... Westminster Bridge at its own reflection in the water, which turns out to have the features of William Shakespeare. The reference is to a mock-solemn claim by Amis that ‘in two hundred years I want them to be talking about Dante, Shakespeare and Martin Amis.’ The text of the Time Out feature by Richard Rayner, one of the most impressive of all the ...

In Farageland

James Meek, 9 October 2014

... Tories said once before that Britain was becoming a foreign land,’ he wrote, referring to William Hague in 2001. ‘We told those who agreed that if they came with us we would give them back their country. As we found, there is no future in that kind of approach for a party that aspires to govern, or appeal beyond a disgruntled minority. We cannot ...

The Party and the Army

Ronan Bennett, 21 March 1996

... Government in 1972 Vanguard’s massed ranks lined up and fell in infantry-style to be reviewed by William Craig, masquerading as a latter-day Carson. In the North of Ireland, it is better not to throw stones: many political houses are made of glass. The North is, unhappily, a special case: were it not, there would have been no need to arm the police, to build ...

The Irreplaceable

Bee Wilson: Palm Oil Dependency, 23 June 2022

Planet Palm: How Palm Oil Ended Up in Everything – and Endangered the World 
by Jocelyn C. Zuckerman.
Hurst, 337 pp., £20, May 2021, 978 1 78738 378 4
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Oil Palm: A Global History 
by Jonathan E. Robins.
North Carolina, 418 pp., £32.95, July 2021, 978 1 4696 6289 3
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... pizza on a Friday night. He praised industrial vegetable oils yet had never tasted Nutella.In 1914 William Lever decided to diversify his palm oil empire. Margarine, he thought, had the potential to be a much bigger market than soap, because consumers would always be willing to spend more on feeding themselves than on washing. In the 1880s, Lever and his ...

Little England

Patrick Wright: The view through a bus window, 7 September 2006

Great British Bus Journeys: Travels through Unfamous Places 
by David McKie.
Atlantic, 359 pp., £16.99, March 2006, 1 84354 132 7
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... who, in 1870, already suspected that their new town might fare better if named Upton Royal. Thomas Hardy is hoisted aboard and driven past Weymouth to the Isle of Portland, a rocky place where Marie Stopes was once to be found retired among stoneworkers still accustomed to testing the fertility of potential brides before finally consenting to marry ...

Which play was performed at the Globe Theatre on 7 February 1601?

Blair Worden: A Play for Plotters, 10 July 2003

... writing overlapped, as a glance at the careers of Ben Jonson or Fulke Greville or Samuel Daniel or Thomas May reminds us. Hayward’s book was a work to tempt a dramatist. Manning, its editor, who has no case to make about the connection between the book and the stage, nevertheless remarks on the ‘dramatic architecture’ of the book, on Hayward’s ...

Distraction v. Attraction

Barbara Everett: Ashbery, Larkin and Eliot, 27 June 2002

... be said to be such a thing as a pure Americanness in poetry. Earlier ‘Redskin’ poets such as William Carlos Williams sought to achieve it, probably, in contradistinction from the European corruptions of men like Eliot. But I find it much more strongly represented in such a post-Eliot poet as John Ashbery, who seems to me a true poet of distraction. The ...

Don’t break that fiddle

Tobias Gregory: Eclectic Imitators, 19 November 2020

Imitating Authors: Plato to Futurity 
by Colin Burrow.
Oxford, 470 pp., £36.99, May 2019, 978 0 19 883808 1
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How the Classics Made Shakespeare 
by Jonathan Bate.
Princeton, 361 pp., £15.99, October 2020, 978 0 691 21014 8
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... were well known images of Venus in antiquity and in Renaissance Europe; Shakespeare, adapting Thomas North’s translation of Plutarch, describes Cleopatra as ‘O’erpicturing that Venus where we see/The fancy out-work nature’. The classical genre terms ‘tragedy’, ‘comedy’ and ‘pastoral’ were employed and analysed in the ...

Benign Promiscuity

Clair Wills: Molly Keane’s Bad Behaviour, 18 March 2021

Good Behaviour 
by Molly Keane.
NYRB, 291 pp., £12, May, 978 1 68137 529 8
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... quite sure what it meant. The journalist Maureen Cleave wrote to Keane that the earl of Longford, Thomas Pakenham (Anglo-Irish historian and brother of Antonia Fraser), ‘is dying to meet you. He has been reading all your old novels under the impression that you are J.G. Farrell’s mother. In any case he thinks they are very good.’ She was not related to ...

