“... up the idea that you’ll ever again be prized? In a way it’s not so terrible ... You feel a bit self-pitying, a little angry, but it passes, it’s not so terrible, many people live that way ... I expected to live that way the rest of my life.’ But then she meets Clement and tastes desire again, and sexual pleasure, and risk, and the consequent fear of ...”

“... economists. The World, it soon seemed, was ruled by little else, or at any rate nobody else. The self-serving function of Keynes’s proposition is obvious. But the constituency whose interest it served, or whose self-esteem it bolstered, was simultaneously narrower and broader than that of Keynesianism as such. Even ...”

“... equates this scenario – the New Woman as ‘predator, rebel and neurotic’, dominating a ‘self-doubting New Man, whose very passivity makes his heroism problematic’ – with the male response to feminism, and the creation of a male protagonist who is both ‘passive and exemplary’ is his touchstone of male sexual vision. When he is considering ...”

“... serious interest in Ireland. In the meantime, however, the United Irishmen were pushed back into self-reliance, manifested in Robert Emmet’s attempted insurrection of 1803. Elliott gives this as much space as Hoche’s expedition, though it had no concrete connection with France. Like the rest of her book, apart from broad-ranging introductory and ...”

“... preliminary conclusion that ‘To sum up, we can say that actions regulated by norms, expressive self-presentations, and also evaluative expressions, supplement constative speech acts in constituting a communicative practice which, against the background of a lifeworld, is oriented to achieving, sustaining, and renewing consensus – and indeed, a consensus ...”

“... it. Not even Oscar Wilde assumed the name, Who called himself both genius and poet. That he was self-appointed to his fame – A true wit wouldn’t hint it, much less crow it. Poor knackered Nicky thinks he’s Alan Coren: He’s just a wee laird with a twitching sporran. And yet it’s wise to give conceit expression – Within the limits set by the ...”

“... surface, the dichotomy pointed to by Mencken. One a British peer of ancient lineage, the other a self-made man who, through investing skill and fanatical diligence, became the richest of all Americans, in ‘essential character’ they were poles apart. True, they had certain obvious things in common: each had many marriages (four for Bend’Or, five for ...”

“... distancing device which allowed him to dip back into Dublin was style. The novel’s elaborately self-conscious language helps to fend off the place at the same time as it brings it closer. Joyce immerses himself in his home town, but only as it is mediated by his all-sovereign art. We are never allowed to forget that this is a city made of words. Samuel ...”

“... lightning of divinity flickering around his locked, lobster-like claws seeks patiently to undo his self-defences. Thomas Mann’s Adrian Leverkühn, the damned hero of Doctor Faustus, chooses to study theology at university, determined to take the measure of the opposition. Like the saints, the wicked constitute a spiritual aristocracy, a privileged elite as ...”

“... just to accept but to respect – comes back from the brink of death to be his old death-dealing self. Within the delicate predatory network of the book we are to tremble back along the lines to an earlier exchange of curbed hostilities, no less banal and no less desolately oppressive but the other way round, when Peter earlier went upstairs to his father ...”

“... a rosy reflection of all whom we care for enough, the Other rendered perfect in a paradise of our self-love. If MacSweeney’s poem takes its measure from The Infant and the Pearl, it’s nonetheless a more desperate work, cutting away to contemporary horrors with intent to shock. In ‘Cavalry at Calvary’, written to the Guardian journalist Maggie ...”

“... the duty of ethical probity that goes with it. The deconstructionist, more often than not, is a self-conscious outlaw. Thomas Docherty in On Modern Authority takes up the pose of the Noble Robber and gleefully uncovers an etymological affinity between criticism and crime. His aim is to redistribute textual power and authority to the dispossessed ‘readers ...”

“... our thoughts are trapped in hand-me-down forms and even the act of investigating and naming the self is both arbitrary and suspect. A lost language would mean a misplaced self; and indeed, Aron has caught a fleeting and provocative glimpse of a shadow father behind the father he knows, a lithe and animated Papa who is ...”

“... privilege to Labour’s traditional constituency, the overarching concept of ‘community’, a self-evidently inclusive idea which is almost incompatible with class or social conflict – all are generated by a rhetoric of social harmony and commonality of interest and endeavour. This is a bold and admirable enterprise plainly worth trying. Were this a ...”

“... in terms. Davenport-Hines sees the Post-Modern as the latest resurgence of Gothic – a self-confirming case to some extent, since he tends to read the latter in terms of the former. But he has a point even so. The speech of American youth – weird, gross, bizarre, wicked, scary – is certainly the discourse of Gothic, which before Modernism ...”