“... I sorted them and took the piece to the Statesman’s office in Great Turnstile. When Karl had read it he said: ‘You’re a writer now.’ He was liable to make patriarchal remarks of that kind, and for better or worse – either way it’s a confession – I was very susceptible to them. When he gave me a second book and asked me to add a sentence at ...”

“... barons). The trouble was no one in the actual Labour Party remotely resembled him. By this point, Peter Mandelson was communications director, Tony Blair and Gordon Brown were in Parliament and Neil Kinnock – scarred by having to defend unilateral disarmament in the 1987 general election – was on the long march to respectability and another defeat in ...”

“... she handed him back to the Danish navy. Soon afterwards Hans Jonathan met another enslaved man, Peter Samuel, and together they decided to petition for their freedom. Their ship’s captain, Steen Andersen Bille, who was also a privy councillor, met Prince Frederik, the de facto ruler of Denmark, on their behalf and procured a letter from him that stated ...”

“... own account, Irina was born a nonconformist – even sympathising with the Russian equivalent of Peter Rabbit. As soon as she was old enough to count the change, she went out with the other children to stand in the bread queues. At school they had sums to work out, showing how much the State spent on each of them: why was the State so stingy? It was a ...”

“... Manning inclines to the Tawney side of the debate, though not uncritically, for he has obviously read and assimilated most of the huge body of literature which has accumulated on this subject since Tawney. And in the modern way, he sometimes tends to invoke local differences – one thing here, another thing there – as a way of straddling fences. Manning ...”

“... of a major new artist’, but the Observer sees nothing but ‘duff bravura and blank poise’. Peter Fuller, editor of Modern Painters, fears for the hyped Conroy. The Times Literary Supplement: a ‘sinister portent’. The Financial Times critic describes the paintings with care, but fetches up with ‘a scumbled emptiness’. The Tablet concedes ‘a ...”

“... on the sacred in Zurburan’s painting, ‘would recognise what I’m talking about.’ As we read through the essays, this opposition comes to seem more rigid than rigorous. In the second essay painting and film are contrasted in terms I have already borrowed: films (Berger is here quoting Lucien Sève) ‘cling to the surface of things’, but painting ...”

“... and Spender and his then wife Inez, were Auden and Isherwood, their new boyfriends, and Peter Pears as co-host with Britten. The stickiness – clearly a source of great amusement to Coldstream and Spender – lay in the tensions between the lifestyles of the people concerned, and the frustration felt by Auden and Isherwood – naturally dominant ...”

“... the right to criticise Tennyson’s poetry, even to fall asleep when ‘The Princess’ was being read to him. Tennyson was far from pleased. Fitz, clearly, tried at friendship too hard. He valued it passionately; Martin’s title, from Shakespeare’s sonnet, suggests particularly well how possessed he was by it and how he valued it as a possession. This is ...”

“... the state’s evidence, even though the trial is to be held behind closed doors, they have only to read the rest of the Italian press, where depositions from prosecution witnesses, including star ‘supergrasses’, are published verbatim, almost daily. Trial by gramophone, as after-dinner entertainment, is a new development in criminal justice. Possibly it is ...”

“... I do not suppose one could reasonably expect this academic study to be a more entertaining read, though one feels at times that the author has deliberately driven all the political and industrial excitement out of his narrative. He also tends to be repetitive, in an attempt to bludgeon home a few general truths about the wider relationship between ...”

“... and solemn nonsense’ are however assailed, reasonably enough, in the persons of directors like Peter Brook and John Barton whose productions are determined by Kott’s or some other’s attempts to find in Shakespeare 20th-century ‘relevance’. Next man up is Stanley Fish, author of Surprised by Sin, Self-Consuming Artefacts and Is there a text in this ...”

“... tiresome 94-page preface to attacking writers such as Habermas, Ricoeur and George Klein, who read Freud as having begun a rigorous but not scientific approach to the mind. ‘Scientific’ has to bear a fairly complicated burden here. The emphasis in some of these writers is on the absence of anything like a relation of objective causality in their ...”

“... they violently disagreed. It was mostly after we’d run a piece by Edward Said. ‘I refuse to read pieces written by murderers,’ one of them said. ‘And we’re happy not to publish them,’ I said. ‘Said is happy to see Israelis bombed,’ she said. ‘No,’ I said. ‘Professor Said is happy to make arguments, and we are happy to publish ...”

“... No doubt many Conservatives in the country and some of the more naive MPs thought that what they read in the Times and Telegraph reflected genuine British Tory views. Regrettably, they did nothing of the sort. The Times, owned by Rupert Murdoch, who was an Australian and is now an American, was as always chiefly concerned with its proprietor’s economic ...”