“... moment in a verbal contest, a gaudy, point scoring mockery against the serious-mindedness of Sir Robert Peel or, later, Gladstone. Byron’s is itinerant, physical, and (perhaps most distinctively) shuns the maternal and the doting for the anti-familial, for the generosity of pure sexual scandal. Disraeli, hermaphroditically gliding between his exotic ...”

“... a more damaging charge – especially since it was linked to the somewhat improbable vision of Dr Robert Runcie, as a spider at the centre of a web of intrigue, still manipulating everything his own way. But the question, of course, is not whether what Dr Bennett wrote was wounding or damaging: it is whether or not it is true. Has the Church, in fact, in ...”

“... obliquely related, spanning almost forty years: on Basil Bunting, Charles Tomlinson, Ted Hughes, Robert Graves, Hugh MacDiarmid, J.M. Synge, David Jones, George Steiner, Geoffrey Hill, Elizabeth Daryush and the fraternity of poets anthologised by Andrew Crozier and Tim Longville in A Various Art. It also includes a number of Davie’s poems. If we were to ...”

“... the Reformation was the work of a small minority, then much of it was bound to be ugly. In 1536 Robert Plumpton wrote to his mother: ‘You have much to thank God for that it should please him to give you licence to live until this time, for the Gospel of Christ was never so truely preached as it is now.’ For people like Plumpton and Thomas Cromwell, as ...”

“... leaders who made the Algerian revolution with Ben Bella, or like the intellectuals who fought with Robert Mugabe and Joshua Nkomo for Zimbabwe. They make good company for the Revolucion people and the survivors of Cuba’s 26 July Movement. All were pushed aside or destroyed by the coming of the revolutionary police state, a restoration of the old coercive ...”

“... translations of Colette to appear in Britain. It gives, however, no feel of Colette whatever. Robert Phelps makes a sound and lively job of his selection of her letters, which constitutes in effect an autobiography in outline. He includes a letter (or is it a poem? is her concreteness of imagery in fact more Japanese than English?) that might be by ...”

“... although they would have delighted, Veronese, Rubens or Reynolds. Delaroche’s picture presents Robert Rosenblum with ‘the immediate illusion of a theatrical tableau enacted by costumed players in a crystal-clear space’. It was painted for – one might say took place at – the Salon of 1834. By then many paintings were designed primarily for the great ...”

“... incident occurs. Here we are close to the art of the stage conjurer: a point well made by Robert Barnard in his concise and extremely acute book. Again, over this long period of time the clue tends steadily to refine and even attenuate itself in consonance with the enhanced acuity of readers. It is no longer at all likely to be the imprint of a boot ...”

“... Winstanley and Harrington, but I found his chapters on lesser writers even more instructive. Robert Burton and Samuel Gott are revealed as more significant ‘utopians’ than has been recognised. Dr Davis is also interesting on William Sprigge’s A Modest Plea for an Equal Commonwealth of 1659, the anonymous Chaos (1659) and The Free State of Noland ...”

“... few, if any, human beings are in fact well-placed to alter it in an intended manner. Professor Robert Neild’s polemic is concerned with a more parochial topic than his title suggests: not with making up one’s mind about the Bomb but with the more manageable task of making up one’s mind about the proper role of the Bomb within the defence policy of ...”

“... by Thomas Rowlandson at his liveliest, ranging from the satirical to the rustic. The text is by Robert Southey, condensed from his 1807 report on England purporting to be by a Spanish nobleman, and the joke consists of finding Southey phrases to fit Rowlandson pictures, or vice versa. One objection to this forced union is that Southey was less preoccupied ...”

“... boldly written about their authenticity in the Sunday Times, Murdoch swept him aside, according to Robert Harris, with the memorable line: ‘Fuck Dacre, publish.’ Meanwhile the historian David Irving denounced the diaries as fakes, on the radio and television of three countries, although he had no sound evidence for saying so. Two weeks later, when everyone ...”

“... whereas for others of us (Seamus Heaney, for one, who recently incorporated the poem – in Robert Pinsky’s superb translation – into a fervent lecture on poetry and political witness), ‘Incantation’ is a poem to freeze the spittled irony upon the lips of even the most malignant of ironists. In this, it partakes – though utterly different in ...”

“... in the year 1855, and the narration takes the form of letters written by a young American, Robert Booth, to his friend Professor Prescott, an authority on Theoretical and Practical Ethics. Booth, in retreat from rejection in love and a sense of his own failure in literature, has known at least one stroke of luck: he has become, he tells his ...”

“... are some details, such as those about the Crucifixion, which the writers claimed as fitting in. Robert Graves has made splendid use of this line of explanation in The Nazarene Gospel Restored, deducing an entirely credible character. According to Mark and Matthew, the last words of Jesus were ‘My God, why hast thou forsaken me?’, though the other two ...”