiracy of nobodies’. It is a bittersweet story, and one that goes far to explain why most modern architecture is so awful. Like Sydney, the Opera House was a British idea. Sir Eugene Goossens, the violinist and composer, arrived ...”

“... where he ran amok, insulting generals and riding the equestrian statues. His second marriage, to Elizabeth Hardwick, was essentially an enduring one, and her devotion and intelligence illuminate and support this biography. Other women promised a new leaf, and eventually there was the romance of a departure for England: ‘a new alliance’, as he put ...”

“... left for that purpose. There is a mother in Pride and Prejudice, but there are also two aunts: Elizabeth Bennet’s Aunt Gardiner and Mr Darcy’s aunt Lady Catherine de Bourgh. It is an aspect of Austen’s genius that, while the novel negates the power and influence of Elizabeth’s mother, neutralises her by being ...”

“... she saw a man whom she might save from his own flaws. If Byron was no Darcy, Annabella was no Elizabeth Bennet. In their courtship she was more of a Catherine Morland, naively in thrall to a fictional worldview and unable to see beyond it. If there was a literary parallel for the tortuous manipulations that surrounded the marriage it was Les Liaisons ...”

“... Parker was raped and stabbed but survived. Taken captive along with Rachel and her son James were Elizabeth Kellog and Silas Parker’s children John and Cynthia Ann. John grew up to be a Comanche warrior, perhaps ending his life as a rancher in Mexico; Elizabeth was ransomed; Cynthia Ann became the wife of the war leader ...”