The future was social

Stefan Collini: Karl Polanyi’s Predictions, 23 January 2025

The Great Transformation: The Political and Economic Origins of Our Time 
by Karl Polanyi.
Penguin, 358 pp., £10.99, June 2024, 978 0 241 68555 6
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... the relevant stages of British history. In the late 19th century, historical economists such as William Cunningham and the first Arnold Toynbee tried to relativise the theorems of political economy by representing them as merely the reflection of one brief period of English economic history, which might soon be coming to an end. Among the various ...

The Lives of Ronald Pinn

Andrew O’Hagan, 8 January 2015

... Alfred E. Pinn of Southwark, was born in 1908; his great-grandfather, a trader called Zenos Thomas Victor Pinn, died in Lambeth Hospital during the Second World War. On the one hand, people are obsessed with ancestry and stories of origin, and records that used to take weeks to search are now visible in a matter of minutes, for a fee. On the other ...

My Darlings

Colm Tóibín: Drinking with Samuel Beckett, 5 April 2007

... locked eyes stopped to talk, and they arranged to meet four days later outside the house where Sir William Wilde, eye surgeon to the queen in Ireland, if she should have ever needed an eye surgeon (which she did not), and his mad wife, Speranza, had lived, where they had raised their son Oscar, who was four years dead by this time. There’s now a funny ...

Samuel Johnson goes abroad

Claude Rawson, 29 August 1991

A Voyage to Abyssinia 
by Samuel Johnson, edited by Joel Gold.
Yale, 350 pp., £39.50, July 1985, 0 300 03003 7
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Rasselas, and Other Tales 
by Samuel Johnson, edited by Gwin Kolb.
Yale, 290 pp., £24.50, March 1991, 0 300 04451 8
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A Dictionary of the English Language (1755) 
by Samuel Johnson.
Longman, 1160 pp., £195, September 1990, 0 582 07380 4
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The Making of Johnson’s Dictionary, 1746-1773 
by Allen Reddick.
Cambridge, 249 pp., £30, October 1990, 0 521 36160 5
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Samuel Johnson’s Attitude to the Arts 
by Morris Brownell.
Oxford, 195 pp., £30, March 1989, 0 19 812956 4
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Johnson’s Shakespeare 
by G.F. Parker.
Oxford, 204 pp., £25, April 1989, 0 19 812974 2
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... get more for himself. He knew and admired Hastings, and was a friend of the great orientalist Sir William Jones, scholar of Persian and Sanskrit, and, as Mr Jones, a member of the Club, present at Boswell’s election. When Johnson first wrote to Hastings on 30 March 1774, recommending to him the future Sir Robert Chambers, one of his Majesty’s Judges in ...

Making It Up

Raphael Samuel, 4 July 1996

Raymond Williams 
by Fred Inglis.
Routledge, 333 pp., £19.99, October 1995, 0 415 08960 3
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... photograph of Raymond has as its gratuitously spiteful caption a quotation from Dafydd-Ellis Thomas, ‘the best-cut tweeds on the Left’. Still more gratuitous is the sneering caption which Inglis has dreamed up for a photograph of Raymond and Joy, taken in 1940-1 during their courting days – the kind of loving picture which would not look out of ...

Real Busters

Tom Crewe: Sickert Grows Up, 18 August 2022

Walter Sickert 
Tate Britain, until 18 September 2022Show More
Walter Sickert: The Theatre of Life 
edited by Matthew Travers.
Piano Nobile, 184 pp., £60, October 2021, 978 1 901192 59 9
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Sickert: A Life in Art 
by Charlotte Keenan McDonald.
National Museums Liverpool, 104 pp., £14.99, September 2021, 978 1 902700 63 2
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... a mirror on the opposite wall. There is a tendency to discuss these pictures as documentary. Thomas Kennedy writes in the Tate catalogue that Sickert is offering ‘realistic representations of people who visited music halls … His works show how people unconsciously engage with the social performative act of being part of an audience.’ But though the ...